Jopi Nyman

This Book Offers Provocative New Readings Of Animal Narratives That Have Changed The Way We Think About Animals, Writing And Postcoloniality. It Is Contended That Animal Tales Are Much More Complex And Political Than Is Generally Assumed. By Discussing Several Well-Known Animal Tales By Canonical And Popular Writers In Their Cultural And Historical Context, It Is Argued That Animal Writing Enters The Contested Terrain Of Human Values And Ideologies, And That Many Famous Nineteenth- And Twentieth-Century Animal Narratives Address Questions Of Race, Gender And Nation.This Volume Consists Of An Introduction And Eight Chapters Dealing With The Representation Of The Animal In Postcolonial Contexts That Seek To Demonstrate As To How Postcolonial Theories Can Be Brought To Bear Upon Narratives Usually Read In A More Conventional Manner. The Authors Studied Include Beatrix Potter, Rudyard Kipling, Jack London, Ernest Thompson Seton, Percy Fitzpatrick, Joy Adamson, Gerald Durrell, J.M. Coetzee, Bernard Malamud And Paul Auster.

Postcolonial Animal Tale from Kipling to Coetzee

Nora Schuurman

In recent years, animals have entered the focus of the social and cultural sciences, resulting in the emergence of the new field of human–animal studies. This book investigates the relationships between humans and animals, paying particular attention to the role of affect, space, and animal subjectivity in diverse human–animal encounters. Written by a team of international scholars, contributions explore current debates concerning animal representation, performativity, and relationality in various texts and practices. Part I explores how animals are framed as affective, through four case studies that deal with climate change, human–bovine relationships, and human–horse interaction in different contemporary and historical contexts. Part II expands on the issue of relationality and locates encounters within place, mapping the different spaces where human–animal encounters take place. Part III then examines the construction of animal subjectivity and agency to emphasize the way in which animals are conscious and sentient beings capable of experiencing feelings, emotions, and intentions, and active agents whose actions have meaning for the animals themselves. This book highlights the importance of the ways in which affect enables animal agency and subjectivity to emerge in encounters between humans and animals in different contexts, leading to different configurations. It contributes not only to debates concerning the role of animals in society but also to the epistemological development of the field of human–animal studies.

Affect, Space and Animals

Eleftheria Arapoglou

Mónika Fodor

Emphasizing the role of travel and migration in the performance and transformation of identity, this volume addresses representations of travel, mobility, and migration in 19th–21st-century travel writing, literature, and media texts. In so doing, the book analyses the role of the various cultural, ethnic, gender, and national encounters pertinent to narratives of travel and migration in transforming and problematizing the identities of both the travelers and "travelees" enacting in the borderzones between cultures. While the individual essays by scholars from a wide range of countries deal with a variety of case studies from various historical, spatial, and cultural locations, they share a strong central interest in the ways in which the narratives of travel contribute to the imagining of ethnic encounters and how they have acted as sites of transformation and transculturation from the early nineteenth century to the present day. In addition to discussing textual representations of travel and migration, the volume also addresses the ways in which cultural texts themselves travel and are reconstructed in various cultural settings. The analyses are particularly attentive to the issues of globalization and migration, which provide a general frame for interpretation. What distinguishes the volume from existing books is its concern with travel and migration as ways of forging transcultural identities that are able to subvert existing categorizations and binary models of identity formation. In so doing, it pays particular attention to the performance of identity in various spaces of cultural encounter, ranging from North America to the East of Europe, putting particular emphasis on the representation of intercultural and ethnic encounters.

Travel, Migration, and Transculturation

Mobile Narratives

Cheryl Alexander Malcolm

Essays on the Culture and Literature of Desire

Eros.usa

This study examines masculinity and individualism in four American novels of the 1920s and 1930s usually regarded as belonging to the genre of hard-boiled fiction. The novels under study are Red Harvest by Dashiell Hammett, The Postman Always Rings Twice by James M. Cain, They Shoot Horses, Don't They? by Horace McCoy, and To Have and Have Not by Ernest Hemingway. In this first full-length study of gender in hard-boiled fiction the genre is discussed as a representation of the ideologies of masculinity and individualism. Hard-boiled fiction is located in its historical and cultural context and it is argued that the genre, with its explicit emphasis on masculinity and masculine virtues, attempts to reaffirm a masculine order. The study argues that this emphasis is a counter-reaction to more general changes in the gender relations of the period. Indeed, hard-boiled fiction is argued to be an attempt to reconstruct a masculine identity based on anti-modern values generally accepted in the cultural context of the genre.

Masculinity, Individualism, and Hard-Boiled Fiction

Men Alone

British fictions of the early twentieth century appear obsessed with Europe. Various texts from E.M. Forster and D.H. Lawrence to Bram Stoker and the period's travel writing explore European spaces, constructing the European as an Other threatening the position of the English. What they constantly repeat is England's difference and the secondary role of European spaces, whose representation resembles that of colonial lands. By reading selected texts, both canonized and popular, published between 1894 and 1916, this study argues that this xenophobic construction is a sign of the pervading presence of concerns related to the maintenance of English national identity, Englishness, allegedly threatened by the European Other. By drawing on current postcolonial theory, the case studies in the volume show that the discourse on the Other produced in British writings on Europe contributes more than has been understood to the making and promoting of Englishness. The authors studied include D.H. Lawrence, Katherine Mansfield, Anthony Hope, Arnold Bennett, Mrs Alec Tweedie, Erskine Childers, and Joseph Conrad. The study will renew our understanding of the role of Europe in the period's cultural imagination, showing that the identities of the English are formed in encounters with different internal and external Others.

