Jim Thompson

Nick Corey is a terrible sheriff on purpose. He doesn't solve problems, enforce rules or arrest criminals. He knows that nobody in tiny Potts County actually wants to follow the law and he is perfectly content lazing about, eating five meals a day, and sleeping with all the eligible women. Still, Nick has some very complex problems to deal with. Two local pimps have been sassing him, ruining his already tattered reputation. His girlfriend Rose is being terrorized by her husband. And then, there's his wife and her brother Lenny who won't stop troubling Nick's already stressed mind. Are they a little too close for a brother and a sister? With an election coming up, Nick needs to fix his problems and fast. Because the one thing Nick does know is that he will do anything to stay sheriff. Because, as it turns out, Sheriff Nick Corey is not nearly as dumb as he seems. In Pop. 1280, widely regarded as a classic of mid-20th century crime, Thompson offers up one of his best, in a tale of lust, murder, and betrayal in the Deep South that was the basis for the critically acclaimed French film Coup de Torchon.

Pop. 1280

Roy DIllon seems too handsome and well-mannered to be a professional con man. Lilly Dillon looks too young--and loves Roy a little too intensely--to be taken for his mother. Moira Langtry is getting too old to keep on living off the kindness of male strangers. And Carol Roberg seems too innocent to be acquainted with suffering.

The Grifters

Doc McCoy is the most skilled criminal alive. But when for the first time in Doc's long criminal career, his shot doesn't hit the mark, everything begins to fall apart. And Doc begins to realize that the perfect bank robbery isn't complete without the perfect getaway to back it up. THE GETAWAY is the classic story of a bank robbery gone horribly wrong, where the smallest mistakes have catastrophic consequences, and shifting loyalties lead to betrayals and chaos. The basis for the classic Steve McQueen film of the same name, as well as a 1994 remake with Alec Baldwin, Thompson's novel set the bar for every heist story that followed--but as Thompson's proved time and again, nobody's ever done it better than the master.

The Getaway

A HELL OF A WOMAN is Jim Thompson's version of an American CRIME AND PUNISHMENT. In a novel completely devoid of sentiment, 'Dolly' Dillon, a door-to-door salesman, goes about the appalling business of murder without conscience, without remorse and without any hope of redemption, because of a woman . . .

A Hell of a Woman

Bill Collins is young, good looking, agile and strong but he's a drifter with mild multiple neuroses, in and out of institutions, and dangerously violent on occasion. When he gets involved with the hard-drinking Fay Anderson and the deceptively pleasant ex-police officer everyone knows as Uncle Bud in a ruthless kidnap plot, everything goes to hell in a hurry, and the end, for Bill, is inevitable and shattering. This is a tour de force of paranoia and violence from the master of the crime noir novel.

After Dark, My Sweet

Is Carl Bigelow a fresh-faced college kid looking for a room, or is he a poised hit man tracking down his victim? And if Carl is really two people, what about everyone around him? Savage Night is Thompson at his best, with plot reversals and nightmarish shifts of identity.

Savage Night

Chelsea Cain

Le Démon dans ma peau

After a wartime injury leaves him with a bitter and incomplete life, Clinton Brown turns to drinking and then to the destruction of those who make the mistake of invading his lonely world, as his sole consolation. Reprint.

The Nothing Man

Everyone in Kenton Hills knows that short-tempered, tongue-tied Bob Talbert wasn't the one responsible for the brutal crime that ended Josie Eddleman's life. Nevermind that he was the last one to see her alive. But in a town filled with the likes of an amoral tabloid reporter known only as The Captain, a district attorney who'll do anything for a confession, and Bob's parents, who care as little for Bob as they do for each other, guilt and innocence are little more than a matter of perspective. In a masterfully woven tapestry of multiple points of view, THE CRIMINAL explores the nature of guilt and responsibility in a psychological thriller of an entire town under the spell of an act of brutal violence. Jim Thompson unlike you're ever read him before.

