Jessie Greengrass

In this powerful, highly anticipated novel from an award-winning author, four people attempt to make a home in the midst of environmental disaster. Perched on a sloping hill, set away from a small town by the sea, the High House has a tide pool and a mill, a vegetable garden, and, most importantly, a barn full of supplies. Caro, Pauly, Sally, and Grandy are safe, so far, from the rising water that threatens to destroy the town and that has, perhaps, already destroyed everything else. But for how long? Caro and her younger half-brother, Pauly, arrive at the High House after her father and stepmother fall victim to a faraway climate disaster—but not before they call and urge Caro to leave London. In their new home, a converted summer house cared for by Grandy and his granddaughter, Sally, the two pairs learn to live together. Yet there are limits to their safety, limits to the supplies, limits to what Grandy—the former village caretaker, a man who knows how to do everything—can teach them as his health fails. A searing novel that takes on parenthood, sacrifice, love, and survival under the threat of extinction, The High House is a stunning, emotionally precise novel about what can be salvaged at the end of the world.

A Novel

The High House

SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018 'A stunning debut' Guardian In Jessie Greengrass' superb debut novel, our unnamed narrator recounts her progress to motherhood, while remembering the death of her own mother ten years before, and the childhood summers she spent with her psychoanalyst grandmother. Woven among these personal recollections are significant events in medical history: Wilhelm Röntgen's discovery of the X-ray; Sigmund Freud's development of psychoanalysis and the work that he did with his daughter, Anna; and the origins of modern surgery and the anatomy of pregnant bodies. Sight is a novel about being a parent and a child: what it is like to bring a person in to the world, and what it is to let one go. Exquisitely written and fiercely intelligent, it is an incisive exploration of how we see others, and how we might know ourselves.

Sight

'Greengrass is undoubtedly that rare thing, a genuinely new and assured voice in prose. Her work is precise, properly moving, quirky and heartfelt' AL Kennedy The twelve stories in this startling collection range over centuries and across the world. There are stories about those who are lonely, or estranged, or out of time. There are hauntings, both literal and metaphorical; and acts of cruelty and neglect but also of penance. Some stories concern themselves with the present, and the mundane circumstances in which people find themselves: a woman who feels stuck in her life imagines herself in different jobs - as a lighthouse keeper in Wales, or as a guard against polar bears in a research station in the Arctic. Some stories concern themselves with the past: a sixteenth-century alchemist and doctor, whose arrogance blinds him to people's dissatisfaction with their lives until he experiences it himself. Finally, in the title story, a sailor gives his account - violent, occasionally funny and certainly tragic - of the decline of the Great Auk.

An Account of the Decline of the Great Auk, According to One Who Saw It

Bakış

Was wir voneinander wissen

Sarah Hall

Jon McGregor

"Our first book, Reverse Engineering, is a collection of seven of the best modern short stories, each followed by a discussion with the writer – on their instincts, processes and ideas on writing." -- Publisher website

Reverse Engineering

"The remarkable first novel from the award-winning British writer, Jessie Greengrass 'It seemed, at times, an act of profound selfishness, to have a child so that I might become a parent; but selfish, too, to have a child and stay the same, or not to have one - unless the only honest choice would have been to try to become this kinder version of myself without the need to bring another into it.' Set at the twin poles of life and death, Sight is a novel about being a parent and a child, what it is like to bring a person in to the world, and what it is to let one go. With forays into the history of psychoanalysis and the origins of modern surgery, our unnamed narrator shines a light on those hidden parts that lie at the heart of us, to reveal an examined life laid bare in all its desire and grief. Fiercely intelligent and exquisitely written, Jessie Greengrass's remarkable debut is an incisive exploration of how we see others, and how we might know ourselves"--

a novel

Issız Ev

Ein philosophischer Roman über die Frage, wie man Erkenntnisse gewinnt und die richtigen Entscheidungen trifft. Eine junge Frau steht vor einer lebensverändernden Entscheidung und stellt sich deshalb die Frage, wie man eigentlich Erkenntnisse gewinnt. Sie überdenkt ihre eigene Situation und die ihrer Mutter und Großmutter, betrachtet aber auch die Erfolge berühmter Wissenschaftler, um so zu verstehen, was das Leben eigentlich ausmacht und wie man voneinander lernen kann. Will ich ein Kind? Will ich es jetzt? Was gibt dem Leben Bedeutung? Die Ich-Erzählerin versucht, im Leben ihrer verstorbenen Mutter und ihrer Großmutter, die Psychoanalytikerin war, Antworten auf diese essenziellen Fragen zu finden. Auf der Suche nach einem Muster, das sich auf ihr eigenes Leben übertragen lässt, nimmt sie Wendepunkte im Leben wichtiger Persönlichkeiten der Medizingeschichte in den Blick: Röntgen und seine Entdeckung der X-Strahlen, Sigmund und Anna Freud und ihre Entwicklung der Psychoanalyse sowie John Hunter, der die Anatomie erforschte. Wie fällt man rationale Entscheidungen, wenn man die emotionalen Konsequenzen nicht absehen kann? Kann man aus der Geschichte und den Errungenschaften anderer lernen und für das eigene Leben Schlüsse ziehen? Die Autorin, für ihre Erzählungen mit zahlreichen Preisen ausgezeichnet, erkundet in ihrem ersten Roman auf höchstem Niveau die Angst, folgenreiche Fehler zu machen.

Jessie Greengrass

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