John Christopher Cunningham

This study explores the intersection of race and gender identity in writings by contemporary American men of color, showing how ostensibly sexist or homophobic texts coexist with or are engendered by articulations of anti-racism. Conversely, certain articulations of gender concerns produce reactionary ideas about race. The author examines Asian American identity in the works of Frank Chin, John Okada, and Shawn Hsu Wong, contending that these writers exhibit a strong masculinist/sexist bias, limiting their value for Asian American women and homosexuals. The author then looks at the work of African American writer Charles Johnson. He examines the conflict between feminism and male supremacy in Johnson's novels, tracing the relationship between this vision of gender and the conservatism of Johnson's approach to race issues. The author also considers the discourse of perverse sexuality with particular attention to the possibility of a countertradition of the joto, or queer in the canon of Chicano novels from Jose Antonio Villareal to Arturo Islas. Through an examination of the readings of Richard Rodriguez and Oscar Zeta Acosta, Cunningham demonstrates the interplay of homosocial sexual politics with Rodriguez and Acosta's respective conservative and revolutionary approaches to race. Finally, the study considers how claims about the universality of postmodern experience implicit in Don DeLillo's novel, White Noise, actually bear the particularizing marks of whiteness and masculinity. Includes index and bibliography

Identity in Contemporary U.S. Writings

Race-ing Masculinity

Seiji M. Lippit

Lippit offers the first book-length study in English of Japanese modernist fiction from the 1920s to the 1930s. Through close readings of four leading figures of this movement -- Akutagawa, Yokomitsu, Kawabata, and Hayashi -- Lippit aims to establish a theoretical and historical framework for the analysis of Japanese modernism.

John Christopher Cunningham

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