Jennifer Birkett

Since his death in 1989, it has become difficult to imagine that Samuel Beckett was once a virtually unknown writer. Born in 1906 into a respectable middle-class family in a Dublin suburb, he came late to fame in the early 1950s with the ground-breaking play, Waiting for Godot. Since Godot, Beckett's writings have been translated, published, and staged throughout the world. This highly accessible and original account offers a new opportunity to engage with a towering figure of Irish and world literature. The book offers a systematic overview of Samuel Beckett's best-known and most popular work - in poetry, drama, prose, radio, and television - along with his more difficult pieces. Original close readings explore his transformative work on language and form. For Beckett, life was a matter of doing time, while writing was a way of undoing it. In the process, writers, audiences, and readers enter into a different understanding of how it is to be human. *** Librarians: ebook available on ProQuest and EBSCO *** "Providing historical context and relevant details about Beckett's life, in both Ireland and France, Birkett offers fresh insight into his work, bringing much clarity to his aesthetic vision and purpose and revealing his continuing relevance. Highly recommended." -- Choice, Vol. 53, No. 5, January 2016 *** "...an impressively written work of seminal scholarship and a critically important addition to academic library Literary Studies reference collections in general, and Samuel Beckett supplemental studies reading lists in particular." -- Midwest Book Review, Reviewer's Bookwatch: October 2015, Julie's Bookshelf [Subject: Literary Criticism, Irish Studies]

The Life and Work of Samuel Beckett

Undoing Time

Alex Hughes

Kate Ince

This fascinating study explores the pleasures and torments of love and sexuality as depicted in the works of six important French women writers: Rachilde, Colette, Leduc, Wittig, Cixous and Duras. Historically, erotic literature has been dominated by male writers. Feminist critics have argued that its central motifs of voyeurism, sadomasochism, incest and violence to women's bodies are governed by the unconscious fantasies and prejudices of a patriarchal sociocultural order. The contributors question how this sociocultural order has affected the erotic writing of the women writers studied. They explore the opportunities for, and constraints on, women's erotic writing in the early to mid-twentieth century through the works of Rachilde, Colette and Leduc. This is contrasted with the writing of prominent contemporary authors -- Wittig, Cixous and Duras -- to reveal new developments and diversification within the genre. The focus throughout is on how these writers deal with erotic language and rhetoric, their treatment of traditional themes of eroticism, and -- most vital to recent feminist criticism and theory -- their vision of the female body and women's sexual pleasure. The book provides key insights into the development of women's erotic discourse throughout this century and the diversity that characterizes it.

Women's Desiring Writing, 1880-1990

French Erotic Fiction

Bringing together seminal writings on Beckett from the 1950s and 1960s with critical readings from the 1980s and 1990s, this collection is inspired by a wide variety of literary-theoretical approaches and covers the whole range of Beckett's creative work. Following an up-to-date review and analysis of Beckett criticism, fifteen extracts of Beckett criticism are introduced and set in context by editors' headnotes. The book aims to make easily accessible to students and scholars stimulating and innovative writing on the work of Samuel Beckett, representing the wide range of new perspectives opened up by contemporary critical theory: philosophical, political and psychoanalytic criticism, feminist and gender studies, semiotics, and reception theory.

Samuel Beckett

A summary and critical commentary of the themes and features of the play. Designed to meet the requirements of the major examining boards. Includes revision questions

Beckett: Waiting for Godot

From her childhood in Whitby to her long old age in Cambridge, the life of Margaret Storm Jameson (1891-1986), novelist, autobiographer, and political activist, spanned almost the whole of the twentieth century. A self-styled Little Englander by nature, and European by nurture, equally at home, or out of place, in the North Yorkshire moors and seascape of her birth, metropolitan London, rural France, and the capitals of Central Europe, she wrote of country, cities and the exile from both with equal knowledge and sympathy. Out of the changing landscapes of her present, she fashioned her vision of the future. The title of her autobiography, Journey from the North, is a simultaneous evocation and erasure of nostalgia for lost commonality, and in her long life as writer and activist, President of wartime PEN (the association of Poets, Essayist, Novelists) committed to the values of freedom and social justice, she fought to reconcile the conflicting forms of emergent modernity. Her own journey is the generic experience of twentieth-century Britain, and the England she urges on her contemporaries is one that shares the life and mind of Europe. The present book traces the history of that shared experience. It recovers, through her writing, the aspirations and the disappointments of the generation of socialists that was Class 1914. The soldiers returning from the front in 1918, to unemployment and the General Strike of 1926, fight in 1940 alongside Frenchmen, and against Germans, who are victims of the same system: class conflict, nationalist rivalries, imperialist ambition, all for Jameson have the same defining economic horizon. At the end of the odyssey the stark alternatives take shape: Washington or Moscow, the madness of American capitalism, or the oppression of Stalinist Communism. Alongside the narrative of Jameson's life, and the experiences as daughter, wife, and mother that shaped her personality and her career, the book explores her concern with issues of culture and society, cultural memory, and cultural landscapes, her fascination with aesthetic form and the relation of writing to politics, her insight into the materiality of words, and her persistent probing of the nature of the writing subject. It draws on unpublished archive material and brings new research on neglected areas of cultural history into conjunction with literary-critical analyses of Jameson's novels and studies of her journalism and essays. There is an extensive Bibliography of her work.

A Life

Margaret Storm Jameson

Decadence in France 1870-1914

The Sins of the Fathers

The Evolution of a Spew

Heart Bones

The life-story of Margaret Storm Jameson (1891-1986), prolific novelist and political activist. In her time Jameson gained international recognition for her writing and for her wartime work as President of PEN, fighting for freedom and social justice while rescuing refugees from Nazi Europe and British internment camps.

Jennifer Birkett

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