Jon Day

A SPECTATOR BOOK OF THE YEAR Longlisted for the William Hill Sports Book of the Year 'Rich and joyous ...The book's quiet optimism about our ability to change, and to learn to love small things passionately, will stay with me for a long time' Helen Macdonald 'Big-hearted and quietly gripping' Guardian 'I love Jon Day's writing and his birds. A marvellous, soaring account' Olivia Laing '[A] beautiful book about unbeautiful birds' Observer 'This is nature writing at its best' Financial Times 'Awash with historical and literary detail, and moving moments ... Wonderful' Telegraph 'Every page of this beautifully written book brought me pleasure' Charlotte Higgins 'A vivid evocation of a remarkable species and a rich working-class tradition. It's also a charming defence of a much-maligned bird, which will make any reader look at our cooing, waddling, junk-food-loving feathered friends very differently in future' Daily Mail 'Endlessly interesting and dazzlingly erudite, this wonderful book will make a home for itself in your heart' Prospect As a boy, Jon Day was fascinated by pigeons, which he used to rescue from the streets of London. Twenty years later he moved away from the city centre to the suburbs to start a family. But in moving house, he began to lose a sense of what it meant to feel at home. Returning to his childhood obsession with the birds, he built a coop in his garden and joined a local pigeon racing club. Over the next few years, as he made a home with his young family in Leyton, he learned to train and race his pigeons, hoping that they might teach him to feel homed. Having lived closely with humans for tens of thousands of years, pigeons have become powerful symbols of peace and domesticity. But they are also much-maligned, and nowadays most people think of these birds, if they do so at all, as vermin. A book about the overlooked beauty of this species, and about what it means to dwell, Homing delves into the curious world of pigeon fancying, explores the scientific mysteries of animal homing, and traces the cultural, political and philosophical meanings of home. It is a book about the making of home and making for home: a book about why we return.

On Pigeons, Dwellings and Why We Return

Homing

Cyclegeography

Cyclogeography is about the bicycle in the cultural imagination and also a portrait of London as seen from the saddle. In the great tradition of the psychogeographers, Jon Day attempts to depart from the map and reclaim the streets of the city. Informed by several grinding years spent as a bicycle courier, he lifts the lid on the solitary life of the courier. Traveling the unmapped byways, shortcuts, and urban edgelands, couriers are the declining, invisible workforce of the city. The parcels they deliver keep things running. For those who survive the crushing toughness of the job, the bicycle can become what holds them together.

Cyclogeography: Journeys of a London Bicycle Courier

'Big-hearted and quietly gripping' Guardian 'I love Jon Day's writing and his birds. A marvellous, soaring account' Olivia Laing '[A] beautiful book about unbeautiful birds' Observer 'This is nature writing at its best' Financial Times 'Every page of this beautifully written book brought me pleasure' Charlotte Higgins 'A vivid evocation of a remarkable species and a rich working-class tradition. It's also a charming defence of a much-maligned bird, which will make any reader look at our cooing, waddling, junk-food-loving feathered friends very differently in future' Daily Mail 'Endlessly interesting and dazzlingly erudite, this wonderful book will make a home for itself in your heart' Prospect As a boy, Jon Day was fascinated by pigeons, which he used to rescue from the streets of London. Twenty years later he moved away from the city centre to the suburbs to start a family. But in moving house, he began to lose a sense of what it meant to feel at home. Returning to his childhood obsession with the birds, he built a coop in his garden and joined a local pigeon racing club. Over the next few years, as he made a home with his young family in Leyton, he learned to train and race his pigeons, hoping that they might teach him to feel homed. Having lived closely with humans for tens of thousands of years, pigeons have become powerful symbols of peace and domesticity. But they are also much-maligned, and nowadays most people think of these birds, if they do so at all, as vermin. A book about the overlooked beauty of this species, and about what it means to dwell, Homing delves into the curious world of pigeon fancying, explores the scientific mysteries of animal homing, and traces the cultural, political and philosophical meanings of home. It is a book about the making of home and making for home: a book about why we return.

The best fishing writing is never really about fishing, or never only about fishing, and the writers collected in A Twitch Upon the Thread use angling as a way to write about love, loss, faith, and obsession. This is an anthology of fishing writing ranging from medieval times to the present, taking the reader from riverbank to open ocean, from England to New Zealand, from the shore to the depths. Read it and be hooked. Included are contributions from Virginia Woolf, Charles Dickens, Ota Pavel, Arthur Ransome, George Orwell, Gerard Manley Hopkins, Elizabeth Bishop, and dozens more.

A Twitch Upon the Thread: Writers on Fishing

The campaign that led to the first Battle of Newbury in 1643 represents a vital phase in the English Civil War, yet rarely has it received the attention it deserves. In this compelling and meticulously researched new study, Jon Day shows how the campaign was critical to the outcome of the war and the defeat of Charles I. The late summer 1643 was the military high tide for the king and his armies, yet within two months the opportunity had been squandered. The Royalists failed first to take the Parliamentarian stronghold of Gloucester and then to defeat the Earl of Essex's army at Newbury. If the Civil War had a tipping point, this was surely it.

The Turning Point of the Civil War

Gloucester & Newbury, 1643

We all know killing is wrong, but what if the right people are being killed? Jon Day introduces his intriguing new detective, DC Ashley Fenway. At twenty-four, she has just been drafted into Manchester Major Crimes. A new unit created by the mayor of Manchester to fulfil his campaign pledge of bringing crime down. Their first victims have been found tied to their beds with their throats slashed, and dark pasts catching up with each of them. As Ashley delves deeper into their victims, she finds a possible link that goes back to a mysterious religious cult that hides the secrets of not only their victims, but people in high places of power, and people who would do anything to keep those secrets hidden. Once the reason why the bodies are piling up becomes clear, it becomes obvious that no one wants the murders solved, with the public and media actively encouraging it. It leaves Ashley, and the country thinking that not all justice is equal.

Jon Day

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