E. T. A. Hoffmann

Andrew Moore

John Oxenford

No literature can produce a more original writer than Ernst Theodor Wilhelm Hoffmann (1776 1822), a German Romantic author of fantasy and horror, better known by his pen name E. T. A. Hoffmann (Ernst Theodor Amadeus Hoffmann). His works are very numerous and were published at Berlin in fifteen volumes. He is the subject and hero of Jacques Offenbach's famous but fictional opera The Tales of Hoffmann.---Of the two tales in this book, "The Sandman" is from the collection "Night Pieces," and The Elementary Spirit is from his "Later Works." In these stories, Hoffmann's purpose is to point out the ill-effect of a morbid desire after an imaginary world, and a distaste for realities. Different as their adventures are, there is a striking similarity in the characters of Nathaniel (in "The Sandman") and Victor (in "The Elementary Spirit"). However wild may be the subjects of Hoffmann, and however rambling his method of treating them, his style is remarkably lucid.---The story of the Sandman had its origin in a discussion which actually took place between La Motte Fouque (a German writer of the romantic movement, 1777 1843) and some friends, at which Hoffmann was present. Some of the party found fault with the cold, mechanical deportment of a young lady of their acquaintance, while La Motte Fouque zealously defended her. Here Hoffmann caught the notion of the automaton Olympia, and the arguments used by Nathaniel are those that were employed by La Motte Fouque."

The Sandman. The Elementary Spirit (Two Mysterious Tales. German Classics)

George Alexander Macfarren

An Opera in Four Acts

Helvellyn

Johann Wolfgang von Goethe

Conversations of Goethe with Eckermann and Soret

Francis Cowley Burnand

John Baldwin Buckstone

John Palgrave Simpson

John Maddison Morton

William Henry Murray

Henry Thornton Craven

William E. Suter

John Anson Woodward

F. Lennox Horne

Eliza Planché

Montagu Williams

A Collection of Short Humorous Dramas, Farces, and Comediettas, of Approved Excellence, Suitable for Amateur Or Professional Performance

Curtain Raisers

A Farce in One Act

Dr. Dilworth

A Farce in One Act ... As Performed at the Royal Olympic Theatre ...

A Quiet Day

Johann Peter Eckermann

Goethe's Conversations with Eckermann

Reprint of the original, first published in 1874.

Conversations of Goethe

Johann Wolfgang Von 1749-1832 Goethe

Johan Peter 1792-1854 Eckermann

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Goethe's Conversations With Eckermann; 201

Excerpt from Goethe on the Theater: Selections From the Conversations With Eckermann In 1823, nine years before Goethe's death, Johann Peter Eckermann, a young man in his early thirties, journeyed on foot from Hanover to Weimar in order to meet face to face that poet and dramatist, whose works he had deeply admired. He was cordially received, and soon became an almost daily visitor at Goethe's house. His modest and gentle disposition, and his genuine enthusiasm for literature and art, and particularly for the drama, seem to have endeared him to the aging poet, who admitted him to an intimacy denied to far abler men. Eckermann's somewhat passive nature was no doubt more agreeable that a more assertive character would have been. Despite his mental vigor, Goethe was in his last years frequently unwell, and there are occasional hints in the 'Conversations' of the ruses which he adopted to avoid wearying himself with uncongenial visitors. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Selections from the Conversations with Eckermann (Classic Reprint)

Goethe on the Theater

Reproduction of the original: Twice Killed by John Oxenford

Twice Killed

Walter Scott

Mrs. Hemans

Walter Maynard

Miss Hayes

Ceiriog Hughes

With English Words

The Songs of Wales (Caneuon Cymru:)

Louisa Stuart Costello

The Book of French Songs

A Drama. In Five Acts, and Seven Tableaux

Pauline

The playwright and critic John Oxenford (1812-77) had an acute aptitude for languages. Although he translated both Molière and Calderón into English, he specialised in German translations and set high standards, not least with his rendering of several works by Johann Wolfgang von Goethe (1749-1832). Among the greatest literary figures of his day, Goethe combined considerable achievements as a poet, novelist and playwright with his diverse interests in natural science and politics. This two-volume translation of his autobiography first appeared in 1848-9. In Volume 1, Goethe tells the story of his life from the day he was born until the publication of The Sorrows of Young Werther, which attained cult status almost immediately after it was released in 1774. As the protagonist of his own story, Goethe reflects here on how he himself came of age.

Truth and Poetry: From My Own Life

The Auto-Biography of Goethe

This two-volume English edition of Eckermann's and Soret's recollections, published in 1850, helped to reawaken interest in Goethe.

"Retained for the Defence: A Farce, in One Act" by John Oxenford. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Retained for the Defence: A Farce, in One Act

A Farce

John Oxenford

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