Johanna Skibsrud

Offers nine loosely connected stories that examine life-defining moments in the everyday lives of their characters.

This Will Be Difficult to Explain: And Other Stories

A false conspiracy charge against a World War I veteran prompts the man's disappearance and haunts his son throughout the 1930s, intertwining his life with those of a powerful congressman's children. By the Giller Prize-winning author of The Sentimentalists. 30,000 first printing.

A Novel

Quartet for the End of Time

Haunted by the horrific events he witnessed during the Vietnam War, Napoleon Haskell is exhausted from years spent battling his memories. As his health ultimately declines, his two daughters move him from his trailer in North Dakota to Casablanca, Ontario, to live with the father of a friend who was killed in action. It is to Casablanca, on the shores of a man-made lake beneath which lie the remains of the former town, that Napoleon's youngest daughter also retreats when her own life comes unhinged. Living with the two old men, she finds her father in the twilight of his life and rapidly slipping into senility. With love and insatiable curiosity, she devotes herself to learning the truth about him; and through the fog, Napoleon's past begins to emerge.

The Sentimentalists

Sentimentalists

Tiger, Tiger

Combining personal narrative, interviews, and literary analysis, Fool elaborates the potential for fool figures from throughout literary history to reconfigure subject-object relations and point towards new possibilities in creative and critical thought. Drawing on Johanna Skibsrud’s experience in clown classes in France and the US, Fool challenges and extends the correlation Theodor Adorno suggests between thinking and clowning. It considers a diverse range of literary and theoretical sources from Richard Wagner’s Parsifal to Karen Barad’s Meeting the Universe Halfway. The book also refers to a varied cast of literary and historical clowns and fools, including the early Shakespearean actor Richard Tarlton, Alban Berg’s Wozzeck, and Cirque du Soleil’s Shannan Calcutt. Skibsrud elaborates on the role of the ‘fool’ and ‘foolishness’ in literature, not as an element of a particular work’s content, plot, or style but instead as a creative mode of thought activated through the reading and writing of literary texts. This innovative book charts new ground in literature, philosophy, and performance studies, and is an invaluable resource for specialists in all three fields.

Fool

A mesmerising tale of love, justice and the connections that transcend the passage of time, from the Giller prize-winning author Johanna Skibsrud. The year is 1932, and America is roiling with unrest. Angry World War One veterans, embittered by the ruinous poverty inflicted by the Great Depression, join forces and, calling themselves the Bonus Army, march on Washington to demand payment of the wartime bonus promised them for their service during the war. Arthur and Douglas Sinclair, an impoverished veteran and his son, make the arduous journey from Kansas to join the march. Alden and Sutton Kelly, the rebellious children of a powerful Washington judge, become involved with the veterans’ struggle, causing an irreparable rift in the Kelly family. When the Bonus march explodes in a violent clash between government and veteran forces, Arthur is falsely accused of conspiracy and disappears. The lives of Douglas, Alden, and Sutton are forever changed – linked inextricably by the absence of Arthur Sinclair. As these three lives unfold, we are taken to unexpected places – from the underground world of a Soviet spy to Hemingway’s Florida and the hard labour camps of Roosevelt’s New Deal Projects in the Keys; from occultist circles in London to occupied Paris and the eventual fall of Berlin; and finally, to the German prison camp where French composer Olivier Messiaen originally wrote and performed his famous Quartet for the End of Time. Taking us on an unforgettable journey through individual experience and memory against the backdrop of seismic historical events, Quartet for the End of Time is both a profound meditation on human nature and an astonishing literary accomplishment from one of the most original voices to have emerged in recent years.

This book aims to expand our sense of poetry's reach and potential impact. It is an effort at recouping the poetic imperative buried within the first taxonomic description of human being: "nosce te ipsum," or "know yourself." Johanna Skibsrud explores both poetry and human being not as fixed categories but as active processes of self-reflection and considers the way that human being is constantly activated within and through language and thinking. By examining a range of modern and contemporary poets including Wallace Stevens, M. NourbeSe Philip, and Anne Carson, all with an interest in playfully disrupting sense and logic and eliciting unexpected connections, The Poetic Imperative highlights the relationship between the practice of writing and reading and a broad tradition of speculative thought. It also seeks to demonstrate that the imperative "know yourself" functions not only as a command to speak and listen, but also as a call to action and feeling. The book argues that poetic modes of knowing - though central to poetry understood as a genre - are also at the root of any conscious effort to move beyond the subjective limits of language and selfhood in the hopes of touching upon the unknown. Engaging and erudite, The Poetic Imperative is an invitation to direct our attention simultaneously to the finite and embodied limits of selfhood, as well as to what those limits touch: the infinite, the Other, and truth itself.

Johanna Skibsrud

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