Joseph Farrell

The Disputation with Pyrrhus of Our Father Among the Saints Maximus the Confessor

Carl Shapiro

Hal R. Varian

An Introduction (Raffaele Mattioli Lectures)

The Economics of Information Technology

Franco Musarra

Attualità di Ugo Betti

Michael C. J. Putnam

A Companion to Vergil’s Aeneid and its Tradition presents a collection of original interpretive essays that represent an innovative addition to the body of Vergil scholarship. Provides fresh approaches to traditional Vergil scholarship and new insights into unfamiliar aspects of Vergil's textual history Features contributions by an international team of the most distinguished scholars Represents a distinctively original approach to Vergil scholarship

A Companion to Vergil's Aeneid and its Tradition

The Lectures of a Certain Professor

Valerio Varesi

Commissario Soneri, a Parma police officer and gourmet, is investigating an unsolved case of a dead body found in the Po River three years before. His colleagues at the time could not decide if it was a suicide or a murder, nor could they establish the victim's identity. To close the case, Soneri needs to look a little further. Yet it's just a formality, a matter of going through the motions. Soneri, however, is not one for formalities. He can't endure burying a person without a name, so he decides to reopen the case. The gourmet detective, an intelligent and apparently grouchy man, uses unconventional policing methods. His partner, Angela Cornelio, a lawyer, helps him with his enquiries. The investigation leads them to river life, where he tries to break the wall of silence, typical of small communities harbouring poachers, petty criminals and big-time profiteers - even a monster in the waters of the River Po. Soneri realises that the fog surrounding the Po makes things invisible and people unseen; it changes their identities; it deceives. And sometimes it kills. Fans of the Montalbano series by Andrea Camilleri will be intrigued.

A Detective Novel

The Unseen

“Reading these guides is the next best thing to actually going there with them in hand.” —Foreword Magazine AN ENGAGING INTRODUCTION TO A CULTURAL GIANT Long before it became an Italian offshore island, Sicily was the land in the center of the Mediterranean where the great civilizations of Europe and Northern Africa met. Sicily today is familiar and unfamiliar, modernized and unchanging. Visitors will find in an out-of-the-way town an Aragonese castle, will stumble across a Norman church by the side of a lesser travelled road, will see red Muslim-styles domes over a Christian shrine, will find a Baroque church of breathtaking beauty in a village, will catch a glimpse from the motorway of a solitary Greek temple on the horizon and will happen on a the celebrations of the patron saint of a run-down district of a city, and will stop and wonder. There is more to Sicily than the Godfather and the mafia.

A Cultural History

Sicily

Assistant Professor of Classics Joseph Farrell

Antonio Scuderi

Joseph Farrell and Antonio Scuderi present an international collection of essays reevaluating the multifaceted performance art of Nobel laureate Dario Fo. The contributors, all of whom either have previously published on Fo or have worked with him, are the major Dario Fo scholars of three continents. Going beyond the Marxist criticism of the 1970s and 1980s, the editors and contributors try to establish an appropriate language in which to debate Fo's theater. They seek to identify the core of Fo's work, the material that will be of lasting value. This involves locating Fo in history, examining the nature of his development through successive phases, incorporating his politics into a wider framework of radical dissent, and setting his theatrical achievements in a context and a tradition. The essays cover every aspect of Dario Fo: as actor, playwright, performer, and songwriter. They also provide the historical background of Fo's theater, as well as an in-depth analyses of specific works and the contribution of Franca Rame.

Stage, Text, and Tradition

Dario Fo

What do the Fourth Crusade, the exploration of the New World, secret excavations of the Holy Land, and the pontificate of Innocent the Third all have in common? Answer: Venice and the Templars. What do they have in common with Jesus, Gottfried Leibniz, Sir Isaac Newton, Rene Descartes, and the Earl of Oxford? Answer: Egypt and a body of doctrine known as Hermeticism. In this book, noted author and researcher Joseph P. Farrell takes the reader on a journey through the hidden history of the Middle Ages, the Renaissance and early Enlightenment, connecting the dots between Venice, international banking, the Templars, and hidden knowledge. He draws out the connections between the notorious Venetian “Council of Ten,” little known Venetian voyages to the New World, and the sack of Constantinople during the Fourth Crusade. The hidden role of Venice and Hermeticism reached far and wide, into the plays of Shakespeare (a.k.a. Edward DeVere, Earl of Oxford), into the quest of the three great mathematicians of the Early Enlightenment for a lost form of analysis, and back into the end of the classical era, to little known Egyptian influences at work during the time of Jesus.

