Anselm Franke

Kader Attia

Ana Teixeira Pinto

Tracing the relation between fascism and settler colonialism. In the aftermath of World War II, the recently liberated nations in Europe were swift to resume colonial oppression abroad. On May 8, 1945, the day victory was celebrated by the Allies, the French police massacred hundreds of townspeople in Sétif, leading the French editor Claude Bourdet to ask, “Are we the Gestapo in Algeria?” In Europe, what is called “fascism,” poet Aimé Césaire argued in his famous essay “Discourse on Colonialism,” is just colonial violence finding its way back home. In White West, contributors challenge the Eurocentrism that undergirds the current concept of fascism, tackling the under-theorized relation between settler colonialism and National Socialism via the “proto-totalitarian” scene of colonial expansion and its racialized concept of personhood, in order to counter the antipolitical nature of a concept such as the West, and the resurgence of fascist doctrines this notion engenders. Contributors Norman Ajari, Florian Cramer, Angela Dimitrakaki, Denise Ferreira da Silva, Quinsy Gario, Larne Abse Gogarty, Rose-Anne Gush, Natascha Sadr Haghighian, Sven Lütticken, Olivier Marboeuf, Rijin Sahakian, Nikhil Pal Singh, Françoise Vergès, Marina Vishmidt, Giovanna Zapperi

The Afterlife of Fascism

White West, Volume 1

One of the rising stars in the international art scene, Kader Attia (b. 1970) is a French-Algerian multidisciplinary artist whose powerful yet complex images, objects and installations examine the way cultures and histories have been constructed.Attia often plays with the vocabulary of museums and architecture to trouble the boundaries between different worlds, particularly Western and non-Western, through his use of re-appropriated and repaired everyday objects and ephemera, such as African masks, stapled paving cracks, assemblages of prostheses and photographs of surgical reconstruction.An in-depth interview with Hayward Gallery director Ralph Rugoff explores the artist's major themes, while art historians and other experts draw out particular threads to examine in depth. Compact but wide-ranging, this is a publication to be held in the hand - an indispensable first guide to an artist with an exceptional perspective on the way humans think about their place in the world.The book features an interview with Ralph Rugoff and essays by Nicola Clayton, Jean-Michel Frodon, Francoise Vergès and Giovanna Zapperi.Published alongside Hayward Gallery's exhibition, London (12 February - 6 May 2019).

Kader Attia

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