John Sallis

“The major American philosopher . . . makes us want to re-read the Platonic text with fascination. And that is but its grandest gift.” —Daniel Guerriere, professor emeritus of philosophy at California State University, Long Beach In Chorology, John Sallis takes up one of the most enigmatic discourses in the history of philosophy. Plato’s discourse on the chora—the chorology—forms the pivotal moment in the Timaeus. The implications of the chorology are momentous and communicate with many of the most decisive issues in contemporary philosophical discussions. “This excellent work . . . deserves the serious consideration of all who are interested in contemporary philosophy as well as those who concern themselves with ancient philosophy, especially Plato.” —Review of Metaphysics

On Beginning in Plato's Timaeus

Chorology

This volume in the Collected Writings of John Sallis presents his lecture course on German Idealism, tracing its development from the reception of Kant through the works of Fichte and Schelling. With insightful interpretations of key texts, John Sallis demonstrates the enduring power of post-Kantian thought—especially with respect to freedom, the relation of subject to object, and the role of the imagination. He shows that what underlies the development of German Idealism is a concern with the question of system and the nature of philosophy itself. The book begins with a treatment of Kant's philosophy and its new beginning. It then discusses the initial reception of Kant's philosophy, showing how criticisms of Kant set the stage for the subsequent development of German Idealism. The central chapters focus on Fichte, first introducing his central philosophical project (the Wissenschaftslehre) and then carefully analyzing its implementation in the 1794 Grundlage. The final chapters treat Schelling's early and middle philosophy, including the 1800 System of Transcendental Idealism and his famous 1809 treatise on freedom. Beyond its insights into the thought of German Idealism, the book is distinctive for the clarity of Sallis's exposition, his attention to the implications for philosophy today, and the sense of wonder he evokes in his readers. Because of these features, the book will be of interest to general readers as well as specialists in German philosophy.

German Idealism and the Question of System, Volume III/4

Beginning with the assertion that earth is the elemental place that grants an abode to humans and to other living things, in Senses of Landscape the philosopher John Sallis turns to landscapes, and in particular to their representation in painting, to present a powerful synthetic work. Senses of Landscape proffers three kinds of analyses, which, though distinct, continually intersect in the course of the book. The first consists of extended analyses of distinctive landscapes from four exemplary painters, Paul Cezanne, Caspar David Friedrich, Paul Klee, and Guo Xi. Sallis then turns to these artists’ own writings—treatises, essays, and letters—about art in general and landscape painting in particular, and he sets them into a philosophical context. The third kind of analysis draws both on Sallis’s theoretical writings and on the canonical texts in the philosophy of art (Kant, Schelling, Hegel, and Heidegger). These analyses present for a wide audience a profound sense of landscape and of the earthly abode of the human.

Senses of Landscape

By applying the tools of deconstruction to crucial texts of German Idealism, John Sallis reveals the suppressed but essential role of imagination in even the most ambitious attempts to represent pure reason. Sallis focuses on certain operations of "spacing" in metaphysics—textual lapses and leaps in which reason is displaced or suspended or abridged. In the project of establishing priority of reason, such operations can appear only in disguise, and Sallis reveals the play of imagination and metaphor that masks them. Concentrating on what has been called the closure of metaphysics, he examines texts in which the suppression of spacing would be carried out most rigorously, texts in which even metaphysics itself is seen as only an errant roaming, a spacing that must still be secured, to be replaced by a pure space of truth. And yet, in these very texts Sallis identifies outbreaks of spacing that would disrupt the tranquil space of reason. Rather than closure, he finds an opening of reason to imagination. Sallis's reading of a metaphorical system in the Critique of Pure Reason reveals a fissuring and historicizing of what would otherwise be called pure reason. Next he traces in Fichte's major work as well as in several lesser-known texts a decentering from reason to imagination, which he characterizes as a power of hovering between opposites and beyond being. Sallis then returns to the Critique of Pure Reason to expose, in relation to the famous question of the common root of reason and sensibility, a certain eccentricity of reason. Proceeding to the Critique of Judgment, he traces a divergence of sublime nature away from that supersensible space of reason to which Kant would otherwise assimilate it—a withdrawal toward an abyss. Finally, Sallis turns to Hegel's Encyclopedia, supplementing his reading with previously unknown notes from Hegel's lectures on those sections dealing with imagination; his reading of those sections serves to expose, within the most rigorous reduction of spacing in the history of metaphysics, an irrepressible and disseminative play of imagination.

