Friedrich Dürrenmatt

Joel Agee

Friedrich Dürrenmatt is considered one of the most significant playwrights of our time. During the years of the Cold War, arguably only Beckett, Camus, Sartre, and Brecht rivaled him as a presence in European letters. In this ALTA National Translation Award–winning new translation of what many critics consider his finest play, Joel Agee gives a fresh lease to a classic of twentieth-century theater. Dürrenmatt once wrote of himself: “I can best be understood if one grasps grotesqueness,” and The Visit is a consummate, alarming Dürrenmatt blend of hilarity, horror, and vertigo. The play takes place “somewhere in Central Europe” and tells of an elderly millionairess who, merely on the promise of her millions, swiftly turns a depressed area into a boom town. But the condition attached to her largesse, which the locals learn of only after they are enmeshed, is murder. Dürrenmatt has fashioned a macabre and entertaining parable that is a scathing indictment of the power of greed and confronts the perennial questions of honor, loyalty, and community.

A Tragicomedy

The Visit

Sven Birkerts

This volume offers bracing new translations of two precursors to the modern detective novel by Friedrich Dürrenmatt, whose genre-bending mysteries recall the work of Alain Robbe-Grillet and anticipate the postmodern fictions of Paul Auster and other contemporary neo-noir novelists. Both mysteries follow Inspector Barlach as he moves through worlds in which the distinction between crime and justice seems to have vanished. In The Judge and His Hangman, Barlach forgoes the arrest of a murderer in order to manipulate him into killing another, more elusive criminal. And in Suspicion, Barlach pursues a former Nazi doctor by checking into his clinic with the hope of forcing him to reveal himself. The result is two thrillers that bring existential philosophy and the detective genre into dazzling convergence.

The Judge and His Hangman and Suspicion

The Inspector Barlach Mysteries

Joel Agee, the son of James Agee, was raised for twelve years in East Germany, where his stepfather, the novelist Bodo Uhse, was a member of the privileged communist intelligentsia. This is the story of how young Joel failed to become a good communist, becoming instead a fine writer. "A wonderfully evocative memoir. . . . Agee evoked for me the atmosphere of postwar Berlin more vividly than the actual experience of it—and I was there." —Christopher Lehmann-Haupt, New York Times "One of those rare personal memoirs that brings to life a whole country and an epoch." —Christopher Isherwood "Twelve Years consists of a series of finely honed anecdotes written in a precise, supple prose rich with sensual detail." —David Ghitelman, Newsday "By turns poetic and picturesque, Agee energetically catalogues his expatriate passage to manhood with a pinpoint eye and a healthy American distaste for pretension. . . . Huckleberry Finn would have . . . welcomed [him] as a soulmate on the raft." —J. D. Reed, Time "A triumph. . . . Unfettered by petty analysis or quick explanations, a story that is timeless and ageless and vital." —Robert Michael Green, Baltimore Sun

An American Boyhood in East Germany

Twelve Years

Theodore Ziolkowski

In Friedrich Dürrenmatt’s experimental thriller The Assignment, the wife of a psychiatrist has been raped and killed near a desert ruin in North Africa. Her husband hires a woman named F. to reconstruct the unsolved crime in a documentary film. F. is soon unwittingly thrust into a paranoid world of international espionage where everyone is watched—including the watchers. After discovering a recent photograph of the supposed murder victim happily reunited with her husband, F. becomes trapped in an apocalyptic landscape riddled with political intrigue, crimes of mistaken identity, and terrorism. F.’s labyrinthine quest for the truth is Dürrenmatt’s fictionalized warning against the dangers of a technologically advanced society that turns everyday life into one of constant scrutiny. Joel Agee’s elegant translation will introduce a fresh generation of English-speaking readers to one of European literature’s masters of language, suspense, and dystopia. “The narrative is accelerated from the start. . . . As the novella builds to its horripilating climax, we realize the extent to which all values have thereby been inverted. The Assignment is a parable of hell for an age consumed by images.”—New York Times Book Review “His most ambitious book . . . dark and devious . . . almost obsessively drawn to mankind’s most fiendish crimes.”—Chicago Tribune “A tour-de-force . . . mesmerizing.”—Village Voice

The Assignment, Or, On the Observing of the Observer of the Observers

Kenneth J. Northcott

Collects the plays of Swiss writer Friedrich Dürrenmatt, with an introduction to the authors life, work, and literary legacy.

