Jessi Jezewska Stevens

"A triumph of tone and intelligence. Percy Q's perspective is skewed and searching at once, and through her eyes, we see afresh not only New York's post-9/11 landscape but also the world of art, and love, and the process of becoming." —Rivka Galchen, author of Atmospheric Disturbances Percy is pregnant. She hasn’t told a soul. Probably she should tell her husband—certainly she means to—but one night she wakes up to find she no longer recognizes him. Now, instead of sleeping, Percy is spending her nights taking walks through her neighborhood, all the while fretting over her marriage, her impending motherhood, and the sinister ways the city is changing. Amid this alienation—from her husband, home, and rapidly changing body—a package arrives. In it: an exhibition catalog for a photography show. The photographs consist of a series of digitally manipulated images of a woman lying on a bed in a red room. It takes a moment for even Percy to notice that the woman is herself . . . but no one else sees the resemblance. Percy must now come to grips with the fundamental question of identity in the digital age: To what extent do we own our own image, and to what extent is that image shaped by the eyes of others? Capturing perfectly the haunted atmosphere of Manhattan immediately after 9/11—and the simmering insanity of America ever since—Jessi Jezewska Stevens's The Exhibition of Persephone Q is a darkly witty satire about how easy it is to lose ownership of our own selves.

A Novel

The Exhibition of Persephone Q

With her novels The Exhibition of Persephone Q and The Visitors, Jessi Jezewska Stevens has proven herself as our preeminent purveyor of comical, techno-millenarian unease. Now, with this first collection of her acclaimed short fiction--originally appearing in such venues as The Paris Review, Harper's and Tin House--some of her very best work is at last readily available to readers. Stevens's women throw disastrous parties in the post-party era, flirt through landscapes of terror and war, and find themselves unrecognizable after waking up with old flames in new cities. They navigate the labyrinths of history, love, and ethics in a fractured American present, seeing first-hand how history influences the ways in which we care for--or neglect--one another. With each story exemplifying Stevens's ability to examine the big questions through the microscope of a shambolic human perspective, Ghost Pains is a triumphant statement of purpose from one of our greatest young writer-thinkers.

Ghost Pains

From the author of The Exhibition of Persephone Q, a chilling fable about the necessity--and impossibility--of productivity, art, and love in an age governed by capitalist logic.

The Visitors

On the eve of the Occupy Wall Street protests, C is flat broke. Once a renowned textile artist, she's now the sole proprietor of an arts supply store in Lower Manhattan. Divorced, alone, at loose ends, C is stuck with a struggling business, a stack of bills, a new erotic interest in her oldest girlfriend, and a persistent hallucination in the form of a rogue garden gnome with a pointed interest in systems collapse . . . C needs to put her medical debt and her sex life in order, but how to make concrete plans with this little visitor haunting her apartment, sporting a three-piece suit and delivering impromptu lectures on the vulnerability of the national grid? Moreover, what's all this computer code doing in the story of her life? And do the answers to all of C's questions lie with an eco-hacktivist cabal threatening to end modern life as we know it? The Visitors is mordantly funny as it follows a woman dealing with debt, lust and an unwelcome visitor in the last days of a broken status quo. It peers into How We Got Here and asks What We Do Next, whatever our personal hallucinations may be.

Jessi Jezewska Stevens

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