Johann Wolfgang Von Goethe

MEPHISTOPHELES There! Now the lubber's tamed! But quick, away! We must at once take wing; A cry of murder strikes upon the ear; With the police I know my course to steer, But with the blood-ban 'tis another thing.

Faust Part 1

Bayard Taylor

It is twenty years since I first determined to attempt the translation of Faust, in the original metres. At that time, although more than a score of English translations of the First Part, and three or four of the Second Part, were in existence, the experiment had not yet been made. The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life.Mr. Brooks was the first to undertake the task, and the publication of his translation of the First Part (in 1856) induced me, for a time, to give up my own design. No previous English version exhibited such abnegation of the translator's own tastes and habits of thought, such reverent desire to present the original in its purest form. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,—a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The plan of translation adopted by Mr. Brooks was so entirely my own, that when further residence in Germany and a more careful study of both parts of Faust had satisfied me that the field was still open,—that the means furnished by the poetical affinity of the two languages had not yet been exhausted,—nothing remained for me but to follow him in all essential particulars. His example confirmed me in the belief that there were few difficulties in the way of a nearly literal yet thoroughly rhythmical version of Faust, which might not be overcome by loving labor. A comparison of seventeen English translations, in the arbitrary metres adopted by the translators, sufficiently showed the danger of allowing license in this respect: the white light of Goethe's thought was thereby passed through the tinted glass of other minds, and assumed the coloring of each. Moreover, the plea of selecting different metres in the hope of producing a similar effect is unreasonable, where the identical metres are possible.

(Johann Wolfgang Von Goethe Masterpiece Collection)

Faust (Large Print)

Johann Wolfgang von Goethe não deve sua fama como gênio universal apenas à sua obra literária. Homem de múltiplos talentos e interesses, dedicou-se também à reflexão sobre a literatura e as artes e a estudos e pesquisas no campo das ciências da natureza. Mas, se sua obra literária é bastantedivulgada e conhecida, as obras não literárias, de importância fundamental para quem queira conhecer o autor e sua época mais a fundo, ainda são de conhecimento restrito aos especialistas.Neste monumental De minha vida: Poesia e verdade, o mestre alemão se debruça sobre sua própria história, desde sua infância, e sobre sua relação com os homens do seu tempo. Desfilam aos olhos do leitor suas impressões sobre política, arte, história e metafísica.

poesia e verdade

De minha vida

This classic play, written by acclaimed German author Johann Wolfgang von Goethe, tells the story of Faust, a disillusioned scholar who makes a deal with the devil in exchange for knowledge, power, and love. The play is considered a masterpiece of German literature and explores themes of sin, redemption, and the human condition. This edition contains only the first part of the play, which is often studied and performed independently of the second part. It may be of interest to students of literature, theatre, or German culture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

First Part

Goethe's Faust

The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord bets Mephistopheles, an agent of the Devil, that Mephistopheles cannot lead astray the Lord's favorite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed by the knowledge and results obtainable by science's natural means, attempts and fails to gain knowledge of nature and the universe by magical means. Dejected in this failure, Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He joins his assistant Wagner for an Easter walk in the countryside, among the celebrating people, and is followed home by a poodle. Back in the study, the poodle transforms itself into Mephistopheles, who offers Faust a contract: he will do Faust's bidding on earth, and Faust will do the same for him in Hell (if, as Faust adds in an important side clause, Mephistopheles can get him to be satisfied and to want a moment to last forever). Faust signs in blood, and Mephistopheles first takes him to Auerbach's tavern in Leipzig, where the devil plays tricks on some drunken revelers. Having then been transformed into a young man by a witch, Faust encounters Margaret (Gretchen) and she excites his desires. Through a scheme involving jewellery and Gretchen's neighbour Marthe, Mephistopheles brings about Faust's and Gretchen's liaison. After a period of separation, Faust seduces Gretchen, who accidentally kills her mother with a sleeping potion given to her by Faust. Gretchen discovers that she is pregnant, and her torment is further increased when Faust and Mephistopheles kill her enraged brother in a sword fight. Mephistopheles seeks to distract Faust by taking him to a witches' sabbath on Walpurgis Night, but Faust insists on rescuing Gretchen from the execution to which she was sentenced after drowning her newborn child while in a state of madness. In the dungeon, Faust vainly tries to persuade Gretchen to follow him to freedom. At the end of the drama, as Faust and Mephistopheles flee the dungeon, a voice from heaven announces Gretchen's salvation.

