McKenzie Wark

Kathy Acker

Matias Viegener

John Kinsella

"Why am I telling you all this? Partly 'cause the whole queerness/identity thing for me stretches through everything, absolutely everything. Slipping between straight/gay is child's play compared to slipping between writer/teacher/influence-peddler whatever. I forget who I am. You reminded me of who I prefer to be." [M.W.] "It's two in the morning... I know what you mean about slipping roles: I love it, going high low, power helpless even captive, male female, all over the place, space totally together and brain-sharp, if it wasn't for play I'd be bored stiff and I think boredom is the emotion I find most unbearable... " [KA] -- from I'm Very into You After Kathy Acker met McKenzie Wark on a trip to Australia in 1995, they had a brief fling and immediately began a heated two-week email correspondence. Their emails shimmer with insight, gossip, sex, and cultural commentary. They write in a frenzy, several times a day; their emails cross somewhere over the International Date Line, and themselves become a site of analysis. What results is an index of how two brilliant and idiosyncratic writers might go about a courtship across 7,500 miles of airspace -- by pulling in Alfred Hitchcock, stuffed animals, Georges Bataille, Elvis Presley, phenomenology, Marxism, The X-files, psychoanalysis, and the I Ching. Their corresepondence is a Plato's Symposium for the twenty-first century, but written for queers, transsexuals, nerds, and book geeks. I'm Very Into You is a text of incipience, a text of beginnings, and a set of notes on the short, shared passage of two iconic individuals of our time.

Correspondence 1995--1996

I'm Very Into You

Charmaine Papertalk Green

Shortlisted for the ALS Gold Medal 2019 ‘A gentle whisper from the past Visits me in my dreams Or is it the future that I see ... ’ From well-known poets John Kinsella and Charmaine Papertalk-Green comes a tête-à-tête that is powerful, thought provoking, and challenges what we think we know about our country, colonisation, and how we understand our land. Striking conversations surrounding childhood, life, love, mining, death, respect, and diversity; imbued by silken Yamatji sensibility and sublimely responded to by the son of a foreman from South Champion Mine. This extraordinary publication weaves two differing points of view together as Papertalk-Green and Kinsella’s words traverse this land and reflect back to us all, our many identities and quiet voices.

False Claims of Colonial Thieves

Thurston Moore

The Weave is the second book collaboration between Thurston Moore and John Kinsella - dubbed a 'work in progress' by the two poets, the book guides readers through a world in decay, crafting an invigorating language of spontaneity and survival out of the destruction. Moore and Kinsella aren't just observing - they implicate us all in the harms of global capitalism and environmental disaster, charting a back and forth between the individual and the crowd. ROSIE LONG DECTER These poems start in Dolphy's key + end with a quarryman's dream. In between secrets are stored. See how many you can find. CLARK COOLIDGE

The Weave

Michael Miller

Kelly Easton

Rachel Zucker

Andrew McKay

Eric Barnes

Amy Bonnaffons

Josh Billings

Chris Arthur

Angela Rodel

Lexi Freiman

Dan Beachy-Quick

Callista Buchen

Weston Cutter

Stephen O'Connor

Renee Ashley

Geoffrey Nutter

Angel Igov

Collier Nogues

Gloria Amodeo

Erica Anzalone

Steve Barbaro

Lucy Bierderman

Brett Lauer

Jane Lewty

W. M. Lobko

Stephen Longfellow

Kate Munning

Sarah Nordgren

Douglas Ramspeck

Benjamin Sutton

Leon Weinmann

Theodore Worozbyt

Invisible Cities

The Literary

Robert Drewe

Kungadgee, Victoria, Australia. A weekend in late November, 2014. At Hugh and Christine Cleary's new vineyard, Whipbird, six generations of the Cleary family are coming together from far and wide to celebrate the 160th anniversary of the arrival of their ancestor Conor Cleary from Ireland. Hugh has been meticulously planning the event for months - a chance to proudly showcase Whipbird to the extended clan. Some of these family members know each other; some don't. As the wine flows, it promises to be an eventful couple of days. Comic, topical, honest, sharply intelligent, and, above all, sympathetic, Robert Drewe's exhilarating new novel tells a classic Australian family saga as it has never been told before.

Whipbird

Short stories from Goldie Goldbloom, award-winning author of The Paperbark Shoe. Dark. Delicious. Superb.