The Criminal

THE KILLER INSIDE ME has been a cult classic since its first publication in 1952. Also a major motion picture starring Casey Affleck, directed by Michael Winterbottom. Deputy Sheriff Lou Ford is a pillar of the community in his small Texas town, patient and thoughtful. Some people think he's a little slow and boring but that's the worst they say about him. But then nobody knows about what Lou calls his 'sickness'. It nearly got him put away when he was younger, but his adopted brother took the rap for that. Now the sickness that has been lying dormant for a while is about to surface again - and the consequences are brutal and devastating. Tense and suspenseful, THE KILLER INSIDE ME is a brilliantly sustained noir crime masterpiece.

The Killer Inside Me

This fictionalized account retraces the author's zigzag path across the prairie states in the 1930s and 1940s as he consorts with corpses and con men, outruns railroad bulls, shakes down debtors, and writes labor history for the W.P.A.

Roughneck

Nic Cusworth

Barnaby Berbank-Green

Practical, complete coverage of game design basics from design process to production This full-color, structured coursebook offers complete coverage of game design basics, focusing on design rather than computer programming. Packed with exercises, assignments, and step-by-step instructions, it starts with an overview of design theory, then progresses to design processes, and concludes with coverage of design production. Jim Thompson, Barnaby Berbank-Green, and Nic Cusworth (London, UK) are computer game designers and lecturers in animation and computer game design.

Principles, Practice, and Techniques - The Ultimate Guide for the Aspiring Game Designer

Game Design

"the Killer inside me" . Traduit de l'américain par F.-M. France-Marie Watkins

Jake Winroy had no looks, no education, and little else before he'd worked his way to the top of a million-dollar-a-month horse-betting ring. But when the state's latched onto his game, the feds take a bite and the lawyer fees eat away at the rest, all Jake's got left is the bottle and a beautiful wife whose every word is ugly. Jake's to be the top witness in a major case against organized crime -- if he hasn't already kicked the bucket before the trial has its day in court. But an enigmatic mafioso known only as The Man has a plan to make dead certain Jake never gets the chance to testify. The Man's hired Charlie "Little" Bigger, a hit man barely five feet tall, to infiltrate the Winroy residence as a tenant and murder Winroy in cold blood. To Little, it seems like the easiest job on Earth. Until he lays eyes on the beautiful and dangerous Fay and the Winroy's young housemaid Ruth, a woman as sensual as she is vulnerable. Savage Night is Jim Thompson at his most unpredictable and deeply suspenseful, in a claustrophobic thriller of one man's fractured mind.

It was supposed to be only a temporary job -- something to pay the bills until Dusty could get his feet back on the ground and raise enough money for medical school. After all, there's nothing wrong with being a bellboy at a respectable hotel like the Manton -- that is, until she came along. Marcia Hillis. The perfect woman. Beautiful. Experienced. Older and wiser. The only woman to ever measure up to that other her -- the one whose painful rejection Dusty can't quite put from his mind. But while Dusty has designs on Marcia, Marcia has an agenda of her own. One that threatens to pull the Manton inside-out, use Dusty up for all he's worth and leave him reeling and on the run, the whole world at his heels. A richly-imagined crime narrative of the Oedipal and betrayal, A Swell-Looking Babe is Thompson at his very best -- a cornerstone in Thompson's enduring legacy as the Dimestore Dostoyevsky of American fiction.

A Swell-Looking Babe

Jim Thompson's classic The Grifters is one of the best novels ever written about the art of the con, an ingeniously crafted story of deception and betrayal that was the basis for the critically acclaimed film by Stephen Frears and Martin Scorcese. To his friends, to his coworkers, and even to his mistress Moira, Roy Dillon is an honest hardworking salesman. He lives in a cheap hotel just within his pay bracket. He goes to work every day. He has hundreds of friends and associates who could attest to his good character. Yet, hidden behind three gaudy clown paintings in Roy's pallid hotel room, sits fifty-two thousand dollars — the money Roy makes from his short cons, his "grifting." For years, Roy has effortlessly maintained control over his house-of-cards life — until the simplest con goes wrong, and he finds himself critically injured and at the mercy of the most dangerous woman he ever met: his own mother.

Stanley Kubrick

Calder Willingham

Paths of Glory

The French General Staff in World War I, safely behind the lines, sends orders for what amounts to a suicide mission. To cover up their fatal blunder, three soldiers are arrested and made scapegoats. A harsh attack on the futility of war in general and World War I in particular. A blistering indictment of military politics.

Jim Thompson

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