Peter Willis

John Gatt-Rutter

Fosco speaks as a member of Post-Christian Society that has emerged from the Great Walk-Out from established religion but as one who cannot subscribe to the Economic Myth of Rational Humanism. Fosco's text, which he dubs My Reality, is republished in this volume, accompanied by six exploratory essays, ranging from the supportive to the dismissive, which seek to open up debate on the issues which he poses. Can we work towards a society in which humane values prevail, or must we accept that ours is, for lack of a better, the best of possible worlds?

Reading Fosco Antonio's My Reality

A Soul for Australia?

Lecturer in the School of Humanities John Gatt-Rutter

Italo Svevo was many men--writer and paint manufacturer, socialist and capitalist, Italian nationalist yet friend to Italy's enemies, and Jew in a predominantly Catholic culture. This new biography, the most complete to date, clarifies the contradictions in Svevo's character, finding their source in the complex political milieu of his native Trieste, in his friendships with James Joyce and the painter Veruda, and in the culture that largely ignored Svevo's literary accomplishments.

A Double Life

Italo Svevo

Oriana Fallaci (b. 1930) is an awkward presence on Italian bookshelves, in world journalism and among feminists. This book, the first literary study of Fallaci, examines the implications of the storms and silences that she keeps rousing. A fully emancipated and successful woman in the man's world of political journalism, she has antagonised many feminists by her championship of motherhood and her idolization of heroic manhood. In journalism, her critics have felt that she has outraged the conventions of interviewing and reporting. As a novelist, she shatters the invisible diaphragm of literariness and is accused of betraying, or simply failing, literature. This book focuses on Fallaci's direct engagement as a writer with major political and social issues such as women's liberation, Vietnam, Islamic fundamentalism and the space programme. A distinctive and controversial feature of her writing is the way in which she blurs the interface between reportage and fiction in an attempt to obliterate the gap that separates the word from the world.

John Gatt-Rutter

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