Jodi Hauptman

Joseph Cornell

This book examines for the first time Cornell's "portrait-homages" to these actresses, Hedy Lamarr, Lauren Bacall, Greta Garbo, and Jennifer Jones, among others."--BOOK JACKET.

Stargazing in the Cinema

Museum of Modern Art (New York, N.Y.)

Jordan Kantor

New York Museum of Modern Art

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1975-2005

Drawing from the Modern

Carolyn Lanchner

Fernand Léger

Matthew Affron

Fernand Leger (1881-1955) is the only modern artist to choose modernity itself as his subject. From his early series Contrastes de formes (1913-14), the first fully abstract works to emerge from Cubism, through his last realistic paintings of construction workers from the early 1950s, Leger's lifelong subject was the pulse and dynamism of contemporary life.

Exhibition, The Museum of Modern Art, New York, Febr. 15 - May 12, 1998 F Organized by Carolyn Lanchner ; with Essays by Carolyn Lanchner, Jodi Hauptman and Matthew Affron ; and Contrib. by Beth Handler and Kristen Erickson

Samantha Friedman

Michael Rooks

Presents works from six key years in the history of modern art: 1913, 1929, 1950, 1961, and 1988. These include paintings, sculptures, drawings, multiples, photographs, graphic design, film and video.

Modern Moments 1913-2013

Fast Forward

Cézanne at his most modern: a major career-spanning appraisal of his extraordinarily experimental drawings Although he is most often celebrated as a painter, Paul Cézanne's extraordinary vision was fueled by his experiments on paper. In pencil and watercolor, on individual sheets and across the pages of sketchbooks, the artist described form through multiple probing lines; realized compositions through repetitions and transformations; and conjured kaleidoscopic color through layering of watercolor. It is in these material realities of drawing where we see Cézanne at his most modern: embracing the unfinished, making process visible and actively inviting the viewer to participate in the act of perception. Published to accompany a major exhibition at the Museum of Modern Art, this is the most significant effort to date to unite drawings from across Cézanne's entire career, tracing the development of his practice on paper, exploring working methods that transcend subject, and devoting both curatorial and conservation-based research to these remarkable works.

Cézanne: Drawing

Henri Matisse

Nicholas Cullinan

Karl D. Buchberg

Flavia Frigeri

Henri Matisse is one of the leading figures of modern art. His unparalleled cut-outs are among the most significant of any artist's late works. When ill health first prevented Matisse from painting, he began to cut into painted paper with scissors as his primary technique to make maquettes for a number of commissions, from books and stained glass window designs to tapestries and ceramics. Taking the form of a 'studio diary', the catalogue re-examines the cut-outs in terms of the methods and materials that Matisse used, and looks at the tensions in the works between finish and process; and drawings and colour.

Jodi Hauptman

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