Julia Bryan-Wilson

Corey Keller

Jennifer Blessing

"Catalogue produced in conjunction with the exhibition Francesca Woodman, presented at the San Francisco Museum of Modern Art (November 5, 2011-February 20, 2012) and the Guggenheim Museum, New York (March 16-June 15, 2012)"--Provided by publisher.

Francesca Woodman

Sandra S. Phillips

Rineke Dijkstra

This volume is the first comprehensive monograph on Rineke Dijkstra to be published in the United States, accompanying the first U.S. mid-career survey of this important Dutch artists work in photography and video. The catalogue features the Beach Portraits and other early works such as the photographs of new mothers and bullfighters, together with selections from Dijkstras later work, including her most recent video installations. Also featured are series that the artist has been working on continuously for years, such as Almerisa (1994), which documents a young immigrant girl as she grows up and adapts to her new environment. Exhibition curators Jennifer Blessing, Senior Curator, Photography, Solomon R. Guggenheim Museum, and Sandra S. Phillips, Senior Curator of Photography, San Francisco Museum of Modern Art, contribute essays accompanied by an interview with the artist by Jan van Adrichem, selected interviews with several of the artists subjects, and entries on the artists series by Chelsea Spengemann, as well as the most comprehensive exhibition history and bibliography to date.

A Retrospective

Solomon R. Guggenheim Museum

Exhibit: 1/17-4/27/97, Distributed by Abrams, Art historical perspective on gender interest.

Gender Performance in Photography

Rrose is a Rrose is a Rrose

Emerging photographers working in a contemporary art context This catalogue presents an important new trend in contemporary photography, offering an opportunity to define the concerns of a younger generation of artists and contextualize them within the history of art and culture. Drawing on the legacies of conceptual and commercial photography, these artists pursue a largely studio-based approach to still-life photography that centers on the representation of objects, often printed matter such as books, magazines and record covers. The result is images imbued with poetic and evocative personal significance--a sort of displaced self-portraiture--that resonate with larger cultural and historical meanings. Driven by a deep interest in the medium of photography, these artists investigate the nature, laws and magic of film photography at the moment of its disappearance in our digital age. They attempt to rematerialize the photograph through meticulous printing, using film and other disappearing photo technologies, and by creating photo-sculptures and installations. Artists include Claudia Angelmaier, Erica Baum, Anne Collier, Moyra Davey, Leslie Hewitt, Elad Lassry, Lisa Oppenheim, Erin Shirreff, Kathrin Sonntag and Sara VanDerBeek.

An Anthology

Photo-poetics

Stephen Hoban

Helena Winston

This book, which accompanies a forthcoming exhibition at the Deutsche Guggenheim Museum, investigates the legacy of northern Romantic landscape painting in contemporary photography, sculpture and video. It presents artists reveries on place, which transform the idealism of the Romantic tradition through the specificity of photographic representation. The book features works by some seven artists who are inspired by the northern climes in which they live, including Stan Douglas, Olafur Eliasson, Eiger Esser, Thomas Flechtner, Roni Horn and Armin Linke.

True North

Jeff Wall

Katrin Blum

Jeff Wall: Exposureintroduces four new large-scale black-and-white photographs by the Canadian artist Jeff Wall. Presented publicly for the first time in an accompanying special exhibition at the Deutsche Guggenheim in Berlin, this new work is shown alongside earlier pieces--both black-and-white photographs as well as transparencies mounted in light boxes--to create an ensemble that resonates formally and thematically. Wall has long been interested in the language of Realism, in the values and aesthetics of representing daily life. All of the pictures realistically portray desolate places and people in straitened circumstances typical of contemporary society. This focused catalogue, with essays by Guggenheim Museum Curator of Photography Jennifer Blessing and Katrin Blum, aptly demonstrates Wall's continuing interrogation of the history of photographic representation--here specifically the legacies of documentary photography and Neorealist film.

Jennifer Blessing

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