Jane Johnson

Amber

Mona Darling

Clara

Courtney

Delilah Night

Jess

Jenn

Lauren Marie Fleming

Nina Potts

Picky Britches

Melinda

Frederica Janie de la Fontain

Lynn Lacroix

Hipster Homemaker

Tizz Wall

Sweet Cheeks

Taffy Davenport

Alcia Wolfe

Firefly Sub

Kailynn

Penny Barber

Katherine

Luisa Colt

Kate Conway

Elis Bradshaw

Foxy Kitten

Hopper James

Maple Muffins

Kate Anon

Sandra D

Lexie

Nikkiana

Lucky Girl

Polly Priss

Belle

Christy Summer

Glitter is about the female sexual experience, which contrary to what the media would have you believe, is not all bubble baths and chick flicks. Women are constantly judged as slutty, or uptight, but the reality is somewhere in between those two, and sometimes, no where near either. We have secret shames and private desires and we all feel we are the only one. We are good churchgoing girls with a penance for the paddle, PTA moms who hire escorts, feminists who like to bottom in the bedroom, slutty virgins, bi curious married ladies and women with a past. We are gay, straight and undecided. We are all over the map, and we are amazing. The contributors to this anthology discuss everything from masturbation to fetishes, from sexy to sad. Not every story will sit well with you for a variety of reasons. I hope you can still read it and be supportive of the writers.

Real Stories from Real Women about Sexual Desire

Glitter

Tenth Muse (Firm)

Julia Newman

Signed and Association Items

The Tenth Muse

An Exhibition Organized by the Dallas Museum of Fine Arts, April 6 Through May 15, 1977, with the Participation of University Art Museum, Berkeley, June 7 Through July 24, 1977, Des Moines Art Center, October 26 Through December 4, 1977

Translations, Salvages, Paste-ups by Jess

Michael Auping

John and Mable Ringling Museum of Art

Jess, Paste Ups (and Assemblies), 1951-1983

Press Release: "The Tibor de Nagy Gallery is pleased to present its first exhibition of works by the celebrated painter and collage artist Jess (Collins), a leading light of the San Francisco art scene from the 1950s until his death in 2004, and one of the most original artists of the second half of the 20th century. The exhibition will include a selection of paintings and collages dating from 1952 to 1993. The exhibition is the first in New York since the comprehensive Jess retrospective "A Grand Collage," was presented at the Whitney Museum in 1994, and the first gallery exhibition in New York in over twenty years. The artist is best known for his paste-ups, translations and salvages. His paste-ups are complicated surrealist collages assembled using magazines, photographs, and any other material at hand. The translations, which comprise thirty-two paintings completed over thirty years, borrow images from a range of sources, including scientific illustrations, childhood photographs, and postcards. He used the terms salvages for those works he created on paintings he found at thrift stores, or unfinished canvases of his own. Included in the exhibition will be some of his most significant works, drawn from museums and private collections. Among the works, will be two of Jess's largest, most complex paste-ups The Unentitled Graces, 1978, (Collection Albright-Knox Art Gallery), and A Cryogenic Consideration; Or, Sounding One Horn Of The Dilemma (Winter), 1980 (private collection), and five of Jess's translations, all oil on wood or canvas, the largest measuring 28 x 18 inches."

Paintings and Paste-ups

Includes 16-page reprint of Jess's 'O!' from 1960, with a preface by Robert Duncan, in pocket at p. 57.

O! Tricky Cad & Other Jessoterica

Jess

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