In Texts of Kant, Fichte, Hegel

Spacings--of Reason and Imagination

John Russon

Written from a Continental perspective, Retracing the Platonic Text reveals dimensions of the dialogues that are not addressed by traditional philosophy. These essays by prominent scholars focus on the texts' literary elements, in particular challenges to contemporary interpretations of the Platonic dialogue as a whole. The result illustrates the depth of Platonic thought and the debt of all philosophy to it. Retracing the Platonic Text is a pioneering effort in demonstrating how Continental philosophy both reflects and expands upon Greek philosophy.

Retracing the Platonic Text

This second edition of The Gathering of Reason expands on John Sallis's classic study of Kant's First Critique. This study examines the relation of imagination to reason and to human knowledge and action in general. Moving simultaneously at several different hermeneutical levels, Sallis carries out an interpretation of the Transcendental Dialectic of Kant's Critique of Pure Reason. Although, in contrast to the Analytic, the Dialectic seldom refers explicitly to imagination, Sallis shows that the concept of reason in the Dialectic requires the complicity of imagination. Sallis demonstrates that for Kant, reason alone does not suffice for bringing before our minds the metaphysical ideas of the soul, the world, and God; rather it is through the force of imagination that these ideas are brought forth and made effective. A new preface situates the book in relation to Sallis's later work, and an extensive afterword focuses on Kant and the Greeks.

Second Edition

The Gathering of Reason

A collection of philosophical essays on place and nature, featuring beautiful paintings and drawings. What is the effect of light as it measures the seasons? How does light leave different traces on the terrain—on a Pacific Island, in the Aegean Sea, high in the Alps, or in the forest? John Sallis considers the expansiveness of nature and the range of human vision in essays about the effect of light and luminosity on place. Sallis writes movingly of nature and the elements, employing an enormous range of philosophical, geographical, and historical knowledge. Paintings and drawings by Alejandro A. Vallega illuminate the text, accentuating the interaction between light and environment. “A profound and exceptionally nuanced piece of writing that brings philosophy and art into close proximity. Decades of Sallis’s remarkable philosophical thinking are at work and play.” —Jason M. Wirth, Seattle University “Beautifully conceived and written. Sallis engages the elemental interplay of earth and sky, translucence and obscurity, airiness and density, height and depth, wet and dry, gods and mortals, storms and clouds, rivers and fog, plains and mountains–nature in its expansive, indefinable materiality and ephemeral intangibility.” —Charles E. Scott, Vanderbilt University

Light Traces

"Philosophers have become increasingly concerned with the places and spaces of our Earth. They are finally coming to acknowledge their situatedness, and to be grateful for it. Sallis's wonderful book evokes in word and image the power of places that bring him—and now us—to think, feel, imagine, and write." —David Farrell Krell, DePaul University How does it feel to get caught in a violent storm in the high Alps? What does a visitor think while ascending the sacred way in Delphi? How does a rock garden in Kyoto challenge one's sense of self? What comes out of a face-to-face encounter with deer in the woods? In Topographies, John Sallis invites readers to open their imaginations to the power of evocative places. Written in the style of a travel diary, Sallis responds reflectively and receptively to experiences that are beyond the carefully prepared tidbits of the exotic that often characterize tourism. On this venture into the foreign, Sallis discloses a unique power for drawing from place as he allows himself and readers to be drawn into it. Forty illustrations grace the book and enhance our sense of what it means to understand and connect to our world.

Topographies

This volume of the Collected Writings of John Sallis presents his lecture courses on Kant. Each course was devoted respectively to one of Kant's three Critiques, and so the book as a whole treats the entirety of the Kantian critical project. Sallis displays here, as he does in all his lecture courses, an uncanny ability to open up dense philosophical texts. The matters Kant deals with—in theoretical, practical, and aesthetic philosophy—are difficult in themselves, and Kant's writings might at times seem so convoluted as to magnify the difficulty. Sallis patiently and successfully lays out the issues and the critical approach to them, such that the reader is led step by step into the very core of Kant's spirit of critique. This volume makes Kant accessible to students, while the most advanced scholars will also profit from it.

Kant and the Spirit of Critique

Professor Frederick J Adelmann S J Chair John Sallis

This is an anthology of deconstructive writings on the doubly difficult theme of truth by the foremost American philosopher of postmodernity.

