Jüri Talvet

Поэтика жанра и образа

The book offers coherent theoretical treatment of the conceptions of “World Literature” and “Comparative Literature”, in parallel with their practical application to the research of different literary phenomena (Renaissance and Baroque creativity, literary canons, philosophy of translation, etc.), especially, as viewed from the point of view of the “other”—“peripheral” (minor, minority) national(-linguistic) cultures. Envisaging womankind’s historical liberation and a budding “comparative world sensibility” has been seen as one of the greatest merits of European “creative humanists”. To explain the deep sources of creativity and image authenticity, the notions of the (aesthetic) “infra-other” and (philosophical) “transgeniality” have been introduced. The proposed aim would be to transcend monologues of ideological-cultural “centres”, as well as formalistic and sociological trends in cultural and literary research and teaching. The book advocates a plurality of creative dialogues and a mutually enriching symbiotic relationship between “centres” and “peripheries”.

Critical Essays on World Literature, Comparative Literature and the “Other”

H. L. Hix

In a provocative and thoughtful essay, Estonia's preeminent poet and cultural critic investigates the role of culture in the postmodern world. Weighing in against grandstanding by western governments and envisioning instead a dialogue between the traditionally powerful western nations and the rest of the world, the author pays particular attention to how Estonia would figure in such a discussion.

Meditations from U

A Call for Cultural Symbiosis

César Domínguez

Marijan Dović

Jernej Habjan

Morana Čale

Irma Ratiani

Liina Lukas

Luka Vidmar

Marko Juvan

Bala Venkat Mani

Katarina Molk

Jola Škulj

Jeanne Glesener

Alen Širca

Matija Ogrin

Darko Dolinar

Alenka Koron

Andraž Jež

Jožica Jožef Beg

Svetovna književnost je kot globalni pojav navzoča prek mnoštva lokalnih variant. Vsaka nacionalna literatura si je s knjižnim prometom, knjižnicami, prevodi, šolskim kanonom in repertoarjem referenčnih tujih del, ki so navdihovala domačo tradicijo, ustvarila svojo, specifično »glokalizirano« različico svetovne literature. Toda ta pluralnost je naddoločena z enotnim, a neenakim svetovnim literarnim sistemom, razpetim med središča in obrobja. Študije slovenskih in tujih avtorjev, zbrane v tej knjigi, razmerje slovenske književnosti do ideje in prakse svetovne literature prikazujejo v teoretskem in zgodovinskem kontekstu primerljivih književnosti Evrope, katerih sistemski položaj je obroben. _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ World literature is always “glocalized." Every national literature, every region, migration, and multicultural space has fashioned its own version of world literature. Consequently, many world literatures simultaneously exist within the single and unequal global literary system, “Slovenian" world literature being one of them. Based on Casanova’s and Moretti’s theories of the world literary system/space and, using a transdisciplinary approach, the collective volume explores the relationships between the world literary system and small or peripheral literary fields: the Slovenian, Estonian, Croatian, Luxembourgish, and Georgian. The authors of chapters are: César Domínguez, Bala Venkat Mani, Jernej Habjan, Katarina Molk, Jola Škulj, Morana Čale, Jüri Talvet, Jeanne Glesener, Liina Lukas, Irma Ratiani, Alen Širca, Matija Ogrin, Luka Vidmar, Darko Dolinar, Marko Juvan, Marijan Dović, Alenka Koron, Andraž Jež, and Jožica Jožef Beg.

Svetovne književnosti in obrobja

Rehepapp ja vanapagan

Tšiili indiaanlaste muinasjutte

Maputše, kes ronis vulkaanile

Jüri Talvet

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