Eric A. Stanley

Johanna Burton

Tourmaline

Reina Gossett

The increasing representation of trans identity throughout art and popular culture in recent years has been nothing if not paradoxical. Trans visibility is touted as a sign of a liberal society, but it has coincided with a political moment marked both by heightened violence against trans people (especially trans women of color) and by the suppression of trans rights under civil law. 'Trap Door' grapples with these contradictions. The essays, conversations, and dossiers gathered here delve into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered "doors"--Entrances to visibility and recognition -- that are actually "traps, " accommodating trans bodies and communities only insofar as they cooperate with dominant norms. The volume speculates about a third term, perhaps uniquely suited for our time: the trapdoor, neither entrance nor exit, but a secret passageway leading elsewhere.

Trans Cultural Production and the Politics of Visibility

Trap Door

Language 1966-2006 (Art Institute of Chicago)

Mel Bochner

Josiah McElheny

Lynne Cooke

Interiors

CCS Readers : Perspectives on Art and Culture

Encounters with art engage various conditions of interiority—whether through psychic spaces or specific physical environments, such as museums and private residences. The exhibition “If you lived here, you'd be home by now,” presented at the Hessel Museum of Art, CCS Bard, in 2011, was the catalyst for the current volume, providing a paradigmatic case study for probing issues of the personal and subjective within realms of the sociological and the cultural. Through diverse discursive modes—commissioned essays, conversations and talks, historical writings, and artistic projects—this anthology, the first CCS Readers volume, examines the poetics and politics of interior experience within the frame of contemporary art. Contributors Anni Albers, Doug Ashford, Gaston Bachelard, Angelo Bellfatto, Nova Benway, Gregg Bordowitz, Johanna Burton, Theresa Choi, Beatriz Colomina, Lynne Cooke, Moyra Davey, Tom Eccles, Diana Fuss, Jennifer Gross, Elizabeth Grosz, Roni Horn, Jenny Jaskey, Susanne Küper, Elisabeth Lebovici, Nathan Lee, Zoe Leonard, Dorit Margreiter, Josiah McElheny, Helen Molesworth, Georges Perec, Juliane Rebentisch, David Reed, Lisa Robertson, Joel Sanders, Virginia Woolf, Amy Zion

CCS Readers: Perspectives on Art and Culture

Lisa Philips

Alicia Ritson

Kate Wiener

The first anthology to assemble the writings of the groundbreaking art historian, critic, and curator Marcia Tucker. These influential, hard-to-obtain texts —many of which have never before been published—by Marcia Tucker, founding director of New York's New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker’s writing and highlights her critical attention to art’s relationship to broader culture and politics. The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker’s tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field.

The Collected Writings of Marcia Tucker

Out of Bounds

Jennifer Egan

Holly Block

Sarah Sze

Carey Lovelace

Triple Point

Helen Anne Molesworth

A fascinating examination of the cultural and political forces that shaped the art of a tumultuous decade

Art, Love & Politics in the 1980s

This Will Have Been

Rachel Harrison

Beau Rutland

Linking two influential figures in American art, this fascinating catalogue explores the intersection between works by modern master Robert Rauschenberg (1925­-2008) and innovative contemporary artist Rachel Harrison (b. 1966). Taking its name from Gloria, an iconic Rauschenberg work in the collection of the Cleveland Museum of Art, the book covers multiple aspects of Harrison's career thus far, and uses her work as a lens to explore the lasting influence of Rauschenberg. Two essays underline the reason for this pairing: one, by Beau Rutland, takes a thematic approach to the interplay between Rauschenberg's and Harrison's practices; the other, by Johanna Burton, presents a more nuanced look at Harrison's oeuvre. Harrison herself debuts new digital collages created specifically for this publication. The first book to compare Rauschenberg and Harrison, Rachel Harrison: G-L-O-R-I-A brings a completely new perspective to these well-known subjects.

Rachel Harrison, G-L-O-R-I-A.

Troy Brauntuch

Douglas Eklund

A member of the so-called Pictures Generation, Troy Brauntuch ndash; whose career spans some three decades ndash; has often been characterized, with his peer Jack Goldstein, as taking a postmodern attitude toward representation. He is well known for his works from the end of the 1970s and beginning of the 1980s in which he decontextualized what would otherwise be hyperbolically charged content. In his most recent work, Brauntuch extends his investigations to the space between a thing and our idea of it. In his photographs, everyday objects assert their ephemerality, and a tangible, intimate silence seems as much a part of the pictures as the simple domestic scenes they convey. This book offers the first survey of Brauntuch's work and includes newly commissioned essays by Johanna Burton and Douglas Eklund (the curator of the recent Pictures Generation exhibition at the Metropolitan Museum in New York). English text.

Douglas Crimp

Joan Simon

Joan Jonas

A career-spanning monograph of the multimedia pioneer Joan Jonas (1936- ) that covers more than 40 years of performances, films, videos, installations, texts and video sculptures

The Work of Joan Jonas

In the Shadow a Shadow

Johanna Burton

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