Charles T. Horngren

John A. Elliott

Gary L. Sundem

Contains, for each text chapter: pretest, chapter overview, detailed chapter review - including study tips, practice test questions and demonstration problems with worked-out solutions.

Introduction to Financial Accounting

Donna Philbrick

For Introductory Financial Accounting courses at the MBA level, and for rigorous undergraduate courses. Introductory Financial Accounting provides a unique and perfect blend of robust financial statement analysis with early statement of cash flows coverage. Marlene A. Plumlee, Ph.D, CPA, Associate Professor of Accounting at the University of Utah, authored Pearson's International Financial Reporting Standards supplement ISBN 013612304X for our Introduction to Financial Accounting 9th edition by Horngren. This IFRS Supplement discusses the general context of US Generally Accepted Accounting Principles (US GAAP) and International Financial Reporting Standards (IFRS) and provides background information about the use of US GAAP and IFRS and 'players' that will ultimately affect how and when IFRS will be adopted internationally. Included also is an overview of the conceptual frameworks that underlie the formation of US GAAP and IFRS. A comparison of two companies is offered, one that employs US GAAP to prepare its financial report and one the employs IFRS to prepare its financial report.

Erika Pauli Bizzarri

Robert E Alexander

In this illustrated biography of the late Italian artist, Livio Orazio Valentini: An Artist's Spiritual Odyssey, Robert E. Alexander and John A. Elliott celebrate the life and legacy of the renowned painter and sculptor while acknowledging his special relationship with the people of Aiken, South Carolina. Born to a poor family in 1920, Valentini lived most of his life in Orvieto, Italy. With no money for a formal education, he became a self-taught artist. At the age of twenty, Valentini was called into military service during World War II. After being captured by the Germans, he was confined in Buchenwald and other concentration camps, where he endured two years of physical labor. For Valentini the confinement was life-changing; he experienced a spiritual awakening that became a lifelong odyssey reflected in his art and teaching. Valentini's art and even his existence centered on his efforts to find freedom. His paintings, charcoal sketches, and sculptures formed from terracotta, forged iron, tile, or stone are often a statement on the human condition, germination and rebirth, and the negativity and violence of humanity. Valentini often spoke about injustice and oppression through the metaphor of a caged bird, explaining how compassion could overcome cruelty and art could bring healing and hope to conquer fear. While Valentini's art was well known in Italy and other European countries, it was relatively unknown in the United States until the 1990s, when Aiken, South Carolina, and Orvieto, Italy, became linked after a chance meeting between Valentini and a fellow Rotary Club member who was vacationing in Orvieto. The connection blossomed into a multifaceted exchange program for students and citizens that celebrates culture and art, including Valentini's. Erika Pauli Bizzarri, who offered editorial assistance on this volume, has worked as a research and translation assistant on countless volumes including McGraw Hill's English edition of Encyclopedia of World Art. She taught art history at Gonzaga University in Florence, Italy.

John A. Elliott

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