Jeroen de Kloet

Lena Scheen

Essays written by an interdisciplinarty team of experts on Chinese cities and leading cultural critics. Aiming to steer away from an exclusive focus on mainland China, the adjective "Chinese" is given cultural meaning and includes places such as Singapore and Hong Kong.

Chinese Urbanities in Art and Popular Culture

Spectacle and the City

Yiu Fai Chow

Gladys Pak Lei Chong

This rich collection of essays offers a multi- and inter-disciplinary discussion of "trans-Asia" approaches from critical theory, historical studies, cultural studies to film studies. In doing so the authors lay down the groundwork for a more inclusive knowledge-production and fruitful transnational collaboration. The authors engage with the implications of “trans-Asia” using a range of empirical cases. At the heart of the book is a desire and attempt to give a grounded understanding of what “trans-Asia” approaches are by examining human mobilities, media culture flows and connections across Asia and beyond in four key aspects: cross-border flows and connections; inter-Asian comparison and referencing; transnational and de-nationalized approaches; and cross-border collaboration.

Theory and Practices

Trans-Asia as Method

Jeroen de Kloet is assistant professor at the Department of Media Studies of the University of Amsterdam, The Netherlands. --

Globalisation, Urban Youth and Popular Music

China with a Cut

China is urbanizing at an unprecedented speed. Filmmakers, artists, musicians, and writers all try to come to terms with the changes of their city. How is the Chinese city-as-spectacle, visualised and thus imagined and reimagined, if not contested, in art and popular culture? What are the possible escape routes from a completely commodified cityscape? How to realign artistic expressions of the spectacle with everyday practices? The imaginations of the Chinese city in art and popular culture that this book explores are not taken as merely mirroring or reflecting reality, on the contrary, they are part and parcel of the construction, destruction and deconstruction of that reality. As such, these imaginations are enmeshed in the social, material and political realities that produce Chinese cityscapes. Spectacle and the City: Chinese Urbanities in Art and Popular Culture brings together essays by an interdisciplinary team of experts on Chinese cities, including world-renowned scholars like Ackbar Abbas and Chua Beng Huat, as well as leading cultural critics like Ou Ning. Aiming to steer away from an exclusive focus on Mainland China, the adjective Chinese has a cultural meaning and includes places like Singapore and Hong Kong.

chinese urbanities in art and popular culture

Spectacle and the city

Thomas Poell

Esther Peeren

Robin Celikates

This book guides the reader through the many complications and contradictions that characterize popular contestation today, focusing on its socio-political, cultural, and aesthetic dimensions. The volume recognizes that the same media and creative strategies can be used to pursue very different causes, as the anti-gay marriage Manif Pour Tous movement in France makes clear. The contributors are scholars from the humanities and social sciences, who analyze protests in particular regions, including Egypt, Iran, Australia, France, Spain, Greece, and Hong Kong, and transnational protests such as the NSA-leaks and the mobilization of migrants and refugees. Not only the specificity of these protest movements is examined, but also their tendency to connect and influence each other, as well as the central, often ambiguous role global digital platforms play in this.

Mobility, Sustainability, Aesthetics & Connectivity

Global Cultures of Contestation

Through the lens of popular music in and from Hong Kong, this book examines the material, ideological, and geopolitical implications of music production and consumption. It intends to trace the worldwide flow of popular culture and the people who produce and consume it.

Jeroen de Kloet

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