John Gibbs

Mise-en-scène: Film Style and Interpretation explores and elucidates constructions of this fundamental concept in thinking about film. In uncovering the history of mise-en-scène within film criticism, and through the detailed exploration of scenes from films as Imitation of Life and Lone Star, John Gibbs makes the case for the importance of a sensitive understanding of film style, and provides an introduction to the skills of close reading. This book thus celebrates film-making as well as film criticism that is alive to the creative possibilities of visual style.

Film Style and Interpretation

Mise-en-scène

Douglas Pye

Designed for the launch of the Close-Up series, Filmmakers' Choices explores different areas of decision-making within film production, focusing on each in the analysis of a film. The discussion of Talk to Her (Pedro Almod'var, 2002) examines the detailed construction of point of view; the account of Lured (Douglas Sirk, 1947) is simultaneously a reflection on narrative construction and a look at the creative possibilities of coincidence. The Pop Song in Film offers a series of detailed interpretations of moments in films where the pop song adopts a decisive storytelling role. The study focuses on both on-screen musical performances and the use of the song as a kind of musical voiceover. Reading Buffy looks at Joss Whedon's acclaimed television series, Buffy the Vampire Slayer, through a close- reading approach more usually applied to films. The series is seen not just to create a richly detailed and satisfying fictional world, but to be an abundant source of complex meanings. Several aspects of Buffy are examined: its visual intelligence, the playful sophistication of its narrative strategies and the interest the series takes in its relationship with its many fans.

Filmmakers' Choices

Viz. I. An Exhortation Against the Fears of Death. II. A Brief Declaration of the Resurrection of the Dead ... To which is Added, A Discourse of the Four Last Things

Several Divine Treatises

Anne Colby

Lawrence Kohlberg

Anat Abrahami

Ann Higgins

This volume reviews Kohlberg's stage theory of classifying moral judgment and issues of reliability and validity are addressed.

The Measurement of Moral Judgment

This is the first book in English exclusively devoted to the long take, one of the key elements of film style. Increasingly visible in contemporary international media, the long take currently attracts a good deal of attention in criticism and commentary. There are also significant strands of film theory in which duration has become a recurrent concern. In keeping with the approach of Palgrave Close Readings in Film and Television, this collection is devoted to the detailed critical analysis of specific long takes, explored in terms of how they function within their contexts, how they shape the visual field, the meanings they generate and the effects they create. The Long Take: Critical Approaches brings together essays by established and emerging scholars (all but one essay commissioned for this volume) in an exciting collection that analyses works from a range of filmmaking traditions, from the 1930s to the present day, selected to represent varied long take practices and to explore associated debates.

John Gibbs

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