John K. Fairbank

Richard Smith

Katherine Bruner

"As the Ch’ing government’s Inspector General of the Maritime Customs Service, Robert Hart was the most influential Westerner in China for half a century. These journal entries continue the sequence begun in Entering China’s Service and cover the years when Hart was setting up Customs procedures, establishing a modus operandi with the Ch’ing bureaucracy, and inspecting the treaty ports. They culminate in Hart’s return visit to Europe with the Pin-ch’un Mission and his marriage in Northern Ireland. Smith, Fairbank, and Bruner interleave the segments of Hart’s journals with lively narratives describing the contemporary Chinese scene and recounting Hart’s responses to the many challenges of establishing a Western-style organization within a Chinese milieu."

His Journals, 1863–1866

Robert Hart and China’s Early Modernization

Roderick MacFarquhar

This is the first of the two final volumes of The Cambridge History of China, which describe the efforts of the People's Republic of China to grapple with the problems of adaptation to modern times. Volume 14 deals with the achievements of the economic and human disasters of the new regime's first sixteen years (1949-65). Part I chronicles the attempt to adapt the Soviet model of development to China, and Part II covers the subsequent efforts of China's leaders to find native solutions that would provide more rapid and appropriate answers to China's problems. Each of the two parts of the volume analyzes the key issues and developments in the spheres of politics, economics, culture, education, and foreign relations. The contributors, all leading scholars of the period, show the interrelation of Chinese actions in all these spheres, and the describe how, gradually, events led to the Cultural Revolution launched by Mao Tse-tung in 1966.

The Cambridge History of China: Volume 14, The People's Republic, Part 1, The Emergence of Revolutionary China, 1949-1965

This volume of the Cambridge History of China considers the political, military, social, and economic developments of the Ch'ing empire to 1800. The period begins with the end of the resurgent Ming dynasty, covered in volumes 7 and 8, and ends with the beginning of the collapse of the imperial system in the nineteenth century, described in volume 10. Taken together, the ten chapters elucidate the complexities of the dynamic interactions between emperors and their servitors, between Manchus and non-Manchu populations, between various elite groups, between competing regional interests, between merchant networks and agricultural producers, between rural and urban interests, and, at work among all these tensions, between the old and new. This volume presents the changes underway in this period prior to the advent of Western imperialist military power.

Volume 9 Part 1

The Cambridge History of China

Denis Crispin Twitchett

International scholars and sinologists discuss culture, economic growth, social change, political processes, and foreign influences in China since the earliest pre-dynastic period.

The Cambridge History of China: Volume 15, The People's Republic, Part 2, Revolutions Within the Chinese Revolution, 1966-1982

Robert Zaller

T. Jefferson Kline

Lynda K. Bundtzen

Robert B. Burgoyne

Fatmah Tobing Rony

Estelle Shane

Fabien S. Gerard

Ding Ning

Morton Shane

Vittorio Storaro

In this anthology, filmmakers, psychoanalysts, film scholars, and cultural historians use a psychoanalytic approach to examine Bernardo Bertolucci's epic film The Last Emperor (I988). Evolving out of a conference on Bertolucci's work,the essays interweave psychological, political, and cinematic themes in The Last Emperor as well as in much of Bertolucci's other works. This volume includes a foreword by Bernardo Bertolucci and is organized into four parts or "takes," including "Filmcraft," "Psychoanalysis," "Film Scholarship," and "Cultural History." Although we can never fully know the real Aisingioro Pu Yi, Bertolucci used his vision of the intricate relationship between art, ideology, and the psychic experience to tell the story of one ordinary man's extraordinary life. Bertolucci's The Last Emperor hopes to illuminate this complex and often enigmatic creation as well as renew an excitement about the possibilities of interdisciplinary criticism in film studies.

Multiple Takes

Bertolucci's The Last Emperor

Kwang-Ching Liu

This is the second of two volumes in this major Cambridge history dealing with the gradual decline of the Ch'ing empire in China (the first was volume 10). Volume 11 surveys the persistence and deterioration of the old order in China during the late nineteenth century, and the profound stirring during that period, which led to China's great twentieth-century revolution. The contributors focus on commercial and technological growth, foreign relations, the stimulation of Chinese intellectual life by the outside world, and military triumphs and disasters. They show that the effects of the accelerating changes were to fragment the old ruling class and the ancient monarchy, finally bringing the Chinese people face to face with the challenges of the new century. For readers with Chinese, proper names and terms are identified with their characters in the glossary, and full references to Chinese, Japanese and other works are given in the bibliographies.

The Cambridge History of China: Volume 11, Late Ch'ing, 1800-1911, Part 2

John K. Fairbank

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