Terry Flew

Julian Thomas

Jennifer Holt

Debates about the digital media economy are at the heart of media and communication studies. An increasingly digitalised and datafied media environment has implications for every aspect of the field, from ownership and production, to distribution and consumption. The SAGE Handbook of the Digital Media Economy offers students, researchers and policy-makers a multidisciplinary overview of contemporary scholarship relating to the intersection of the digital economy and the media, cultural, and creative industries. It provides an overview of the major areas of debate, and conceptual and methodological frameworks, through chapters written by leading scholars from a range of disciplinary perspective. PART 1: Key Concepts PART 2: Methodological Approaches PART 3: Media Industries of the Digital Economy PART 4: Geographies of the Digital Economy PART 5: Law, Governance and Policy

The SAGE Handbook of the Digital Media Economy

Michael Curtin

Kevin Sanson

Distribution Revolution is a collection of interviews with leading film and TV professionals concerning the many ways that digital delivery systems are transforming the entertainment business. These interviews provide lively insider accounts from studio executives, distribution professionals, and creative talent of the tumultuous transformation of film and TV in the digital era. The first section features interviews with top executives at major Hollywood studios, providing a window into the big-picture concerns of media conglomerates with respect to changing business models, revenue streams, and audience behaviors. The second focuses on innovative enterprises that are providing path-breaking models for new modes of content creation, curation, and distribution—creatively meshing the strategies and practices of Hollywood and Silicon Valley. And the final section offers insights from creative talent whose professional practices, compensation, and everyday working conditions have been transformed over the past ten years. Taken together, these interviews demonstrate that virtually every aspect of the film and television businesses is being affected by the digital distribution revolution, a revolution that has likely just begun. Interviewees include: • Gary Newman, Chairman, 20th Century Fox Television • Kelly Summers, Former Vice President, Global Business Development and New Media Strategy, Walt Disney Studios • Thomas Gewecke, Chief Digital Officer and Executive Vice President, Strategy and Business Development, Warner Bros. Entertainment • Ted Sarandos, Chief Content Officer, Netflix • Felicia D. Henderson, Writer-Producer, Soul Food, Gossip Girl • Dick Wolf, Executive Producer and Creator, Law & Order

Conversations about the Digital Future of Film and Television

Distribution Revolution

The genre of the mystery novel offers an ideal medium to analyze social injustice. The guise of criminal investigations allows for an examination of deviant behavior across diverse social strata and its causes and effects upon modern society. In theory, institutional justice in Italy extends equal rights and treatment to all citizens, irrespective of social standing or political affiliation. However, an analysis of criminal activity and the manner in which it is investigated and prosecuted reveals that this principle does not always hold true. These crimes--each a labyrinth of social and political connections, the daunting task of exposing those responsible and bringing them to justice within the framework of the legal system--constitute the plot of the Sicilian mystery novel. Despite the valiant and occasionally successful efforts of an investigator to solve these crimes, it is impossible to prosecute the guilty parties within the framework of the legal system. This break of the Sicilian mystery novel with the tradition of the genre prompted Italo Calvino to comment on " ... the impossibility of the mystery novel within a Sicilian context" (Calvino, Foreword. To Each his Own). These mystery novels raise the question: What are the social phenomena unique to a Sicilian context that prevent institutionalized justice from being administered and what are the historical reasons responsible for such phenomena? When read as reflections of modern Sicilian society and the complex social problems that beleaguer it, the mystery novels of Leonardo Sciascia and Andrea Camilleri act as powerful tools of social denouncement. Through these novels their authors denounce the obscure web of connections and corruption that plagues not only Sicily but the Italian mainland as well. These mysteries reflect a society that is increasingly socially engaged, and they hint at the evolution of a collective moral consciousness in Sicily since Sciascia first published The Day of the Owl in 1961. This dissertation examines the innovative stylistic and thematic elements that make Sciascia and Camilleri's literary contributions unique while reflecting the socially unjust cultural reality in which they were raised.

The Sicilian Mystery Novels of Leonardo Sciascia and Andrea Camilleri

Denouncement, Engagement and Dialect

As patterns of media use become more integrated with mobile technologies and multiple screens, a new mode of viewer engagement has emerged in the form of connected viewing, which allows for an array of new relationships between audiences and media texts in the digital space. This exciting new collection brings together twelve original essays that critically engage with the socially-networked, multi-platform, and cloud-based world of today, examining the connected viewing phenomenon across television, film, video games, and social media. The result is a wide-ranging analysis of shifting business models, policy matters, technological infrastructure, new forms of user engagement, and other key trends affecting screen media in the digital era. Connected Viewing contextualizes the dramatic transformations taking place across both media industries and national contexts, and offers students and scholars alike a diverse set of methods and perspectives for studying this critical moment in media culture.

Jennifer Holt

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