Orlan

Judith K. Brodsky

Ferris Olin

Works by Orlan

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"Since its inception nearly 25 years ago the Feminist Art movement has presented a challenge to mainstream modernism that has radically transformed the art world. In The Power of Feminist Art, coeditors Norma Broude and Mary D. Garrard, professors of art history at The American University in Washington, D.C., bring together many of the influential art historians, critics, and artists who participated in the events of the 1970s. Together, they have created this landmark volume, the first history and analysis documenting this fertile and dynamic period of artistic growth." "We learn about the first feminist art education programs, with artists Judy Chicago and Miriam Schapiro helping to lay the foundation; about the now legendary Womanhouse project; and about such banner exhibitions as "Women Artists: 1550-1950," organized in 1976 by art historians Linda Nochlin and Ann Sutherland Harris. We follow the development of the movement as seen in the various feminist organizations, networks, exhibitions, and publications it generated; and most particularly in the emergence of feminist art. Performance art, social protest and public art, and collaboration; exploration of such formerly taboo aesthetic areas as "Pattern and Decoration"; and subjects such as divinity and the body viewed from female perspectives are among the multiple aspects of the Feminist Art movement. The last section of the book traces the ups and downs of the movement, as experienced through the backlash of the 1980s and the resurgence of women's issues in the 1990s." "Uncompromising, probing, thoughtful, and as provocative and exciting as the period itself, The Power of Feminist Art is an immensely stunning book. Reproductions of hundreds of works of feminist art from the 1970s and beyond - by such artists as Judith Baca, Harmony Hammond, Joyce Kozloff, Barbara Kruger, Ana Mendieta, Alice Neel, Faith Ringgold, Betye Saar, Miriam Schapiro, Cindy Sherman, Nancy Spero, May Stevens, and Hannah Wilke - and the meticulously researched essays make this an invaluable source book and major contribution to American art and social history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The American Movement of the 1970s, History and Impact

The Power of Feminist Art

In Dismantling the Patriarchy, Bit by Bit, Judith K. Brodsky makes a ground-breaking intellectual leap by connecting feminist art theory with the rise of digital art. Technology has commonly been considered the domain of white men but-unrecognized until this book-female artists, including women artists of color, have been innovators in the digital art arena as early as the late 1960s when computers first became available outside of government and university laboratories. Brodsky, an important figure in the feminist art world, looks at various forms of visual art that are quickly becoming the dominant art of the 21st century, examining the work of artists in such media as video (from pioneers Joan Jonas and Adrian Piper to Hannah Black today), websites and social networking (from Vera Frenkel to Ann Hirsch), virtual and augmented reality art (Jenny Holzer to Hyphen-Lab), and art using artificial intelligence. She also documents the work of female-identifying, queer, transgender, and Black and brown artists including Legacy Russell and Micha Cárdenas, who are not only innovators in digital art but also transforming technology itself under the impact of feminist theory. In this radical study, Brodsky argues that their work frees technology from its patriarchal context, illustrating the crucial need to transform all areas of our culture including technology to achieve the goals of the #MeToo, Black Lives Matter (BLM), Black and Asian Minority Ethnicities (BAME), and other global movements to empower female-identifying and Black and brown people, and to document their contributions to human history.

Art, Feminism, and Digital Technology

Dismantling the Patriarchy, Bit by Bit

In this third volume of the series Junctures: Case Studies in Women’s Leadership, Judith K. Brodsky and Ferris Olin profile female leaders in music, theater, dance, and visual art. The diverse women included in Junctures in Women's Leadership: The Arts have made their mark by serving as executives or founders of art organizations, by working as activists to support the arts, or by challenging stereotypes about women in the arts. The contributors explore several important themes, such as the role of feminist leadership in changing cultural values regarding inclusivity and gender parity, as well as the feminization of the arts and the power of the arts as cultural institutions. Amongst the women discussed are Bertha Honoré Palmer, Louise Noun, Samella Lewis, Julia Miles, Miriam Colón, Jaune Quick-To-See Smith, Bernice Steinbaum, Anne d’Harnoncourt, Martha Wilson, Jawole Willa Jo Zollar, Kim Berman, Gilane Tawadros, Joanna Smith, and Veomanee Douangdala.

The Arts

Junctures in Women's Leadership

In Dismantling the Patriarchy, Bit by Bit, Judith K. Brodsky makes a ground-breaking intellectual leap by connecting feminist art theory with the rise of digital art. Technology has commonly been considered the domain of white men but-unrecognized until this book-female artists, including women artists of color, have been innovators in the digital art arena as early as the late 1960s when computers first became available outside of government and university laboratories. Brodsky, an important figure in the feminist art world, looks at various forms of visual art that are quickly becoming the dominant art of the 21st century, examining the work of artists in such media as video (from pioneers Joan Jonas and Adrian Piper to Hannah Black today), websites and social networking (from Vera Frenkel to Ann Hirsch), virtual and augmented reality art (Jenny Holzer to Hyphen-Lab), and art using artificial intelligence. She also documents the work of female-identifying, queer, transgender, and Black and brown artists including Legacy Russell and Micha Cárdenas, who are not only innovators in digital art but also transforming technology itself under the impact of feminist theory. In this radical study, Brodsky argues that their work frees technology from its patriarchal context, illustrating the crucial need to transform all areas of our culture in order to achieve the goals of #MeToo, Black Lives Matter (BLM), and Black and Minority Ethnic (BAME) representation, to empower female-identifying and Black and brown people, and to document their contributions to human history.

Judith K. Brodsky

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