Jonathan Hale

Demonstrating the ideas that make great architecture possible, an architectural critic charts the course of the art, showing how architects lost their sure course around 1830 and explaining how to recapture the basics that can improve our visual environme

The Old Way of Seeing

Suzanne Macleod

Laura Hourston Hanks

narratives, architectures, exhibitions

Museum making

Nick Haynes

Katharina Borsi

Didem Ekici

Housing and the City explores housing histories, theories, and projects in diverse geographies. It presents a geographically dispersed history of the twentieth-century modern housing project and its social diagram, juxtaposed with case studies from the past and the present that suggest that we can live and work differently. While the contributions are diverse in their theoretical approach and geographical situation, their juxtaposition yields transversal connections in the conception of the home and the city and highlights the diversity of architectural solutions in the formation of housing and its communities. The collection also reveals architecture’s contribution to the construction of the self and communities, the individual and the collective—as both urban spatial entities and socio-political concepts. Housing and the City provides essential reading for students, academics, and practitioners interested in the history, theory, or current design of housing. At a time when cities are witnessing new ways of working, changing social demographics, increased geographical mobility, and mass migrations, as well as the pervasive threat of the climate crisis—all trends exacerbated by the Covid-19 pandemic—Housing and the City presents a historical and theoretical reflection on the question: what does it mean to be at home in the city in the twenty-first century?

Housing and the City

The philosophy of Maurice Merleau-Ponty (1908–1961) has influenced the design work of architects as diverse as Steven Holl and Peter Zumthor, as well as informing renowned schools of architectural theory, notably those around Dalibor Vesely at Cambridge, Kenneth Frampton, David Leatherbarrow and Alberto Pérez-Gómez in North America and Juhani Pallasmaa in Finland. Merleau-Ponty suggested that the value of people’s experience of the world gained through their immediate bodily engagement with it remains greater than the value of understanding gleaned through abstract mathematical, scientific or technological systems. This book summarizes what Merleau-Ponty’s philosophy has to offer specifically for architects. It locates architectural thinking in the context of his work, placing it in relation to themes such as space, movement, materiality and creativity, introduces key texts, helps decode difficult terms and provides quick reference for further reading.

Merleau-Ponty for Architects

From the bright, clean lines of the Uplands Conference Centre, to the sweeping roofs of the Cambridge Centre for Mathematical Sciences, Edward Cullinan Architects' style is fluid and unpredictable, morphing with each project to suit the individual requirements of the people that will inhabit the space. In an attempt to understand present circumstances for the benefit of an unknown future, the practice renounces ego for warmth, and individual glory for an architecture that integrates into the space and context of its environments. It is this singular generosity that unites all their projects to date and that has earned Cullinans the reputation of being one of the most significant British architecture practices of the late twentieth and early twenty-first centuries. Edward Cullinan Architects have on occasion been said to represent the 'touchy-feely' side of British architecture. This is an oversimplification, but there is some truth behind this statement. Cullinans stands for unembarrassed humanism. An architecture that serves the real clients of a building - not just the ones footing the bill. Ends Middles Beginnings is a celebration of their work.

Edward Cullinan Architects

Ends, Middles, Beginnings

The first book ever on this amazing band whose huge international appeal continues to grow. Loaded with photos, trivia, history and information in print for the first time, plus the most complete discography of the band's output available. At once an informed commentary on the contemporary rock scene and a guide to an incredibly popular rock group, this biography offers Radiohead fans a picture packed, story filled music lovers feast.

From a Great Height

Radiohead

Over recent decades, many museums, galleries and historic sites around the world have enjoyed an unprecedented level of large-scale investment in their capital infrastructure, in building refurbishments and new gallery displays. This period has also seen the creation of countless new purpose-built museums and galleries, suggesting a fundamental re-evaluation of the processes of designing and shaping of museums. Museum Making: Narratives, Architectures, Exhibitions examines this re-making by exploring the inherently spatial character of narrative in the museum and its potential to connect on the deepest levels with human perception and imagination. Through this uniting theme, the chapters explore the power of narratives as structured experiences unfolding in space and time as well as the use of theatre, film and other technologies of storytelling by contemporary museum makers to generate meaningful and, it is argued here, highly effective and affective museum spaces. Contributions by an internationally diverse group of museum and heritage professionals, exhibition designers, architects and artists with academics from a range of disciplines including museum studies, theatre studies, architecture, design and history cut across traditional boundaries including the historical and the contemporary and together explore the various roles and functions of narrative as a mechanism for the creation of engaging and meaningful interpretive environments.

Narratives, Architectures, Exhibitions

Museum Making

Tricia Austin

Oscar Ho Hing-Kay

Suzanne MacLeod

The Future of Museum and Gallery Design explores new research and practice in museum design. Placing a specific emphasis on social responsibility, in its broadest sense, the book emphasises the need for a greater understanding of the impact of museum design in the experiences of visitors, in the manifestation of the vision and values of museums and galleries, and in the shaping of civic spaces for culture in our shared social world. The chapters included in the book propose a number of innovative approaches to museum design and museum-design research. Collectively, contributors plead for more open and creative ways of making museums, and ask that museums recognize design as a resource to be harnessed towards a form of museum-making that is culturally located and makes a significant contribution to our personal, social, environmental, and economic sustainability. Such an approach demands new ways of conceptualizing museum and gallery design, new ways of acknowledging the potential of design, and new, experimental, and research-led approaches to the shaping of cultural institutions internationally. The Future of Museum and Gallery Design should be of great interest to academics and postgraduate students in the fields of museum studies, gallery studies, and heritage studies, as well as architecture and design, who are interested in understanding more about design as a resource in museums. It should also be of great interest to museum and design practitioners and museum leaders.

Jonathan Hale

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