John Russo

The most frightening movie ever made is now a novel! Newsweek calls NIGHT OF THE LIVING DEAD a, "True Horror Classic." Why does NIGHT OF THE LIVING DEAD hit with such chilling impact? Is it because everyday people in a commonplace house are suddenly the victims of a monstrous invasion? Or is it because the ghouls who surround the house with grasping claws were once ordinary people, too? Decide for yourself as you read, and the horror grips you. All the cannibalism, suspense and frenzy of the smash-hit are here in the novel. This is the ORIGINAL novel by John A. Russo based on the screenplay by John A. Russo and George A. Romero.

Night of the Living Dead

Black Cat

Russo

Day Care

From the screenwriter of the original 1968 Night of the Living Dead comes a shocking new wave of zombie mayhem to devour your dreams--and feed your nightmares . . . THEY ARE WHAT THEY EAT It starts with infected needles. It spreads like a plague. Soon the town of Chapel Grove, Pennsylvania, is overrun with cannibalistic corpses. Some are taken down with a bullet to the brain. Others, torched like kindling. But a few have survived--inside a maternity ward . . . THEY'RE EATING FOR TWO NOW Detective Bill Curtis manages to rescue his pregnant wife Lauren from the ward in the nick of time. But the other pregnant women are not so lucky. Some of them have been bitten--and infected. Now it's anyone's guess what's growing inside them . . . THEY'RE THE NEXT GENERATION But the nightmare isn't over yet. The infected mothers' newborns appear to be normal. But as the years go by, Bill and Lauren Curtis begin to worry about their beautiful, healthy daughter Jodie. Jodie is drawn to the town's "special" children, the ones whose mothers were bitten. They're reaching adolescence now. Their hormones are raging. And they're starting to possess strange appetitites . . . If you thought millenials werea pain, just wait until you meet Generation Z. "An unrelieved orgy of sadism." --Variety on Night of the Living Dead

Epidemic of the Living Dead

Sherry Lee Linkon

This book brings together historians, economists, geographers, sociologists, and scholars of literature and cultural studies to explore the emerging discipline of working-class studies and identify its key themes and issues.

New Working-class Studies

SUCH A PRETTY PRETTY GIRL . . .SUCH A COLD, CRUEL KNIFE . . . Tiffany Blake was a beautiful long-limbed dancer with a glorious future and the backing of a rich benefactor. Then a monstrous accident severed her leg at the hip. And now her fellow dancers are disappearing without a trace. One by one they fall victim to a dark and deadly pattern of evil - caught by the bloody, brutal logic that would have them pay with their lovely bodies for the cruel fate of another . . . victims of the sadistic madman whose flashing knife will make them writhe a gruesome new dance.

Limb to Limb

From the author of Night of the Living Dead and The Majorettes...John Russo. The little creatures came to play, and now in fresh-dug graves they lay. Cynthia and her three little brothers had heard the stories of their grandpa, who could summon demons and compel people to die with a curse. So, when the children discovered they, too, had the ancient power, they knew what to do. At first, they caught smallish demons who had assumed the shapes of rabbits and birds-and then larger demons, like the ones who resembled little Jimmy Peterson or his pretty red-haired sister. Now they are growing, their powers swelling, nourished by adult dreams and desires. Soon they will gather their own kind from the earth's dark corners. Soon they will ready their rituals...the blood-red ceremonies performed one by one at...Midnight!

A Novel of Terror

Midnight

The Complete Night of the Living Dead Filmbook

Dheeraj Verma

The Sixsmiths are a family of suburban Satanists who've fallen prey to the global recession. Now their life is in turmoil: Ralf needs to find a new job; the twins, Cain and Lilith, need to survive the public school system; and Annie needs to keep them all sane and under budget. Meanwhile, their estranged elder daughter Jezabelle is having her own crisis of faith. Will the Devil rise to smite their enemies, or will he damn them with hellfire and wrath?

Escape of the Living Dead

Covers movie equipment, composition, editing, special effects, makeup, budgeting, financing, production, and distribution, and includes interviews with directors and technicians

The Inside Guide to Independent Movie Production

Making Movies

"We put the working class, in all its varieties, at the center of our work. The new working-class studies is not only about the labor movement, or about workers of any particular kind, or workers in any particular place—even in the workplace. Instead, we ask questions about how class works for people at work, at home, and in the community. We explore how class both unites and divides working-class people, which highlights the importance of understanding how class shapes and is shaped by race, gender, ethnicity, and place. We reflect on the common interests as well as the divisions between the most commonly imagined version of the working class—industrial, blue-collar workers—and workers in the 'new economy' whose work and personal lives seem, at first glance, to place them solidly in the middle class."—from the Introduction In John Russo and Sherry Lee Linkon's book, contributors trace the origins of the new working-class studies, explore how it is being developed both within and across fields, and identify key themes and issues. Historians, economists, geographers, sociologists, and scholars of literature and cultural studies introduce many and varied aspects of this emerging field. Throughout, they consider how the study of working-class life transforms traditional disciplines and stress the importance of popular and artistic representations of working-class life.

