James M. Cain

John McAleer

In these never-before-published interviews, the author of Double Indemnity, The Postman Always Rings Twice, and Mildred Pierce discusses his first notions to be a writer, his newspaper days, his Hollywood years, and Marilyn Monroe with brutal honesty and in a tone and vernacular that only a master like Cain could command. Also in this critical, tell-it-like-it-is study, Cain reveals his thoughts on Hemingway, Fitzgerald, Arthur Miller, Hammett, Chandler, and, in his eighty-fifth year, what he planned for his future. Packed and Loaded is James M. Cain "unplugged", at his finest. The manuscript is seasoned with original epigraphs about this major American writer from masters like Elmore Leonard, Sue Grafton, Robert B. Parker, Dennis Lehane, Peter Lovesey, Phil Lovesey, Edward D. Hoch, Katherine Hall Page, Robin Moore, William G. Tapply, and the grand master of mystery himself, Rex Stout. John McAleer graduated from Harvard University with a Ph.D. in English Literature and was the author of over a dozen books, including an Edgar Award-winning biography of Rex Stout. He was nominated for the Pulitzer Prize for his biography of Emerson. He wrote critically-acclaimed studies of Thoreau and Dreiser, as well as a definitive novel on the Korean War, Unit Pride.

Conversations with James M. Cain

Packed and Loaded

Douglas Hamilton

Associate Professor of Imperial and Global History John McAleer

This volume examines the various ways in which islands (and groups of islands) contributed to the establishment, extension, and maintenance of the British Empire in the age of sail.

Islands and the British Empire in the Age of Sail

H. V. Bowen

Robert J. Blyth

"Its glory is its superbly reproduced illustrations - their story resonates with 21st century-concerns." Andrew Robinson, The Independent The East India Company grew from an Elizabethan trading venture to control half of global trade, leading directly t

The Maritime World of the East India Company

Monsoon Traders

John M. MacKenzie

Exhibiting the empire considers how a whole range of cultural products – from paintings, prints, photographs, panoramas and ‘popular’ texts to ephemera, newspapers and the press, theatre and music, exhibitions, institutions and architecture – were used to record, celebrate and question the development of the British Empire. It represents a significant and original contribution to our understanding of the relationship between culture and empire. Written by leading scholars from a range of disciplinary backgrounds, individual chapters bring fresh perspectives to the interpretation of media, material culture and display, and their interaction with history. Taken together, this collection suggests that the history of empire needs to be, in part at least, a history of display and of reception. This book will be essential reading for scholars and students interested in British history, the history of empire, art history and the history of museums and collecting.

Cultures of display and the British Empire

Exhibiting the Empire

Sarah Longair

Curating empire explores the diverse roles played by museums and their curators in moulding and representing the British imperial experience. This collection demonstrates how individuals, their curatorial practices, and intellectual and political agendas influenced the development of a variety of museums across the globe. Taken together, these contributions suggest that museums are not just sites for accessing history but need to be considered as historical sites of significance in themselves. Individual essays examine the work of curators in museums in Britain and the colonies, the historical display and interpretation of empire in Britain, and the establishment of ‘museum networks’ in the British imperial context. Curating empire sheds new light on the relationship between museums, as repositories for objects and cultural institutions for conveying knowledge, and the politics of culture and the formation of identities throughout the British Empire.

John McAleer

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