Religion and the Representation of the Past

Double Truth

Demonstrates how archaic Platonism has a profound significance for contemporary thought. In Platonic Legacies John Sallis addresses certain archaic or exorbitant moments in Platonism. His concern is to expose such moments as those expressed in the Platonic phrase “beyond being” and in the enigmatic word chora. Thus he ventures to renew chorology and to bring it to bear, most directly, on Platonic political discourse and Plotinian hyperontology. More broadly, he shows what profound significance these most archaic moments of Platonism, which remained largely unheeded in the history of philosophy, have for contemporary discussions of spacings, of utopian politics, of the nature of nature, and of the relation between philosophy and tragedy. Thus addressing Platonism in its bearing on contemporary philosophy, Platonic Legacies engages, in turn, a series of philosophers ranging from Nietzsche, Heidegger, and Arendt to certain contemporary American Continental philosophers. These engagements focus on the way in which these recent and contemporary philosophers take up the Platonic legacies in their own thought and on the way in which the exposure of an archaic Platonism can redirect or supplement what they have accomplished. John Sallis is Edwin Erle Sparks Professor of Philosophy at The Pennsylvania State University at University Park. He has written many books, including Double Truth and Interrogating the Tradition: Hermeneutics and the History of Philosophy (coedited with Charles E. Scott), both published by SUNY Press.

Platonic Legacies

Originally published in 1973, this work continues to be a classic in the field of French phenomenology, focusing on tis most seminal represenataive, Maurice Merleau-Ponty. By tracing how Merleau-Ponty accounts for the beginning of philosophical thought in the dual sense of understanding its origin and showing how that origin permits philosophy (and all thought) to achieve truth, Sallis demonstrates that this process is never fully completed. With a signifigant revival of interest in French phenomenology in recent years, this paperback edition -- with a new preface by Sallis -- provides an enduring and important voice to the dialogue.

Phenomenology and the Return to Beginnings

Ethicality and Imagination is the astounding conclusion to John Sallis's landmark trilogy launched with Force of Imagination and Logic of Imagination. In this new work, Sallis embarks on an unforgettable voyage spanning the cosmos and delving deep into what makes us human. If the first two works consider the question of being and thinking, respectively, the third and culminating volume takes up the question of action. In a series of highly original and always provocative meditations, Sallis articulates the way humans are rooted in their abodes yet not determined by them. Ethicality and Imagination develops a new approach to the relation of the imagination to literature, ethics, political thought, and recent discoveries in astrophysics. It represents a brilliant conclusion to one of the most exciting works of thinking in the Continental school in recent decades.

On Luminous Abodes

Ethicality and Imagination

Since Hegel, philosophers have declared repeatedly that metaphysics is at an end, a pronouncement that has sparked much contemporary philosophical debate. What exactly does the end, or closure, of metaphysics mean, and what are the implications of this view? John Sallis characterizes the end of metaphysics as a limit, or horizon, both enclosing metaphysical thought and opening the field of thinking beyond it. He elaborates five areas in which the boundaries of thinking are extended: imagination as an opening power, the radicalizing of phenomenology's injunction to attend to the things themselves, Heidegger's shift of thinking toward an opening or clearing, archaic closure through a return to Plato and Heraclitus, and the nonidentity that takes place in the act of delimitation. This last question is developed in relation to Husserl's project of a pure phenomenology, to the debate between hermeneutics and deconstruction, and to the secluding of ground announced in Schelling's thought.

Phenomenology and the End of Metaphysics

Delimitations

John Sallis's thought is oriented to two overarching tasks: to bring to light the elemental in nature and to show how the imagination operates at the very center of human experience. He undertakes these tasks by analyzing a broad range of phenomena, including perception, the body, the natural world, art, space, and the cosmos. In every case, Sallis develops an original form of discourse attuned to the specific phenomenon and enacts a thorough reflection on discourse itself in its relation to voice, dialogue, poetry, and translation. Sallis's systematic investigations are complemented by his extensive interpretations of canonical figures in the history of philosophy such as Plato, Aristotle, Kant, Schelling, and Hegel and by his engagement with the most original thinkers in the areas of phenomenology, hermeneutics, and deconstruction.