A Tragedy [part 1]: Large Print

Faust

Frank Claudy

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Faust, a Tragedy. the First Part

The narrative of Faust begins in Heaven. While angels worship The Lord for his creation, Mephistopheles, the Devil, complains about the state of affairs in the world. Mankind is corrupt, he claims, and he revels in the evil and disaster that he is able to cause. Mephistopheles makes a bet with The Lord that he will be able to turn one of his servants, Dr. Faust, over to sin and evil. The Lord agrees, claiming that Faust will remain a loyal follower.The play introduces Faust while he sits in his study in despair over his life. He has been a scholar and an alchemist, and he feels as though he has come to the end of all knowledge. Books and chemistry can no longer define his life for him, and he longs to live a life in harmony with Nature and with the universe. He summons a Spirit to come and be with him, but this only reinforces the fact that he is human and not spirit and therefore cannot share the Spirit's higher knowledge. In his despair, Faust brews a poison to commit suicide. Just as he is about to take the poison, a chorus of angels appears announcing Easter day and stops him from completing the act.

(Annotated Edition)

Faust Part I

Secilmis Yakinliklar

Excerpt from Faust: A Tragedy HE inﬂuence of Goethe upon the [cultured minds of this century is second only to that of Shakespeare. Whether it will be equally lasting may be doubtful for ages solve many problems as they proceed, and throw aside geni uses which for a time reigned supreme. Goethe's life, if not wholly admirable, is full, deep, soaring, passionate, human. Intensely alive. He aspired to the skies, he roamed through space, he studied and lived under most varied conditions, he imagined with extraordinary force and vividness what was vague or unknown to his contemporaries; he sympathised with the pains attending human progress, the temptations lying thick in man's path, the joys which crown existence he expressed with a force all his own the poet's sense of beauty in creation and in human character; he mirrored the re ligious doubt of his age in face of the evils and sorrows of life, and stated with magnificent directness and insight problems which humanity has not yet solved, perhaps is not destined to solve. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A Tragedy (Classic Reprint)

Genç Werther'in Acıları

This booklet contains Goethe's treatise on the metamorphosis of plants in 123 paragraphs as well as Rudolf Steiner's essay "The Origin of Goethe's Theory of Metamorphosis." Anyone interested in Goethe's dynamic concept of the metamorphosis of plants should read this original treatise. A prime example of his "perceptive power of judgment," this fascinating little work introduces a radically new way of looking at plants as lively manifestations of dynamic formative principles. Contents Origin of the Theory of Metamorphosis by R. Steiner The Metamorphosis of Plants Introduction Of the Seed Leaves The Development of the Stem-Leaves from Node to Node Transition to the Flower Formation of the Calyx Formation of the Corolla The Formation of the Stamens Nectaries More about the Stamens Formation of the Style and Stigma The Fruits The Immediate Covering of the Seed A Glance Backward and Forward Eyes and their Development Formation of Composite Flowers and Fruits A Proliferous Rose A Proliferous Carnation Linnaeus's Theory of Anticipation Summary

The Metamorphosis of Plants

Georg Witkowski

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Sorrows of Young Werther (Die Leiden des jungen Werthers) is an epistolary and loosely autobiographical novel by Johann Wolfgang von Goethe, first published in 1774; a revised edition of the novel was published in 1787. Werther was an important novel of the Sturm und Drang period in German literature, and it also influenced the later Romantic literary movement.

The Sorrows of Young Werther Illustrated

The Sorrows of Young Werther is a loosely autobiographical epistolary novel by Johann Wolfgang von Goethe. First published in 1774, it reappeared as a revised edition in 1787. It was one of the most important novels in the Sturm und Drang period in German literature, and influenced the later Romantic movement. Goethe, aged 24 at the time, finished Werther in five-and-a-half weeks of intensive writing in January-March 1774. The book's publication instantly placed the author among the foremost international literary celebrities, and was among the best known of his works.

The Sorrows of Young Werther (English Edition)

Johann Wolfgang von Goethe was a German writer and statesman. His works include four novels; epic and lyric poetry; prose and verse dramas; memoirs; an autobiography; literary and aesthetic criticism; and treatises on botany, anatomy, and colour.

Large Print

The Sorrows of Young Werther

The Sorrows of Young Werther (Die Leiden des Jungen Werthers) is an epistolary and loosely autobiographical novel by Johann Wolfgang von Goethe, first published in 1774; a revised edition of the novel was published in 1787. Werther was an important novel of the Sturm und Drang period in German literature, and it also influenced the later Romantic literary movement.

Calvin Thomas

Johann Ludwig Gustav von Loeper

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Faust: Eine TragOdie Von Goethe Johann Wolfgang von Goethe, Johann Ludwig Gustav von Loeper G. Hempel, 1870

Johann Wolfgang Von Goethe

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