John Corbett

In January 1968, John Corbett and his fellow leathernecks of the 26th Marine Regiment fortified a remote outpost at a place in South Vietnam called Khe Sanh. Within days of their arrival, twenty thousand North Vietnamese soldiers surrounded the base. What followed over the next seventy-seven days became one of the deadliest fights of the Vietnam War—and one of the greatest battles in military history. Private First Class Corbett made do with little or no sleep for days on end. The enemy bombarded the base incessantly. Extremes of heat, cold, and fog added to the misery, as did all manner of wounds and injuries too minor to justify evacuation from frontline positions. The emotional toll was tremendous as the Marines saw their friends suffer and die every day of the siege. Corbett relates these experiences through the eyes of a twenty-year-old but with the mind and maturity of a man now in his fifties. His story of life, death, and growing up on the front lines at Khe Sanh speaks for all of the Marines caught up in the epic siege of the Vietnam War.

A Marine at Khe Sanh

West Dickens Avenue

Microgroove continues John Corbett's exploration of diverse musics, with essays, interviews, and musician profiles that focus on jazz, improvised music, contemporary classical, rock, folk, blues, post-punk, and cartoon music. Corbett's approach to writing is as polymorphous as the music, ranging from oral history and journalistic portraiture to deeply engaged cultural critique. Corbett advocates for the relevance of "little" music, which despite its smaller audience is of enormous cultural significance. He writes on musicians as varied as Sun Ra, PJ Harvey, Koko Taylor, Steve Lacy, and Helmut Lachenmann. Among other topics, he discusses recording formats; the relationship between music and visual art, dance, and poetry; and, with Terri Kapsalis, the role of female orgasm sounds in contemporary popular music. Above all, Corbett privileges the importance of improvisation; he insists on the need to pay close attention to “other” music and celebrates its ability to open up pathways to new ideas, fresh modes of expression, and unforeseen ways of knowing.

Forays into Other Music

Microgroove

Ray Yoshida (1930-2009) taught at the School of the Art Institute of Chicago for 40 years, where, with his students--among them, Jim Nutt, Philip Hanson and Christina Ramberg--he fostered a scene of artists that would become known as the Chicago Imagists. Touch and Go is the first book to comprehensively examine Yoshida's work in relation to his life in an educational institution, both as a student and a teacher. The Chicago arts scene of the 1960s and 1970s is explored here as a community of mutual influence, with Yoshida as a figure of particular importance. As John Corbett writes in his essay: "He was influential. He was influenced. He was part of the nuanced series of relays that has produced the unique art scene in Chicago, open to input from elsewhere, but in many ways a world quite hermetic and almost perversely eccentric."

Ray Yoshida and His Spheres of Influence

Touch and Go

J. Derrick McClure

Jane Stuart-Smith

This is a comprehensive introduction to the study of older and present-day Scots language.

The Edinburgh Companion to Scots

Unless you lived through the 1970s, it seems impossible to understand it at all. Drug delirium, groovy fashion, religious cults, mega corporations, glitzy glam, hard rock, global unrest—from our 2018 perspective, the seventies are often remembered as a bizarre blur of bohemianism and disco. With Pick Up the Pieces, John Corbett transports us back in time to this thrillingly tumultuous era through a playful exploration of its music. Song by song, album by album, he draws our imaginations back into one of the wildest decades in history. Rock. Disco. Pop. Soul. Jazz. Folk. Funk. The music scene of the 1970s was as varied as it was exhilarating, but the decade’s diversity of sound has never been captured in one book before now. Pick Up the Pieces gives a panoramic view of the era’s music and culture through seventy-eight essays that allow readers to dip in and out of the decade at random or immerse themselves completely in Corbett’s chronological journey. An inviting mix of skilled music criticism and cultural observation, Pick Up the Pieces is also a coming-of-age story, tracking the author’s absorption in music as he grows from age seven to seventeen. Along with entertaining personal observations and stories, Corbett includes little-known insights into musicians from Pink Floyd, Joni Mitchell, James Brown, and Fleetwood Mac to the Residents, Devo, Gal Costa, and Julius Hemphill. A master DJ on the page, Corbett takes us through the curated playlist that is Pick Up the Pieces with captivating melody of language and powerful enthusiasm for the era. This funny, energetic book will have readers longing nostalgically for a decade long past.

Excursions in Seventies Music

Pick Up the Pieces

Jim Dempsey

Thea Liberty-Nichols

Denis Adrian

The Imagist Impulse in Chicago Art

Private Eye

Wendy Anderson

Never before have so many resources been available to support the teaching of English. With clear descriptions and interactive tasks, this introduction demonstrates how online corpora can be used in the teaching and learning of English at different linguistic levels, including vocabulary, grammar, discourse and pronunciation.

An Introduction

Exploring English With Online Corpora

Carole Hough

This simple introduction to Old English focuses on how the language works, using accessible illustrations from surviving texts and showing how features of present-day English have their roots in this stage of the language. As well as being updated, the new edition has been expanded to include a chapter on Old English prose and two additional texts.

Beginning Old English

Intercultural language education has redefined the modern languages agenda in Europe and North America. Now intercultural learning is also beginning to impact on English Language Teaching. This accessible book introduces teachers of EFL to intercultural language education by describing its history and theoretical principles, and by giving examples of classroom tasks.

An Intercultural Approach to English Language Teaching

Ayé Aton

Sun Ra was a controversial and prolific jazz composer, bandleader, piano player, poet and philosopher known for his cosmic philosophy, musical compositions and performances. 1972 was a pivotal year for Sun Ra, he had signed a multi-album deal, recorded what would be his most well-known song, Space is the Place and was hard at work scripting and acting in a hilarious auto-biopic movie by the same name. This is a collection of unseen on set and backstage photos as well as pictures of murals created by band member Aye Aton.

