John Picton

Rayda Becker

This is a comprehensive look at the textiles of contemporary Africa. It includes essays on the hand-woven textiles of West Africa, applique and embroidery, the impact of European trade and the use of textiles as an art form.'

Technology, Tradition and Lurex

The Art of African Textiles

Tanure Ojaide

McCabe Elsie

Michael Y. Nabofa

Bruce Onobrakpeya

The Urhobo peoples occupy the western fringe of the Niger River delta in southern Nigeria, an area rich with oil reserves. Since the 1970s, the petroleum industry has brought worldwide wealth and attention to Nigeria, but tragically has also detracted from broad-based economic progress as flow stations, flare-offs, drilling platforms and pipelines have proliferated. As rural economies suffered an inevitable decline, the custom of maintaining traditional Urhobo art has experienced a parallel atrophy. The resultant decline in Urhobo culture has prompted a response among many Urhobo who want to celebrate and preserve their traditions for future generations. The Museum for African Art in New York makes a major contribution to this effort through the presentation of "Where Gods and Mortals meet," the first exhibition to showcase Urhobo arts. The exhibition introduces never-before-seen Urhobo art and footage of cultural performances, from yesterday and today. This accompanying catalogue includes approximately 80 works of art: traditional art from the historical period 1850 to 1975, including monumental wood figures, metal and clay sculpture, and masks and costumes with accompanying poetry and song; a small selection of contemporary work by Bruce Onobrakpeya, an Urhobo by birth and one of Africa's foremost artists; plus photos and video footage of extraordinary multimedia masquerades.

Continuity and Renewal in Urhobo Art

Where Gods and Mortals Meet

Jennifer Sigafoos

Charitable organisations occupy a central place in society across much of the world, accounting for billions of pounds in revenue. As society changes, so does the law which regulates nonprofit organisations. From independent schools to foodbanks, they occupy a broad policy space. Not immune to scandals, sometimes nonprofits are in the news for all the wrong reasons and so, when they are in the public eye, regulators must respond to high profile cases. In this book, a team of internationally recognised charity law experts offers a modern take on a fast-changing policy field. Through the concept of policy debates it moves the field forward, providing an important reference point for developing scholarship in charity law and policy. Each chapter explores a policy debate, setting out the fault-lines in play, and often offering proposals for reform. Two important themes are explored in this edited collection. First, there is a policy tension in charity law between its largely conservative history and the need to keep up-to-date with social change. This pressure is felt acutely along key fault-lines, such as the extent to which a body of law which developed before the advent of legislated human rights is able to adapt to a rights-based world, and the extent to which independent schools – historically so closely linked with charity – might deserve their generous tax-breaks. The second theme explores the law from the perspective of a good-faith regulator, concerned to maximise the usefulness of charities. From the need to reform old organisations, to the need to ensure that charities enjoy the right amount of regulatory freedom in a world of payment-by-result contracts, the book critically charts the policy justifications for regulatory intervention, as well as the costs that such intervention might bring. Debates in Charity Law will be of interest to both academic researchers and students of the non-profit sector, looking to understand the links between law, social change and regulation. It will also help and guide nonprofit employees and volunteers, showing how their sector is shaped and moulded by the law.

Debates in Charity Law

John Picton

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