Jonathan Ashley

“Space opera charm in a modern kid–sized package.” – BCCB (starred review) Explore outer outer space where dastardly villains await in this hilarious and inventive illustrated middle grade novel. Brooklyn, Earth. 1949. Lily Lupino is going to be an astronaut when she grows up. For now, she’ll have to settle for listening to science fiction programs on the radio. But when certified Spacetronaut Kosmo Kidd crash lands his wind-up rocket ship in Lily’s kitchen, it’s a chance Lily can’t pass up! Mistaking Lily for a boy, Kosmo agrees to take her back to his floating treehouse in the stars, but it doesn’t take long for the other Spacetronauts to figure out that Lily is a girl. Kosmo has accidentally broken Spacetronaut Rule #1: NO WIMMEN ALOWD! Banished to the far reaches of Outer Outer Space, Lily and Kosmo explore exotic alien worlds, meet a menagerie of colorful creatures, and tangle with the vilest villain in space, The Mean-Man of Morgo. But Lily’s greatest challenge is proving to her new Spacetronaut peers that a girl from Brooklyn can hold her own among the galaxy’s unruliest rascals.

Lily & Kosmo in Outer Outer Space

It’s the fall of 1882. Kentucky, the land of dark and bloody ground as the Indians called it, has far from recovered from the Civil War. The small town of Mercy, a rest stop for the emotionally and physically disfigured drifters left over from the war, will soon pay the price of the violence inherent in American culture, and the racism still palpable throughout the hills and hollers of rural Kentucky. The first sign of doom arrives on horseback: three outlaws wanted in Virginia and other parts for robbery and murder. A beautiful, tomboyish white young woman with blue tattoos on her face, markings from her time as a captive of Apaches; a former slave whose days of cowtowing to polite white society are over, and the most deadly and mysterious, the motley gang’s leader, Tompal Banks. But the source of Mercy’s impending doom, the rioting and bloodshed that touch the lives of every resident, from the alcoholic Marshal to the haunted Mayor, will come from within the community, incited by the apocalyptic gospel spoken by the syphilitic Reverend Thurman on the Banks of the Ohio to his congregation of repressed sexual deviants and bloodthirsty war veterans. Praise for OUT OF MERCY: “A savage, horrifying and gut-bustingly funny Western, set in an Old West that would have made John Wayne turn and run for his life and featuring a cast of characters so richly imagined I’m afraid they’ll turn up in my nightmares. I loved every word of it.” —Scott Phillips, New York Times bestselling author of The Ice Harvest “Think Elmore Leonard or Cormac McCarthy—with a dash of Nick Hornby to keep things suitably bent. But make no mistake—Ashley has a strong, savage, uncompromising voice of his own. Out of Mercy is the kind of flat-out, heart-stopping, psycho-emotional thrill ride that just might put this author on the map with the giants. Personally, I can’t wait to read more of Jonathan Ashley’s work—once I recover from this one.” —Jerry Stahl, New York Times bestselling author of Permanent Midnight “Hard, stark and brilliant, Out of Mercy is the best Western I’ve read in years.” —Benjamin Whitmer, author of Cry Father “A dark gem, a bleak tale of survival and revenge in the bloody hills of Kentucky. Vividly written, filled with compelling characters and laced with black humor, this is frontier noir at its best.” —James Reasoner, author of Texas Wind

