Johannes Wienand

Konstantin M. Klein

When Emperor Constantine triggered the rise of a Christian state, he opened a new chapter in the history of Constantinople and Jerusalem. In the centuries that followed, the two cities were formed and transformed into powerful symbols of Empire and Church. For the first time, this book investigates the increasingly dense and complex net of reciprocal dependencies between the imperial center and the navel of the Christian world. Imperial influence, initiatives by the Church, and projects of individuals turned Constantinople and Jerusalem into important realms of identification and spaces of representation. Distinguished international scholars investigate this fascinating development, focusing on aspects of art, ceremony, religion, ideology, and imperial rule. In enriching our understanding of the entangled history of Constantinople and Jerusalem in Late Antiquity, City of Caesar, City of God illuminates the transition between Antiquity, Byzantium, and the Middle Ages.

Constantinople and Jerusalem in Late Antiquity

City of Caesar, City of God

Contested Monarchy offers a fresh survey of the role of the Roman monarch in a period of significant and enduring change.

Integrating the Roman Empire in the Fourth Century AD

Contested Monarchy

Michael Squire

This volume explores one of the most complex, multifaceted and momentous of all western cultural transformations: the refashioning of the Roman principate under Constantine in the early fourth century AD. It does so through the kaleidoscopic lens of one of antiquity's most fascinating (and maligned) artists: Publilius Optatianus Porfyrius. Optatian's works are little known among classicists and historians. Nevertheless, his picture-poems uniquely reflect, figure, and shape the cultural dynamics of the period. By bringing together different disciplinary perspectives the volume demonstrates how the poems give unique form to the various political, intellectual and cultural currents of the age. Contributors champion Optatian as a uniquely creative artist - and one who anticipated some of our most pressing literary critical, art historical and philosophical concerns today.

Johannes Wienand

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