Jonathan Hall

Sean Kean

Phoenix Perry

Meet the Kinect introduces the exciting world of volumetric computing using the Microsoft Kinect. You'll learn to write scripts and software enabling the use of the Kinect as an input device. Interact directly with your computer through physical motion. The Kinect will read and track body movements, and is the bridge between the physical reality in which you exist and the virtual world created by your software. Microsoft’s Kinect was released in fall 2010 to become the fastest-selling electronic device ever. For the first time, we have an inexpensive, three-dimensional sensor enabling direct interaction between human and computer, between the physical world and the virtual. The Kinect has been enthusiastically adopted by a growing culture of enthusiasts, who put it to work in creating technology-based art projects, three-dimensional scanners, adaptive devices for sight-impaired individuals, new ways of interacting with PCs, and even profitable business opportunities. Meet the Kinect is the resource to get you started in mastering the Kinect and the exciting possibilities it brings. You’ll learn about the Kinect hardware and what it can do. You’ll install drivers and learn to download and run the growing amount of Kinect software freely available on the Internet. From there, you’ll move into writing code using some of the more popular frameworks and APIs, including the official Microsoft API and the language known as Processing that is popular in the art and creative world. Along the way, you’ll learn principles and terminology. Volumetric computing didn’t begin with the Kinect. The field is decades old—if you’ve ever had an MRI, for example, you have benefitted from volumetric computing technology. Meet the Kinect goes beyond just the one device to impart the principles and terminology underlying the exciting field of volumetric computing that is now wide-open and accessible to the average person.

An Introduction to Programming Natural User Interfaces

Meet the Kinect

Simultaneous Surveys in Countries of Origin and Settlement

Migration and Perceptions of War

Cicero's Use of Judicial Theater

Heather Robinson

Nela Navarro

Exploring the roles of students’ pluralistic linguistic and transnational identities at the university level, this book offers a novel approach to translanguaging by highlighting students’ perspectives, voices, and agency as integral to the subject. Providing an original reconsideration of the impact of translanguaging, this book examines both transnationality and translinguality as ubiquitous phenomena that affect students’ lives. Demonstrating that students are the experts of their own language practices, experiences, and identities, the authors argue that a proactive translingual pedagogy is more than an openness to students’ spontaneous language variations. Rather, this proactive approach requires students and instructors to think about students’ holistic communicative repertoire, and how it relates to their writing. Robinson, Hall, and Navarro address students’ complex negotiations and performative responses to the linguistic identities imposed upon them because of their skin color, educational background, perceived geographical origin, immigration status, and the many other cues used to "minoritize" them. Drawing on multiple disciplinary discourses of language and identity, and considering the translingual practices and transnational experiences of both U.S. resident and international students, this volume provides a nuanced analysis of students’ own perspectives and self-examinations of their complex identities. By introducing and addressing the voices and self-reflections of undergraduate and graduate students, the authors shine a light on translingual and transnational identities and positionalities in order to promote and implement inclusive and effective pedagogies. This book offers a unique yet essential perspective on translinguality and transnationality, and is relevant to instructors in writing and language classrooms; to administrators of writing programs and international student support programs; and to graduate students and scholars in language education, second language writing, applied linguistics, and literacy studies.

Translingual Identities and Transnational Realities in the U.S. College Classroom