Constructions of Europe in Early Twentieth-century British Fiction

Under English Eyes

Monika Mueller

Yiorgos D. Kalogeras

Johanna C. Kardux

This volume explores ways in which the literary trope of the palimpsest can be applied to ethnic and postcolonial literary and cultural studies. Based on contemporary theories of the palimpsest, the innovative chapters reveal hidden histories and uncover relationships across disciplines and seemingly unconnected texts. The contributors focus on diverse forms of the palimpsest: the incarceration of Native Americans in military forts and their response to the elimination of their cultures; mnemonic novels that rework the politics and poetics of the Black Atlantic; the urban palimpsests of Rio de Janeiro, Marseille, Johannesburg, and Los Angeles that reveal layers of humanity with disparities in origin, class, religion, and chronology; and the palimpsestic configurations of mythologies and religions that resist strict cultural distinctions and argue against cultural relativism.

Surfacing Histories

Palimpsests in Ethnic and Postcolonial Literature and Culture

Joel Kuortti

This interdisciplinary collection of critical articles seeks to reassess the concept of hybridity and its relevance to post-colonial theory and literature. The challenging articles written by internationally acclaimed scholars discuss the usefulness of the term in relation to such questions as citizenship, whiteness studies and transnational identity politics. In addition to developing theories of hybridity, the articles in this volume deal with the role of hybridity in a variety of literary and cultural phenomena in geographical settings ranging from the Pacific to native North America. The collection pays particular attention to questions of hybridity, migrancy and diaspora.

Post-colonial Studies in Transition

Reconstructing Hybridity

The studies collected in this volume address a variety of cultural narratives of diverse border crossings. Through their focus on various historical and contemporary border phenomena in Europe and the United States, the essays show that the border-crossing migrant challenges the view that people belong to one particular nation-state and culture. The essays in the first part of the volume explore of the problematics of “race” in theoretical and practical border crossings including the theories of sociologist Paul Gilroy, multicultural casting in American theatre, and the fiction of James Baldwin. In the second part the focus is on encounters with whiteness and problems of constructing ethnic identity in the cinema of Elia Kazan, Jewish American fiction, and Toni Morrison’s most recent novel A Mercy (2008). The third part of the volume explores the sites and practices of border by providing case analyses of the Muslim veil in Europe and the Finnish-Russian border. The final part of the volume is devoted to the problematization of borders in the fiction of the South Asian American writer Bharati Mukherjee.

Essays on Ethnic and Racial Border Crossings

Post-National Enquiries

Johan Schimanski

This interdisciplinary volume explores the role of images and narratives in different borderscapes. Written by experienced scholars in the field, Border images, border narratives provides fresh insight into how borders, borderscapes, and migration are imagined and narrated in public and private spheres. Offering new ways to approach the political aesthetics of the border and its ambiguities, this volume makes a valuable contribution to the methodological renewal of border studies and presents ways of discussing cultural representations of borders and related processes. Influenced by the thinking of philosopher Jacques Rancière, this timely volume argues that narrated and mediated images of borders and borderscapes are central to the political process, as they contribute to the public negotiation of borders and address issues such as the in/visiblity of migrants and the formation of alternative borderscapes. The contributions analyse narratives and images in literary texts, political and popular imagery, surveillance data, border art, and documentaries, as well as problems related to borderland identities, migration, and trauma. The case studies provide a highly comparative range of geographical contexts ranging from Northern Europe and Britain, via Mediterranean and Mexican-USA borderlands, to Chinese borderlands from the perspectives of critical theory, literary studies, social anthropology, media studies, and political geography.

The political aesthetics of boundaries and crossings

Border images, border narratives

This innovative volume approaches the intriguing relationship between humans and horses in 21st-century Anglophone fiction and autobiography from the perspectives of affect and politics. It addresses the strong emotional power attached to the human-horse bond, and contextualizes horse narratives within debates concerning identity and its politics. The in-depth analysis deals with topics such as the intertwinement of humans and animals, healing, mourning, and nostalgia in horse narratives, and the formation of gendered and national identities. The volume pays particular attention to life writing by Susan Richards, Rupert Isaacson, and Buck Brannaman, fiction by Gillian Mears and Jane Smiley, and Follyfoot fanfiction. Because of its focus on narratives telling of today’s human-horse encounters and its explicit attention to diverse textual forms, this book represents a unique contribution to the study of human-horse encounters in contemporary writing, and will be of particular use to scholars working in human-animal studies, Anglophone literature, and American studies.

Human–Horse Relationships in Twenty-First-Century Writing

Equine Fictions

This book examines contemporary literary representations of global mobility. It pays particular attention to refugee writing and displacement, migration and memory, and new European identities, and revises the field of postcolonial studies.

Displacement, Memory, and Travel in Contemporary Migrant Writing

Yiorgos Kalogeras

This volume examines the role and representation of ‘race’ and ethnicity in the media with particular emphasis on the United States. It highlights contemporary work that focuses on changing meanings of racial and ethnic identity as they are represented in the media; television and film, digital and print media are under examination. Through fourteen innovative and interdisciplinary case studies written by a team of internationally based contributors, the volume identifies ways in which ethnic, racial, and national identities have been produced, reproduced, stereotyped, and contested. It showcases new emerging theoretical approaches in the field, and pays particular attention to the role of race, ethnicity, and national identity, along with communal and transnational allegiances, in the making of identities in the media. The topics of the chapters range from immigrant newspapers and gangster cinema to ethnic stand-up comedy and the use of ‘race’ in advertising.

Jopi Nyman

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