Sand

One of Australia's best poets conjures the Australian countryside in this brilliant epic, inspired by Philip Sidney's classic pastoral "Arcadia." “Astonishingly fecund and inventive. The New Arcadia revitalizes pastoral traditions, but more in the mode of lamentation than celebration. Like Frost’s New Hampshire and Vermont, Kinsella’s Western Australia is eroded, a last act salted with the ruins of our age, and yet yielding permanent poems.”—Harold Bloom

The New Arcadia: Poems

In John Kinsella's new collection, 'Sack' not only refers not only to the shocking title poem, where a tied, writhing sack is seen flung from a car into gully - but also to the sacking and exploitation of the landscape and those who labour on it. Kinsella draws vividly on 'childhood memories' - but reveals them for the hard truths they are, by subtracting the cushioning effects of nostalgia. Kinsella shows how childhood prefigures our adult experience, and how its residues (here, those also take the literal form of asbestos and radiation) influence and shape our futures. Elsewhere, Kinsella resurrects an old form to do new work: the 'penillion' is an old Welsh stanza whose concision and insistent musicality provide the ideal means to encapsulate and concentrate Kinsella's vision of the land, animal life, and our sometimes fraught relationship with both. These short poems reveal astonishing and unsuspected correlations between music and form, place and language - and will come as a delightful surprise to those who know Kinsella primarily as a freewheeling long-form poet. But throughout Sack, the articulate urgency of Kinsella's lyric builds to nothing so much as a call to action, and underlines John Kinsella's reputation as one of the greatest Australian poets of the last fifty years.

Sack

Michael Murphy

Daniel Wolff

Alex Stein

Judith Hermann

Yoram Kaniuk

Steven Heighton

Benjamin Paloff

Gary Fincke

Christopher Sorrentino

Ruth Curry

Marion Wyce

Jesse Goolsby

Cassie Hay

Joyce Hinnefeld

Sean McConnell

Michael Copperman

Krzysztof Jaworski

Caleb Curtiss

Anthony Berris

Madeleine Beckman

Wendy Burk

Michela Costello

Margot Dembo

Suzanna Hopcroft

Tedi Mills

Anne McPeak

Drew Riley

Ryan Romine

Peter Shippy

William Zander

The Rogue Idea

SHORTLISTED FOR THE NSW PREMIER’S AWARD AND THE VICTORIAN PREMIER’S AWARD. This new selection of John Kinsella’s innovative poetry gathers work from over fifteen years. Including seminal works like Syzygy and Erratum/Frame(d) as well as more fugitive publications like The Radnoti Poems and The Benefaction, this is a key title for anyone wanting to understand the breadth of Kinsella’s poetic vision.

Doppler Effect

John Kinsella's memoir of his rural life takes us deep into the heart of what it means to belong and unbelong. The joys and travails of childhood, adult addictions, missteps and changing directions are acutely captured in poignant and poetic detail. While centred on Jam Tree Gully in rural Western Australia the memoir also moves between Ohio, Schull and Cambridge, mixing regionalism with an international sense of responsibility. What will strike the reader are the detailed observations of daily life, the engagement with topography and flora and fauna that embody the author's conviction that 'all is in everything and that every leaf of grass is vital'. In his most intimate prose work to date, Kinsella never shies from writing about the violence and intolerance of those scared of difference, and the ways in which his ethics have sometimes been met with disdain or outright hostility. But with nuance and humour he also celebrates rural community and its willingness to lend a hand. At once tender, urgent and intelligent, Displaced is ultimately a call to personal action. 'We all have choices to make.' It argues through it vivid accounts of small acts of living for the values of pacifism, veganism, environmentalism and justice for First Nations peoples - the principles we just might need to heal our world.Praise for John Kinsella's writing 'Kinsella's work is magnificent, raw; the words coming together in form and shape to evoke the essence of the moment in time he is creating.' Blue Wolf Reviews 'Kinsella can see into the heart of the country, and the evidence of these taut, complex stories is that what he sees there is both ferocious and unresolved.' The Australian

A rural life

Displaced

An Antifascist Poetics

Legibility

Lightning Tree

Contemporary Australian Poetry

Landbridge

This book is concerned with the complexities of defining 'place', of observing and 'seeing' place, and how we might write a poetics of place. From Kathy Acker to indigenous Australian poet Jack Davis, the book touches on other writers and theorists, but in essence is a hands-on 'praxis' book of poetic practice. The work extends John Kinsella's theory of 'international regionalism' and posits new ways of reading the relationship between place and individual, between individual and the natural environment, and how place occupies the person as much as the person occupies place. It provides alternative readings of writers through place and space, especially Australian writers, but also non-Australian. Further, close consideration is given to being of 'famine-migrant' Irish heritage and the complexities of 'returning'. A close-up examination of 'belonging' and exclusion is made on a day-to-day basis. The book offers an approach to creating poems and literary texts constituted by experiencing multiple places, developing a model of polyvalent belonging known as 'polysituatedness'. It works as a companion volume to Kinsella's earlier Manchester University Press critical work, Disclosed Poetics: Beyond Landscape to Lyricism.