Hermetic Cosmology, Finance, Politics and Culture in the Middle Ages through the Late Renaissance

THRICE GREAT HERMETICA AND THE JANUS AGE

"In this, the first critical study of Sciascia to appear in English since his death, Joseph Farrell examines the various aspects of his work as novelist, critic, essayist, journalist and acerbic political observer to show how the historical and cultural complexities of Sicily shaped his wider vision of life." "A tenacious opponent of the Mafia, Sciascia recreated the detective story both to give voice to his opposition and to continue his own quest for an order founded on the values the Mafia contradicts - justice, truth and reason. His output falls into two categories, works of historical and contemporary fiction, and 'essay-investigations' which delve into mysteries from his own time and from the past. Sciascia always confronted the central political and moral issues of the day, and with most of his work now available in translation, this is a timely study of an important and influential Italian writer."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Leonardo Sciascia

A major new interpretation of Vergil's epic poem as a struggle between two incompatible versions of the Homeric hero This compelling book offers an entirely new way of understanding the Aeneid. Many scholars regard Vergil's poem as an attempt to combine Homer’s Iliad and Odyssey into a single epic. Joseph Farrell challenges this view, revealing how the Aeneid stages an epic contest to determine which kind of story it will tell—and what kind of hero Aeneas will be. Farrell shows how this contest is provoked by the transgressive goddess Juno, who challenges Vergil for the soul of his hero and poem. Her goal is to transform the poem into an Iliad of continuous Trojan persecution instead of an Odyssey of successful homecoming. Farrell discusses how ancient critics considered the flexible Odysseus the model of a good leader but censured the hero of the Iliad, the intransigent Achilles, as a bad one. He describes how the battle over which kind of leader Aeneas will prove to be continues throughout the poem, and explores how this struggle reflects in very different ways on the ethical legitimacy of Rome’s emperor, Caesar Augustus. By reframing the Aeneid in this way, Farrell demonstrates how the purpose of the poem is to confront the reader with an urgent decision between incompatible possibilities and provoke uncertainty about whether the poem is a celebration of Augustus or a melancholy reflection on the discontents of a troubled age.

A Battle for Heroic Identity

Juno's Aeneid

Paolo Puppa

A history of Italian theatre from its origins to the the time of this book's publication in 2006. The text discusses the impact of all the elements and figures integral to the collaborative process of theatre-making. The distinctive nature of Italian theatre is expressed in the individual chapters by highly regarded international scholars.

A History of Italian Theatre

This timely volume is an anthology of writings in Italian which examine the origins, nature and culture of the Sicilian mafia. Separate chapters are devoted to the culture from which the mafia emerged, the economic and business activities in which it is now engaged, its relations with politics and politicians, as well as its structure and historical evolution. There are portraits of prominent mafiosi as well as of the people and organisations that have struggled against mafia crime. The individual pieces come from the most diverse sources, including newspapers, historical and sociological works. There is an introduction in English as well as a full vocabulary and a glossary of terms associated with the mafia. From these composite elements a complete and rounded picture of the mafia is constructed, making it an invaluable text for those interested in Italian culture.