Emma Jones

Kendra Langeteig

Elly Morrison

Richard Morrison

Bob Trask

Christina Lorraine

Russ Kapp

Bruce Hofstetter

Jon Strong

Ross Osborne

This collection of original short stories was contributed by a group of seasoned travelers-wisdom keepers-who've walked through the proverbial fire to discover what is possible in life when guided by spirit. The forty-two authors share their favorite miracle stories, along with affirmations, guided meditations, and tools for self-healing. If you've ever wondered what it would be like to step "beyond the veil" to get a glimpse of the other side, or be visited by an angel, or receive a message from a loved one in the afterlife, you will be delighted by the testimonials in this book. You will find stories about astonishing recoveries from life-threatening illness, spontaneous healings, and safe passage through dangerous war zones. Miracles arise as well from a sudden shift in perception-a moment of grace that forever changes one's life. There are stories about the joy of finding spiritual community, true love, reuniting with birth family, and many more. The authors of Everyday Miracles emphasize the importance of listening to our inner voice for guidance. They also show how important it is to pay attention to outward signs and events, and to listen to the body's wisdom to guide the healing process and make choices in life. You will see convincing evidence in many of these stories of the power of positive thinking and the law of attraction to create the life we desire. Everyday Miracles, Moments of Healing and Transformation will inspire you to be a miracle worker in your own life.

Moments of Healing and Transformation

Everyday Miracles

Anxious Pleasures argues for both a historical way of understanding the unconscious and for exploring how the unconscious is constructed as a threatening underside, or "other," of any discursive order. It arose from author Jonathan Hall's dissatisfaction with the separation of psychoanalytical and historical approaches to literature, as well as from a fascination with the continuing capacity of major Renaissance writers to produce both disturbance and pleasure. It also arose from the author's experience of teaching a multicultural history of comic drama to largely non-Western graduate students. Their probing questions make them the coauthors of this book. Taking its point of departure from Freud's theorization of the joke, Hall argues that laughter marks the moment when the subject's own commitments to rationality or any other order are dangerously exposed, even though this risk is immediately covered up to avoid the anxiety which full recognition of that exposure would entail. The book's opening chapter argues that the pleasure offered by comic discourse as a channel of libidinal release or de-repression is always doubled by the unconscious anxiety, or desire for restored order, which the comic discourse also constructs as its condition of possibility. The chapter later goes on to relate the forms of inwardly divided subjectivity required by the emergent nation-state to the strategies of Shakespearean comedy. The liberating, expansionist, and anarchic desacralization (or Deleuzian "decoding") of previously stable and authoritative discourse through a play with its signifiers, a desacralization that reveals both the arbitrariness and manipulative power of both verbal and visual signs, is characteristic of early capitalist expansion. And certainly Shakespearean wit, coupled with the psychic mobility of character, contributes greatly to this revolution in language. The main body of the work offers closer and more concrete readings of the comedies in the light of this historical focus upon the production of an inherently schizoid discourse. The first section, which deals with the merchant plays, explores the relationship of mercantile "adventuring" desire to the state's need for both abstract law and territoriality and personal rule. The following sections deal with such themes as the relationship of wit to political and sexual anxiety, the connection of the mobility of signs to an elusive interiority of the subject, and the paradoxically threatening and redemptive mobility of women in relationship to patriarchal control. The final chapter argues that the psychic divisions set up by Shakespearean comedy are continually reproduced in the modern nation-state - a fact that largely accounts for their continuing playability and the psychic "truths" that both construct and address them.

Shakespearean Comedy and the Nation-state

Anxious Pleasures

Rudolf Kerschbamer

Daniel Neururer

Eric Skoog

We present the results of a pre-registered natural field experiment designed to uncover a sophisticated form of discrimination against an immigrant minority in a market for credence goods. For this purpose, we introduce two markups: (i) the credence goods markup defined as the difference between the price paid by the same person for an ordinary service and an otherwise equivalent credence goods service; and (ii) the discriminatory markup defined as the difference between the price paid by a member of an immigrant minority group and the price paid by a member of the majority group for the same kind of service. We document the existence of a large credence goods markup of about 40\%, on average. Moreover, we find a sizeable discriminatory markup for the credence goods service but no discriminatory markup for the ordinary service. The results of an ex-post survey suggest that this sophisticated form of discrimination is mainly due to the prejudicial behavior of sellers belonging to an established local ethnic minority group towards buyers belonging to a low-status immigrant ethnic minority group.

Evidence from a Natural Field Experiment

Uncovering Sophisticated Discrimination with the Help of Credence Goods Markups

Jonathan Hall

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