Jez Conolly

Caroline Conolly

Outside of the capital London, no other British city has attracted more film-makers than Liverpool. Sometimes standing in for London, New York, Chicago, Paris, Rome or Moscow, and sometimes playing itself – or a version of its own past in Beatles biopics – Liverpool is an adaptable filmic backdrop that has attracted film-makers to its ports for decades. A place of passion, humour and pride, Liverpool evokes caverns and cathedrals, ferries and football grounds; it is a city so vivid we see it clearly even if we’ve never been there. From the earliest makers of moving images – among them the Mitchell & Kenyon film company, the Lumière brothers and pioneering early cinematographer Claude Friese-Greene – who preserved the city, the river, the docks, the streets and the people, Liverpool has endured as a cinematic destination. This collection celebrates that survival instinct and will be welcomed by enthusiasts of British cities, films and culture.

World Film Locations: Liverpool

David Bates

The Ealing Studios horror anthology film Dead of Night featured contributions from some of the finest directors, writers and technicians ever to work in British film; this is the first time a single book has been dedicated to its analysis

Dead of Night

David Owain Bates

Released a matter of days after the end of the Second World War and a dozen years ahead of the first full-blooded Hammer Horror, the Ealing Studios horror anthology film 'Dead of Night' featured contributions from some of the finest directors, writers and technicians ever to work in British film. Since its release it has become ever more widely regarded as a keystone in the architecture of horror cinema, both nationally and internationally. This book is dedicated to its analysis.

Caroline Whelan

This title presents a collection of over 40 reviews of scenes from films, either shot or set in Dublin, illustrated by images from the scenes in question, and photographs of locations, often as they are today.

Dublin

World Film Locations

Though the creative community of Reykjavík, Iceland, has earned a well-deserved reputation for its unique artistic output—most notably the popular music that has emerged from the city since the 1980s—Reykjavík’s filmmakers have received less attention than they merit. World Film Locations: Reykjavík corrects this imbalance, shedding new light on the role of cinema in a country that, partly because of its small population, produces more films per capita than any other in the world. The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund—before which the country’s film industry barely existed—through today. In a series of illuminating scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship between Iceland and its capital city; youth culture and night life; the relationship between film and the local music community; cinematic representations of Scandinavian crime; and filmmakers’ response to the 2008 banking crisis. Together, these varied contributions show how films shot in Reykjavík have been shaped both by Iceland’s remoteness from the rest of the world and by Icelandic filmmakers’ sense that the city remains forever on the brink of desolate and harsh wilderness.

Jez Conolly

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