Elemental Discourses

A reflection on the urgent need for a new philosophical understanding of, and relationship with, nature. John Sallis dismantles the traditional conception of nature in this book of imagination and the cosmos. In the thought of Emerson, Hegel, and Schelling, Sallis discerns the seeds of an understanding of nature that goes against the modern technological assault on natural things and opens a space for a revitalized approach to the world. He identifies two fundamental reorientations that philosophical thought is called on to address today: the turn to the elemental in nature and the turn from nature to the cosmos at large. He traces the elusive course of the imagination, as if coming from nowhere, and describes the way in which it bears on the relation of humans to nature. Sallis’s account demonstrates that a renewal of our understanding of nature is one of the prime imperatives we demand from philosophy today. “Inspiring . . . [for] anyone looking to open up their mind to the reflection on other ways to live more closely in tune with their own nature and to the nature that is around them.” —Phenomenological Reviews

Coming As If from Nowhere

The Return of Nature

"Everyone complains about what is lost in translations. This is the first account I have seen of the potentially positive impact of translation, that it represents... a genuinely new contribution." -- Drew A. Hyland In his original philosophical exploration of translation, John Sallis shows that translating is much more than a matter of transposing one language into another. At the very heart of language, translation is operative throughout human thought and experience. Sallis approaches translation from four directions: from the dream of nontranslation, or universal translatability; through a scene of translation staged by Shakespeare, in which the entire range of senses of translation is played out; through the question of the force of words; and from the representation of untranslatability in painting and music. Drawing on Jakobson, Gadamer, Benjamin, and Derrida, Sallis shows how the classical concept of translation has undergone mutation and deconstruction.

On Translation

Nietzsche's Voices, a much-anticipated volume of the Collected Writings of John Sallis, presents his two-semester lecture course on Nietzsche offered in the Philosophy Department of Duquesne University during the school year 1971–72. "Nietzsche is easy to read; his is apparently the easiest of all the great philosophies. Yet the easy intelligibility is deceptive. Nietzsche's writings make us believe we have understood when in fact we have not. His philosophy is actually the exact opposite of easy," says Sallis. With this warning always in mind, Sallis first discusses Nietzsche's life and the relevance of the ancient Greeks to his thought and then analyzes Nietzsche's views on truth, history, morality, and the death of God. The entire second half of the book is devoted to Nietzsche's main work, the tragic, comedic, poetic Thus Spoke Zarathustra. Nietzsche's Voices offers a sensitive and brilliant introduction to the thought of Friedrich Nietzsche, as presented by one of today's most significant philosophers.

Nietzsche's Voices

A presentation of the two-semester lecture course on Merleau-Ponty given at Duquesne University from 1970 to 1971 by the esteemed American philosopher. Devoted primarily to a close reading of the French philosopher’s magnum opus, Phenomenology of Perception, this course begins with a detailed analysis of The Structure of Behavior. The central topics considered in the lectures include the functions of the phenomenological body; beyond realism and idealism; the structures of the lived world; spatiality, temporality, language, sexuality; and perception and knowledge. Sallis illuminates Merleau-Ponty’s first two works and offers a thread to follow through developments in his later essays. Merleau-Ponty’s notion of the primacy of perception and his claim that “the end of a philosophy is the account of its beginning” are woven throughout the lectures. For Sallis’s part, these lectures are foundational for his extended engagement with Merleau-Ponty’s The Visible and the Invisible, which was published in Sallis’s Phenomenology and the Return to Beginnings. “Sallis has managed to write a review that is accessible and makes only modest demands on the reader. This is an ideal resource for nonspecialists and for those who want a straightforward, relatively brief treatment of Merleau-Ponty’s important book . . . Highly recommended.” —Choice

Merleau-Ponty's Phenomenological Philosophy

The Logos of the Sensible World

Das Buch prasentiert eine zusammenhangende Auswahl der bedeutendsten Arbeiten von John Sallis zur Philosophie Heideggers. Sallis, Professor fur Philosophie am Boston College, gehort zu den wichtigsten Heidegger-Forschern und Vertretern der kontinentalen Philosophie in den USA. Sein besonderes Interesse gilt der Philosophie der Einbildungskraft; auch in Heidegger und der Sinn von Wahrheit widmet sich Sallis Heideggers Auseinandersetzung mit dem kantischen Begriff der Einbildungskraft in den dreiaiger Jahren. Das Zentrum von Heideggers Philosophie aber stellt fur Sallis der Sinn von Wahrheit dar: Heidegger ist der erste, der mit dem Denken von Wahrheit als Unverborgenheit die Unterscheidung von purer Sinnlichkeit und Idealitat radikal in Frage stellt. Sallis zeichnet nach, wie sich diese Infragestellung aus Heideggers fruher Zeitphilosophie des Daseins entwickelt und zugleich gegen deren Immanentismus arbeitet. Auf dem Wege einer genauen und kritischen Interpretation des Gesamtwerks zeigt Sallis, wie der Wahrheitsbegriff in die Erfahrung von Tod, Geschichte und der Moglichkeiten philosophischer Grundlegung hineinspielt und die wesentlichen Entzugsmomente in diesen Erfahrungen freilegt.

John Sallis

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