John T. Hill

New Translations and Vintage Prints

Walker Evans

Gilles Mora

Walker Evans ranks with Stieglitz, Steichen and Strand as an artist of the highest calibre. His images captured forever the harshness of the Depression, the beauty of 19th-century brownstone architecture, the very essence of American life. This is the broadest, most comprehensive summary of Walker Evans’s achievement ever published.

The Hungry Eye

Heinz Liesbrock

This resplendent volume is the most comprehensive study of Walker Evans's work ever published, containing masterful images accompanied by authoritative commentary from leading photography historians. The name Walker Evans conjures images of the American everyman. Whether it's his iconic contributions to James Agee's depressionera classic book, Let Us Now Praise Famous Men, his architectural explorations of antebellum plantations, or his subway series, taken with a camera hidden in his coat, Evans's accessible and eloquent photographs speak to us all. This comprehensive book traces the entire arc of Evans's remarkable career, from the 1930s to the 1970s. The illustrations in the book range from his earliest images taken with a vest pocket camera to his final photos using the then new SX-70 because his regular equipment had become too heavy to carry around. The book includes commentary from three of Evans's longtime friends, photographers John T. Hill and Jerry Thompson and professor emeritus (Yale University) Alan Trachtenberg. Their insight and first-hand experience give depth to their critical writings on Evans's work. In addition to offering a broad perspective on Evans's work, the book also clarifies the photographer's "anti-art" philosophy. Eschewing aesthetic hyperbole, Evans wanted his pictures to resonate with a wide audience. At the same time, his natural curiosity made him one of the most inventive photographers of all time. What these photographs and writings attest to is a huge and timeless talent, which came not from a camera, but from Evans's uniquely hungry eye.

Depth of Field

High Museum of Art

Peter Sekaer

Peter Sekaer (1901-50) emerged as an artist in the company of Ben Shahn, Berenice Abbott, and Walker Evans. This book intends to show how he stepped from their benign shadows to build his own distinctive style. It is the first monograph to show the full range of his accomplishments. Sekaers early work combines dispassionate images with others that show his concern and intuitive grasp of the human condition. Many of his most memorable photographs were made while fulfilling mundane assignments for various government agencies. Sekaer had none of the reformers passion found in the works of Jacob Riis or Lewis Hine. His stance was more that of the artist/anthropologist, who delighted in recording the artifacts and gestures that defined American society in the 1930s. John T. Hill is a photographer, designer, and formerly Director of Graduate Studies in Photography at Yale University. He first became attracted to Sekaers work in his capacity as executor of the Walker Evans estate. He is co-author of Walker Evans: The Hungry Eye and author of Walker Evans: Lyric Documentary. Current projects include volumes on the works of Herbert Matter and Norman Ives. Julian Cox is curator of photography at the High Museum of Art, Atlanta. His recent publications include The Portrait Unbound: Photographs by Robert Weingarten (2010), Road to Freedom: Photographs of the Civil Rights Movement, 1956-1968 (2008) and Harry Callahan: Eleanor (2007). Christina Sekaer, is the younger daughter of Peter Sekaer. In addition to her work as a psychiatrist, she is active as a photographer and painter. She lives in Dobbs Ferry, New York. Co-Published with the High Museum of Art, Atlanta in cooperation with the Howard Greenberg Gallery, New York. Exhibition: High Museum of Art, Atlanta, June 5, 2010 to January 9, 2011

Photographs by Peter Sekaer

Signs of Life

Beginning with early abstractions and a project on the Brooklyn Bridge, this book covers the artist's work in New England, Tahiti, Cuba, Florida, and New Orleans, and his involvement with the Farm Security Administration which led to the book Let Us Now Praise Famous Men.

Jed Perl

Herbert Matter

A. S. C. Rower

Given unprecedented access to Calders work and life during the course of their friendship, acclaimed photographer and graphic designer Herbert Matter captured Calders sculptures, the artist at work in his studio and at home with his family in Roxbury, Connecticut. Calder by Matter includes original essays by esteemed art critic and Calder biographer Jed Perl, Calder Foundation President and Calder grandson Alexander S. C. Rower (editor of the volume), and Matter student and colleague John T. Hill (designer of the volume). This unique collection of over 300 images, many of which are published here for the first time, offers a new perspective on Calders oeuvre, life, and creative process. Calder by Matter has been published in direct collaboration with the Calder Foundation.

John T. Hill

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