John Burdick

Throughout Brazil, Afro-Brazilians face widespread racial prejudice. Many turn to religion, with Afro-Brazilians disproportionately represented among Protestants, the fastest-growing religious group in the country. Officially, Brazilian Protestants do not involve themselves in racial politics. Behind the scenes, however, the community is deeply involved in the formation of different kinds of blackness—and its engagement in racial politics is rooted in the major new cultural movement of black music. In this highly original account, anthropologist John Burdick explores the complex ideas about race, racism, and racial identity that have grown up among Afro-Brazilians in the black music scene. By immersing himself for nearly a year in the vibrant worlds of black gospel, gospel rap, and gospel samba, Burdick pushes our understanding of racial identity and the social effects of music in new directions. Delving into the everyday music-making practices of these scenes, Burdick shows how the creative process itself shapes how Afro-Brazilian artists experience and understand their racial identities. This deeply detailed, engaging portrait challenges much of what we thought we knew about Brazil’s Protestants,provoking us to think in new ways about their role in their country’s struggle to combat racism.

Race, Religion, and Music in Brazil

The Color of Sound

Kwame Dixon

Comparative Perspectives on Afro-Latin America offers a new, dynamic discussion of the experience of blackness and cultural difference, black political mobilization, and state responses to Afro-Latin activism throughout Latin America. Its thematic organization and holistic approach set it apart as the most comprehensive and up-to-date survey of these populations and the issues they face currently available.

Comparative Perspectives on Afro-Latin America

For a generation, the Catholic Church in Brazil has enjoyed international renown as one of the most progressive social forces in Latin America. The Church's creation of Christian Base Communities (CEBs), groups of Catholics who learn to read the Bible as a call for social justice, has been widely hailed. Still, in recent years it has become increasingly clear that the CEBs are lagging far behind the explosive growth of Brazil's two other major national religious movements—Pentacostalism and Afro-Brazilian Umbanda. On the basis of his extensive fieldwork in Rio di Janeiro, including detailed life histories of women, blacks, youths, and the marginal poor, John Burdick offers the first in-depth explanation of why the radical Catholic Church is losing, and Pentecostalism and Umbanda winning, the battle for souls in urban Brazil.

The Progressive Catholic Church in Urban Brazil's Religious Arena

Looking for God in Brazil

Part of a series of books that recognize some of America's most beloved landmarks, this edition focuses on the history of Ellis Island, the first taste of America for many of our ancestors, captured in beautiful photographs.

Gateway of Hope

Ellis Island

The weakness of Brazil's black consciousness movement is commonly attributed to the fragility of Afro-Brazilian ethnic identity. In a major account, John Burdick challenges this view by revealing the many-layered reality of popular black consciousness and identity in an arena that is usually overlooked: that of popular Christianity.Blessed Anastacia describes how popular Christianity confronts everyday racism and contributes to the formation of racial identity. The author concludes that if organizers of the black consciousness movement were to recognize the profound racial meaning inherent in this area of popular religiosity, they might be more successful in bridging the gap with its poor and working-class constituency.

Women, Race and Popular Christianity in Brazil

Blessed Anastacia

"One of the best books that has been written on religion and politics in Latin America. It is theoretically deft and empirically rich."—Scott Mainwaring, University of Notre Dame

John Burdick

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