Selected Writings, Volume I, Plays

From the son of acclaimed author James Agee, a haunting novel depicting an American boy’s childhood in Mexico, ensconced in a world comprised of communist European exiles, local union activists, street children, and avant-garde artists like Frida Kahlo. Joel Agee’s hallucinatory first novel begins in a house with a large garden in an unnamed Mexican town in the late 1940s, where six-and-a-half-year-old Peter reads, dreams, and plays with his friends. He is a nascent explorer, artist, philosopher, mystic, and scientist. His world is still new, not yet papered over with received knowledge. And the actual world around him is a unique one in history: a community of leftist emigrés who have found refuge in Mexico from the Nazi and fascist regimes of Europe, rubbing shoulders with Mexican labor activists and leftists such as Frida Kahlo. But the emigrés long for home — including Peter’s step-father, who wants to return to his native Germany. Going back to Europe may not be safe for any of them yet, however, which gives rise to anguished arguments among Peter’s parents’s and their tight group of friends. And slowly, Peter begins to comprehend that his world may be turned upside down – that he might be forced to take leave of everyone he knows: his best friend, Arón; his father’s friend Sándor, who talks about revolution and performs magic tricks; and Zita, the family’s live-in-maid, who has taught him the consoling mysteries of prayer . . . Steeped in the magic and myths of childhood — yet haunted by a harsh adult world bedeviled by instability and political turmoil — Joel Agee’s The Stone World is an unforgettable portrait of a family that will inevitably invite comparison with another classic family story, that of his father James Agee’s A Death in the Family.

The Stone World

The Swiss writer Friedrich Dürrenmatt (1921–90) was one of the most important literary figures of the second half of the twentieth century. During the years of the cold war, arguably only Beckett, Camus, Sartre, and Brecht rivaled him as a presence in European letters. Yet outside Europe, this prolific author is primarily known for only one work, The Visit. With these long-awaited translations of his plays, fictions, and essays, Dürrenmatt becomes available again in all his brilliance to the English-speaking world. Dürrenmatt’s essays, gathered in this third volume of Selected Writings, are among his most impressive achievements. Their range alone is astonishing: he wrote with authority and charm about art, literature, philosophy, politics, and the theater. The selections here include Dürrenmatt’s best-known essays, such as “Theater Problems” and “Monster Essay on Justice and Law,” as well as the notes he took on a 1970 journey in America (in which he finds the United States “increasingly susceptible to every kind of fascism”). This third volume of Selected Writings also includes essays that shade into fiction, such as “The Winter War in Tibet,” a fantasy of a third world war waged in a vast subterranean labyrinth—a Plato’s Cave allegory rewritten for our own troubled times. Dürrenmatt has long been considered a great writer—but one unfairly neglected in the modern world of letters. With these elegantly conceived and expertly translated volumes, a new generation of readers will rediscover his greatest works.

Selected Writings, Volume 3, Essays

Robert Musil

Writings: Young Torless, Three Women, The Perfecting of a Love and other Writings, by Musil by Robert Musil>

Selected Writings

The world's greatest physicist, Johann Wilhelm Mobius, is in a madhouse, haunted by recurring visions of King Solomon. He is kept company by two other equally deluded scientists: one who thinks he is Einstein, another who believes he is Newton. It soon becomes evident, however, that these three are not as harmlessly lunatic as they appear. Are they, in fact, really mad? Or are they playing some murderous game, with the world as the stake? For Mobius has uncovered the mystery of the universe--and therefore the key to its destruction--and Einstein and Newton are vying for this secret that would enable them to rule the earth.

A Comedy in Two Acts

The Physicists

The Swiss writer Friedrich Dürrenmatt (1921 - 90) was one of the most important literary figures of the second half of the twentieth century. During the years of the cold war, arguably only Beckett, Camus, Sartre, and Brecht rivaled him as a presence in European letters. Yet outside Europe, this prolific author is primarily known for only one work, The Visit. With these long-awaited translations of his plays, fictions, and essays, Dürrenmatt becomes available again in all his brilliance to the English-speaking world. Dürrenmatt's essays, gathered in this third volume of Selected Writings, are among his most impressive achievements. Their range alone is astonishing: he wrote with authority and charm about art, literature, philosophy, politics, and the theater. The selections here include Dürrenmatt's best-known essays, such as "Theater Problems" and "Monster Essay on Justice and Law," as well as the notes he took on a 1970 journey in America (in which he finds the United States "increasingly susceptible to every kind of fascism"). This third volume of Selected Writings also includes essays that shade into fiction, such as "The Winter War in Tibet," a fantasy of a third world war waged in a vast subterranean labyrinth - a Plato's Cave allegory rewritten for our own troubled times. Dürrenmatt has long been considered a great writer - but one unfairly neglected in the modern world of letters. With these elegantly conceived and expertly translated volumes, a new generation of readers will rediscover his greatest works.

Joel Agee

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