New Working-Class Studies

Zombie Double Bill George A. Romero's classic 1968 film, Night of the Living Dead, launched a new era of gut-munching mayhem, relentelessly terrorizing the hearts of moviegoers and launching the zombie movie phenomenon. Screenwriter John A. Russo turned the flesh-eating frenzy into two horrific, blood-drenched novels. . . Night Of The Living Dead A cemetery in rural Pennsylvania. A brother and sister putting flowers on their father's grave. A strange figure shambling toward them--eyes dead and teeth gnashing. So begins a night of endless terror that would live on in infamy. Seven strangers locked inside a small farmhouse fight off an army of walking corpses. Who will survive? And who will have their flesh devoured. . .? Return Of The Living Dead Not long after the first zombie outbreak, a bus crashes in a small American town. Local churchgoers rush to the scene to save the living--and destroy the dead. But they're too late. A terrifying new plague of undead has been unleashed. A new horde of victims has been infected. And this time, they are ravenous. . . Two great, gruesome zombie thrillers in one volume! John Russo wants everyone to know he's a really nice guy even though he loves to scare people. He started it by co-scripting the 1968 horror classic Night of the Living Dead, one of the greatest fright flicks of all time, ranked #18 on the Internet Movie Database's top 100 Scariest Movies. (In a fine example of showmanship and multi-tasking, Russo also played a zombie in the film.) He also wrote the screenplays and/or stories for Midnight, Santa Claws, The Majorettes, Return of the Living Dead, Bloodsisters, and Inhuman. Mr. Russo has authored fifteen terror-suspense novels, including Living Things, The Awakening, Voodoo Dawn, and Inhuman. His nonfiction books, Scare Tactics and Making Movies are considered bibles of independent filmmaking by film students and horror fans. Those who are not faint of heart will enjoy digging into this presentation of Night of the Living Dead and the original stark-and-dark version of Return of the Living Dead. Look for John Russo's upcoming cinematic shockfest Escape of the Living Dead, which is now in preproduction for a 2011 release. Mr. Russo resides in a suburb of Pittsburgh, PA. To his knowledge, none of his neighbors are zombies, though "there is that one guy around the corner who is rumored to have devoured the mailman a few years ago." "Truly harrowing." --Roger Ebert, Chicago Sun-Times

Undead

Your book. . .guided me through my first completed movie. --Quentin Tarantino, on Scare Tactics From the Master of the Living Dead John Russo's brilliantly chilling screenplay for the 1968 groundbreaking Night of the Living Dead helped pave the wave for the flesh-eating spectacles that have thrilled zombie fans for three generations. Here, for the first time in one volume, are two of the master's most gruesome and demented novels of gut-wrenching mayhem. . . Midnight First, they captured small animals. Then, they moved on to bigger prey. Now the backwoods family that slays together stays together for one last midnight snack: a pair of unsuspecting travelers whose ritual torture and sacrifice will only intensify the demonic clan's cravings. . .for more. Yeah, they're dead. . .they're all messed up. Escape From The Living Dead In an isolated roadside diner, a desperate group of strangers barricade themselves against a ravenous horde of undead customers who crave something more than the early bird special. They want flesh. Human flesh. With a side order of brains and stomach-turning terror. A Two-for-One Feast for Hungry Horror Fans! "An unrelieved orgy of sadism." --Variety on Night of the Living Dead

The Hungry Dead: Midnight and Escape from the Living Dead

An insider's guide to the creative end of horror movie making, from concept to saleable package

The Art, Craft, and Trade Secrets of Writing, Producing, and Directing Chillers and Thrillers

Scare Tactics

Horror-Thriller

Untot

Richard Chizmar

Joe R Lansdale

"If you enjoy short, gritty crime fiction, you need to check out this anthology!" -- Debbi Mack, The Crime Cafe. Joe R. Lansdale Richard Chizmar Richard Christian Matheson Max Allan Collins John A. Russo Stewart O'Nan, and more... Throughout the years countless wordsmiths have produced their own story collections, but the book you are now holding is a love letter to the great anthologies of yesteryear, assembling stories by a variety of talents, packaged neatly and often connected by a singular theme.

John Russo

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