A poetics of displacement

Polysituatedness

﻿Fascinated by caves and digging holes since childhood, Manfred discovers a path through to another realm via a Neolithic copper mine at Mount Gabriel in Schull, Ireland. The world of Hollow Earth, while no Utopia, is a sophisticated civilisation. Its genderless inhabitants are respectful of their environment, religious and cultural differences are accommodated without engendering hate or suspicion, and grain not missile silos are built. Yet Ari and Zest accompany Manfred back to the surface world. ‘Come with me and see my world.’ So begins an extraordinary adventure in which the three wander the Earth like Virgil's Aeneas, Ari and Zest seeking re-entry to their own world. The Hollow Earthers are shocked at the cruelty and lies of the surface world, the dieback spreading through the forests. Yet they are seduced by the world's temptations. Kinsella's parable draws on a rich tradition of Hollow Earth literature and science fiction including Bradshaw's The Goddess of Atvabar (1892).With strange beauty, its alluring trajectory vividly captures our 21st century world in crisis. Like Manfred we are often blindly complicit in the earth's downfall. ‘Happiness is under our feet.’ sings the narrator in this passionate, layered and compelling new novel. ‘Combining a twenty-first century sense of planetary peril with a 1970s funkadelic vibe, Hollow Earth reaches to the extremes of our collective breath, its alpha and omega...this is a novel of exacting self-scrutiny which also manages to be outrageous fun’ — Nicholas Birns

Hollow Earth

Tracy Ryan

The Fremantle Press Anthology of Western Australian Poetry is a comprehensive survey of the state's poets from the 19th century to today. Featuring work from 134 poets, and including the work of many WA Indigenous poets, this watershed anthology brings together the poems that have contributed to and defined the ways that Western Australians see themselves.

The Fremantle Press Anthology of Western Australian Poetry

There are only a handful (or fewer) of English-language poets of his generation whose work is already so original, so fully formed, and so clearly destined to become part of the central tradition. Harold Bloom

Ali Alizadeh

Edited and translated by the internationally renowned poet John Kinsella and the Iranian-born poet and translator Ali Alizadeh, Six Vowels and Twenty-three Consonants is a groundbreaking new collection of poems presenting the wealth of poetic voices from one of the world's most important literary cultures. The book covers poetry from the early Middle Ages to the Modernists and Postmodernists of the 20th and 21st centuries. No other culture in the world has produced such quantity and quality of mystical poetry and true spiritual vision as the Persian tradition. In this poetry there is an effulgence of meaning; nearly every word resonates with chords of allusion and multiple signification. Whether we read a modern poet or one of the classics, this resonance reaches back to the beginnings of the tradition, and it touches us today.

An Anthology of Persian Poetry from Rudaki to Langroodi

Six Vowels and Twenty-three Consonants

'The tall trees nearby called them up and red-tailed black cockatoos carried messages to them that they told no one else about.' Pushing Back is John Kinsella's most haunting and timely fiction to date. It is populated with eccentric, compelling characters, drifters, unlikely friendships, the silences of dissolving relationships, haunted dwellings and lonely highways, the ghosts of cleared bushland and the threats of right-wing nationalists and senseless destruction. A couple make love in an abandoned asbestos house, a desperate carpet cleaner beholden to the gig economy begs a financially distressed client not to cancel his booking, an addict cannot bear to see his partner without the watch he once gave her, a mother casts her shearer son's ashes on the property on which he worked, fascists pile into a little red car with the intent of terrorising tourists on the Nullarbor, a man more at home with machinery than people rescues a drowning kitten. Yet throughout this assured distillation of contemporary Australian life, empathy rises like the red- tailed black cockatoos that appear and reappear, nature coalescing with the human spirit, the animals, the trees, the land, the people pushing back. These stories are at once disturbing, tender and hopeful. 'One of the nation's most significant living writers.' — Tony Hughes-d'Aeth, Australian Book Review

Pushing Back

John Kinsella

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