Anne Haack Christensen

Angela Jager

Joyce H. Townsend

Most of the papers in this volume were presented at the CATS international technical art history conference in June 2019 titled Mobility Creates Masters - Discovering Artists' Grounds 1550-1700, which explored the introduction of, and change to, the colored ground layers in European paintings form the Early Modern period. The title of the conference stemmed from the desire to instigate new research projects within the topic of the influence of artists' mobility on material choices and techniques related to the preparation of paintings. As well as contributions presented at the conference, this volume includes additional papers from recent research exploring the same topic. The volume begins with several studies on the documentation of grounds. The contributions are then arranged according to the country in which the painter was active, from southern Europe moving northwards. The lavishly illustrated contributions in this volume deal with the above questions and shed light on different methods of preparing painting supports, the purpose of preparatory layers, materials used in different countries and influence of shifts in fashion or availability of materials on ground layers. This fifth CATS Proceedings will be of interest to scholars and students, and museum professionals including curators, conservators, art historians and conservation scientists.

Ground Layers in European Painting 1550-1750

Katherine Eremin

A. Adriaens (ed.)

This refereed volume contains the proceedings of a conference 'Conservation Science' in Edinburgh in May 2002 -organised by the Institute of Conservation Science, COST Action G8 'Non-destructive Analysis and Testing of Museum Objects' and the National Museums of Scotland. The book is divided into three sections. The first, Preventive Conservation, includes contributions on the deterioration of historic textiles; the movement of painted wooden panels; dimensional changes in bark paintings; showcase environments; particles and dust in museums etc. This is followed by the section on Conservation Methods, which includes laser cleaning; chromatography; adhesives for textiles; mortars for mosaics and corrosion inhibitors for iron artefacts. In the final section, Non-Destructive Testing, the reader is taken into a world of acronyms - XRF, SEM, LA-ICPMS, PIXE, THM-GCMS, ATR, CPSEM-EDX - while some more easily written techniques including dendrochronology, colorimetry, eddy current testing, accelerated light testing, neutron radiography etc. are discussed.These techniques are applied to a range of materials - from Rembrandt to Roman coins; from aero engines to alkyd resins; from hats to hallmarks; manuscripts to mercury.

Papers from the Conference Held in Edinburgh, Scotland, 22-24 May 2002

Conservation Science 2002

Tony Smibert

A classic medium, watercolor is practiced by many but mastered by few. This accessible and clear workbook is both a practical guide and an informative history. Beginning with a “1-day course,” the chapters cover technique, equipment, general theory, painting plein air, and conservation. The authors also examine the work of watercolor masters, among them Claude Lorrain, Jean-Baptiste-Camille Corot, John Constable, J. M. W. Turner, and John Ruskin. Each chapter includes photographs and helpful examples of works in progress, explanations of methods, and how-to demonstra­tions. Designed for those who have not picked up a paintbrush since high-school art class as well as more seasoned practitioners, this guide is a must-have for anyone who wants to start out in watercolors, become a more assured and better artist, or simply gain a new understanding of the great watercolorists.

Joyce H. Townsend

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