Understanding the Mafia

As a writer, Carlo Levi has had the misfortune to be known as the author of one book, Christ Stopped at Eboli, the account of his years of internal banishment by the Fascist authorities to a remote village in the south of Italy. That book was recognised as a masterpiece of anti-Fascist literature and as a sensitive investigation of the way of life of a people at the margins of European civilisation. It enjoyed enormous success in the post-war period not only in Italy but also in Britain and the USA, and has been continuously in print since its first publication. However, Levi was also a painter of some repute, a novelist, a journalist, a critic of art and society, a political commentator, and above all, a wholly idiosyncratic travel writer whose reports on the countries and regions he visited, including Sicily, Sardinia, Germany, the USSR and India, were also reflections on Italy. This book attempts to assess the totality of Levi's achievement. Come scrittore, Carlo Levi ha avuto la sfortuna di essere celebrato come autore di un libro solo, Cristo si è fermato ad Eboli, la narrativa dei suoi anni di confino nel Mezzogiorno sotto il regime fascista. Sin dal momento della sua pubblicazione nel primo dopoguerra, questo libro è stato riconosciuto come capolavoro della letteratura anti-fascista e come indagine penetrante della cultura di un popolo ai margini della civiltà europea. Comunque, Levi fu anche pittore di grande talento, romanziere, critico d'arte, critico della società, commentatore politico e viaggiatore-scrittore di libri di viaggi sui generis. I suoi articoli, che poi divennero libri, sui paesi e sulle regioni che visitò - la Sicilia, la Sardegna, la Germania e l'India - si rivelarono anche riflessioni sulla condizione dell'Italia. Questa raccolta di saggi è una rivalutazione della totalità delle opere di Carlo Levi.

The Voices of Carlo Levi- Le Voci Di Carlo Levi

Shortlised for the Saltire Society Non Fiction Book of the Year Award Almost every adult and child is familiar with his Treasure Island, but few know that Robert Louis Stevenson lived out his last years on an equally remote island, which was squabbled over by colonial powers much as Captain Flint's treasure was contested by the mongrel crew of the Hispaniola. In 1890 Stevenson settled in Upolu, an island in Samoa, after two years sailing round the South Pacific. He was given a Samoan name and became a fierce critic of the interference of Germany, Britain and the U.S.A. in Samoan affairs - a stance that earned him Oscar Wilde's sneers, and brought him into conflict with the Colonial Office, who regarded him as a menace and even threatened him with expulsion from the island. Joseph Farrell's pioneering study of Stevenson's twilight years stands apart from previous biographies by giving as much weight to the Samoa and the Samoans - their culture, their manners, their history - as to the life and work of the man himself. For it is only by examining the full complexity of Samoa and the political situation it faced as the nineteenth century gave way to the twentieth, that Stevenson's lasting and generous contribution to its cause can be appreciated.

Robert Louis Stevenson in Samoa

In the official citation explaining the decision to award the 1997 Nobel Prize for Literature to Dario Fo, the Swedish Royal Academy stated that he had emulated the jesters of the Middle Ages in scourging authority and upholding the dignity of the downtrodden. It went on to add that with a blend of laughter and gravity, he opens our eyes to abuses and injustices in society: Fo is an extremely serious satirist. Since the award of the Nobel prize, Dario Fo has never stopped writing, performing and painting. He was deeply affected by the death of his wife Franca Rame and has dedicated works to her.

Dario Fo and Franca Rame: passion unspent

Luigi Pirandello

Six characters in search of an author

Primo Levi has been identified in the public mind as the supreme witness to the barbarism that was the Nazi Holocaust but he was ambivalent about having that role thrust upon him. He also wished to be judged as a writer who, in addition to the autobiographical works on his experiences in the death camps, wrote poetry, produced volumes of sci-fi stories, authored novels and contributed critical essays to newspapers on a range of topics and writers. No one has the right to ignore or downplay the 'testimony' Primo Levi offered, but it is time to examine the wider vision inherent in his work and to explore the tradition in which he operated. Levi was one of the great wisdom writers of his age, whose ethical authority, somewhat to his own embarrassment, was accepted in many fields. Several contributors to this collection of essays see him as a proponent of Enlightenment values, or as heir to a longer Humanist tradition. Even after enduring Auschwitz, he held fast to a notion of the dignity of the human person, and no man did more to re-establish, however quizzically, the secular basis for such beliefs. His overall standing as writer is the subject of this book.

Joseph Farrell

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