Out of Mercy

Brett Battles

Ty Hutchinson

Jeff Soloway

Tim Ellis

Frank Zafiro

Richie Narvaez

Rick Murcer

Gary Ponzo

Kathy Bennett

Austin S. Camacho

The “black car” has appeared both conspicuously and inconspicuously throughout the annals of fiction—its presence both mysterious and menacing, its appearance enough to pause your heart. It’s the sedan just within sight that seems to be mimicking your speed and movements as you walk down the dark deserted street late at night. As the hairs rise on the back of your neck you wonder, Who is behind the wheel and what is the driver’s intent? It’s The Black Car Business and its presence means your life is about to abruptly change. You try to assure yourself there’s nothing wrong, but your pace quickens nonetheless, and soon you’re running, desperate for that narrow sliver between two buildings to slip through, the one too narrow for the black car to pass through. It’s that car parked just down the block that sends chills down your spine and keeps you awake throughout the night. It’s the sanctuary you race toward when you’re being chased, only to explode when you turn the key. It’s the one that skids off the icy mountain overpass and plunges into the cavernous grotto. It’s where Clemenza garrotes Carlo just as he’s about to be driven to the airport. It’s The Black Car Business. If The Black Car Business Volume 1 made you nervous Volume 2 will have you climbing the walls. Here are eleven fresh takes on that ominous black whip coming out of nowhere to stun and lay waste to your psyche. You may lose a few nights sleep but we promise it will be worth it. Contributors: Jonathan Ashley, Brett Battles, Kathy Bennett, Austin S. Camacho, Tim Ellis, Ty Hutchinson, Rick Murcer, Richie Narvaez, Gary Ponzo, Jeff Soloway, and Frank Zafiro.

The Black Car Business Volume 2

Jon Catlett, a misanthropic literary obsessive, is facing the loss of the only thing in the world he loves; his used bookstore, a haven for fellow weirdos, outcasts, misunderstood geniuses and malcontents. Jon has several other problems, the least of which are his love affair with a bi-polar femme fatale heiress to a thriving northern steel company or the exponentially growing opiate habit he has developed. When Jon, during a deal gone wrong, accidentally kills a fellow drug addict, getting away with murder turns out to be the least of his worries. The steps he and Paul, the obsessive-compulsive manager of Jon's store, must take to cover up the killing result in the two cornering Louisville's blossoming heroin trade. From West End gangbangers to dirty cops and crusading narcotics detectives, Jon and his unstable partner in crime must dilute their morals and thicken their skin if they are to have any hope of surviving the lucrative but deadly life they've stumbled upon. Praise for THE COST OF DOING BUSINESS: “Poetic, down trodden and nihilistic, Jonathan Ashley treads through parts of the human psyche that others fear for one black tar mind-f**k-ride of a novel.” —Frank Bill, author of Crimes in Southern Indiana and Donnybrook “Ashley breaks our hearts, he breaks all the rules and, most importantly, he breaks our expectations of what a simple crime story can be. He shatters it, in fact, leaving readers craving another deadly taste—much like the lost souls in this chilling, amazing story.” —Patrick Wensink, author of Broken Piano for President “We live in a capitalistic society, yes, but nobody said doing business is easy or even enjoyable. Jonathan Ashley makes this point quite well in The Cost of Doing Business. Of course when the business is the heroin trade, the stakes are life and death, but is the suspicion, the betrayal, the plotting and scheming, all that different than what goes on in the corporate world? Louisville bookstore owner Jon Catlett leaves his used volumes of Yeats behind to get into the drug trade and make some real money, and the result is blood-filled mayhem. He never loses his sense of literate irony, though, taking us through a fast, unpredictable novel with equal parts darkness and humor. A very confident debut.” —Scott Adlerberg, author of Spiders and Flies

The Cost of Doing Business

Lee Matthew Goldberg

Ross E. Lockhart

Alison Gaylin

Cate Holahan

Gabino Iglesias

Reed Farrel Coleman

Eryk Pruitt

Rob Pierce

Tony McMillen

Richard Neer

Rusty Barnes

Erin Keaton

Chris Orlet

J. David Osborne

Inspired by the outcasts, outlaws, and other outré inhabitants of rock legend Lou Reed’s songbook, Dirty Boulevard traffics in crime fiction that’s sometimes velvety and sometimes vicious, but always, absolutely, rock & roll. Inside, you’ll find stories from the fire escapes to the underground, stories filled with metal machine music, stories for gender-bending, rule-breaking, mind-blasting midnight revelries and drunken, dangerous, dark nights of the heart. Upcoming genre stars like Alison Gaylin team up with crime fiction legends such as Reed Farrel Coleman, along with Cate Holahan, Gabino Iglesias, Tony McMillen, and many of the most exciting new names in crime and horror fiction, who teach us that a perfect day is often anything but, that the power of positive drinking is a destructive force rarely contained, and that knock-down-drag-out drag queens are probably way tougher than you.

Dirty Boulevard

Jonathan Ashley

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