Space, Interiors and Exteriors, 1972

Sun Ra + Ayé Aton

John Corbett has written a tiny pocket guide to aid novices and devotees alike in listening to and understanding free, improvised music. The term improvised music can mean many things: but in this book the focus is on experimental music that does not have a structured song or tune, and that operates mainly in the vein of jazz or a jazz hybrid (blues, etc.). There are elegant discussions of music fundamentals (rhythm, duration, interaction dynamics, transitions, personal vocabulary), advanced techniques for listening and watching in live concerts, excellent analysis grounded in anecdote about the role of the audience, ambiguity, as well as historical anecdotes and thoughts on what it means to be a listener and what role music might have in our lives. The tone is light, with a serious undertone. "

A Listener's Guide to Free Improvisation

In Extended Play, one of the country's most innovative music writers conducts a wide-ranging tour through the outer limits of contemporary music. Over the course of more than twenty-five portraits, interviews, and essays, John Corbett engages artists from lands as distant as Sweden, Siberia, and Saturn. With a special emphasis on African American and European improvisers, the book explores the famous and the little known, from John Cage and George Clinton to Anthony Braxton and Sun Ra. Employing approaches as diverse as the music he celebrates, Corbett illuminates the sound and theory of funk and rap, blues and jazz, contemporary classical, free improvisation, rock, and reggae. Using cultural critique and textual theory, Corbett addresses a broad spectrum of issues, such as the status of recorded music in postmodern culture, the politics of self-censorship, experimentation, and alternativism in the music industry, and the use of metaphors of space and madness in the work of African American musicians. He follows these more theoretically oriented essays with a series of extensive profiles and in-depth interviews that offer contrasting and complementary perspectives on some of the world’s most creative musicians and their work. Included here are more than twenty original photographs as well as a meticulously annotated discography. The result is one of the most thoughtful, and most entertaining, investigations of contemporary music available today.

Sounding Off from John Cage to Dr. Funkenstein

Extended Play

Ting Huang

This volume addresses the global reception of "untranslatable" concrete poetry. Featuring contributions from an international group of literary and translation scholars and practitioners, working across a variety of languages, the book views the development of the international concrete poetry movement through the lens of "transcreation", that is, the informed, creative response to the translation of playful, enigmatic, visual texts. Contributions range in subject matter from ancient Greek and Chinese pattern poems to modernist concrete poems from the Americas, Europe and Asia. This challenging body of experimental work offers creative challenges and opportunities to literary translators and unique pleasures to the sympathetic reader. Highlighting the ways in which literary influence is mapped across languages and borders, this volume will be of interest to students and scholars of experimental poetry, translation studies and comparative literature.

Translation and Transmission

The Translation and Transmission of Concrete Poetry

Unless you lived through the 1970s, it seems impossible to understand it at all. Drug delirium, groovy fashion, religious cults, mega corporations, glitzy glam, hard rock, global unrest--from our 2018 perspective, the seventies are often remembered as a bizarre blur of bohemianism and disco. With Pick Up the Pieces, John Corbett transports us back in time to this thrillingly tumultuous era through a playful exploration of its music. Song by song, album by album, he draws our imaginations back into one of the wildest decades in history. Rock. Disco. Pop. Soul. Jazz. Folk. Funk. The music scene of the 1970s was as varied as it was exhilarating, but the decade's diversity of sound has never been captured in one book before now. Pick Up the Pieces gives a panoramic view of the era's music and culture through seventy-eight essays that allow readers to dip in and out of the decade at random or immerse themselves completely in Corbett's chronological journey. An inviting mix of skilled music criticism and cultural observation, Pick Up the Pieces is also a coming-of-age story, tracking the author's absorption in music as he grows from age seven to seventeen. Along with entertaining personal observations and stories, Corbett includes little-known insights into musicians from Pink Floyd, Joni Mitchell, James Brown, and Fleetwood Mac to the Residents, Devo, Gal Costa, and Julius Hemphill. A master DJ on the page, Corbett takes us through the curated playlist that is Pick Up the Pieces with captivating melody of language and powerful enthusiasm for the era. This funny, energetic book will have readers longing nostalgically for a decade long past.

From scouring flea markets and eBay to maxing out their credit cards, record collectors will do just about anything to score a long-sought-after album. In Vinyl Freak, music writer, curator, and collector John Corbett burrows deep inside the record fiend’s mind, documenting and reflecting on his decades-long love affair with vinyl. Discussing more than 200 rare and out-of-print LPs, Vinyl Freak is composed in part of Corbett's long-running DownBeat magazine column of the same name, which was devoted to records that had not appeared on CD. In other essays where he combines memoir and criticism, Corbett considers the current vinyl boom, explains why vinyl is his preferred medium, profiles collector subcultures, and recounts his adventures assembling the Alton Abraham Sun Ra Archive, an event so all-consuming that he claims it cured his record-collecting addiction. Perfect for vinyl newbies and veteran crate diggers alike, Vinyl Freak plumbs the motivations that drive Corbett and collectors everywhere.

Love Letters to a Dying Medium

Vinyl Freak

This text is a survey of Scots literary translations from the 15th to the 20th century. It argues that translation has played a central role in the development of literature in Scots, lending authority to the vernacular and extending the stylistic range open to writers in Scots.

A History of Literary Translation Into Scots

Written in the Language of the Scottish Nation

This volume brings together about 50 scientists and researchers from the four corners of the world to redefine and anticipate tomorrow's values, and reflect on the direction these values may lead humanity.--Publisher's description.

John Corbett

About

Books

Join the club