Kaiama L. Glover

Alessandra Benedicty-Kokken

This issue considers the oeuvre of Haitian writer Marie Vieux-Chauvet (1916-1973) as a prism through which to examine individual and collective subject formation in the postcolonial French-writing Caribbean, the wider Afro-Americas, and beyond. While both Vieux-Chauvet and her corpus are situated in the violent space of mid-twentieth century Haiti, her work articulates the obstacles to claiming legitimized human existence on a global scale. The contributors to this interdisciplinary volume examine Vieux-Chauvet's positioning within the Haitian public sphere, as well as her broader significance to understanding gendered and racialized postcolonial subjectivities in the twenty-first century.

Paradoxes of the Postcolonial Feminine

Revisiting Marie Vieux Chauvet

Mark Schuller

Jhon Picard Byron

A collection of essays from international critics that considers the ways and extent of Haiti’s exceptionalisation – its perception in multiple arenas as definitively unique with respect not only to the countries of the North Atlantic, but also to the rest of the Americas.

Anthropology and the Predicament of Narrative

The Haiti Exception

In A Regarded Self Kaiama L. Glover champions unruly female protagonists who adamantly refuse the constraints of coercive communities. Reading novels by Marie Chauvet, Maryse Condé, René Depestre, Marlon James, and Jamaica Kincaid, Glover shows how these authors' women characters enact practices of freedom that privilege the self in ways unmediated and unrestricted by group affiliation. The women of these texts offend, disturb, and reorder the world around them. They challenge the primacy of the community over the individual and propose provocative forms of subjecthood. Highlighting the style and the stakes of these women's radical ethics of self-regard, Glover reframes Caribbean literary studies in ways that critique the moral principles, politicized perspectives, and established critical frameworks that so often govern contemporary reading practices. She asks readers and critics of postcolonial literature to question their own gendered expectations and to embrace less constrictive modes of theorization.

Caribbean Womanhood and the Ethics of Disorderly Being

A Regarded Self

A PDF version of this book is available for free in open access via the OAPEN Library platform (www. oapen. org). Historically and contemporarily, politically and literarily, Haiti has long been relegated to the margins of the so-called 'New World.' Marked by exceptionalism, the voices of some of its most important writers have consequently been muted by the geopolitical realities of the nation's fraught history. In Haiti Unbound, Kaiama L. Glover offers a close look at the works of three such writers: the Haitian Spiralists Frankétienne, Jean-Claude Fignolé, and René Philoctète. While Spiralism has been acknowledged by scholars and regional writer-intellectuals alike as a crucial contribution to the French-speaking Caribbean literary tradition, the Spiralist ethic-aesthetic not yet been given the sustained attention of a full-length study. Glover's book represents the first effort in any language to consider the works of the three Spiralist authors both individually and collectively, and so fills an astonishingly empty place in the assessment of postcolonial Caribbean aesthetics. Touching on the role and destiny of Haiti in the Americas, Haiti Unbound engages with long-standing issues of imperialism and resistance culture in the transatlantic world. Glover's timely project emphatically articulates Haiti's regional and global centrality, combining vital 'big picture' reflections on the field of postcolonial studies with elegant close-reading-based analyses of the philosophical perspective and creative practice of a distinctively Haitian literary phenomenon. Most importantly perhaps, the book advocates for the inclusion of three largely unrecognized voices in the disturbingly fixed roster of writer-intellectuals that have thus far interested theorists of postcolonial (Francophone) literature. Providing insightful and sophisticated blueprints for the reading and teaching of the Spiralists' prose fiction, Haiti Unbound will serve as a point of reference for the works of these authors and for the singular socio-political space out of and within which they write.

A Spiralist Challenge to the Postcolonial Canon

Haiti Unbound

Haiti has long been relegated to the margins of the so-called New World. Marked by exceptionalism, the voices of some of its most important writers have consequently been muted by the geopolitical realities of the nation's fraught history. In Haiti Unbound, Kaiama L. Glover offers a close look at the works of three such writers: the Haitian Spiralists Frankétienne, Jean-Claude Fignolé, and René Philoctète. While Spiralism has been acknowledged as a crucial contribution to the French-speaking Caribbean literary tradition, it has not been given the sustained attention of a full-length study. Glover's book represents the first effort to consider the works of the three Spiralist authors both individually and collectively, filling an important gap in postcolonial Francophone and Caribbean studies.

Madeleine Dobie

A diverse, interdisciplinary collection of essays exploring what makes Maryse Condé a writer for our times In 2018, the New Academy selected Guadeloupean writer, scholar, and teacher of literature Maryse Condé as the recipient of the 2018 Alternative Nobel Prize in Literature. This volume of Yale French Studies examines Condé's work and legacy, exploring why a diverse group of journalists, critics, and lay readers selected her as the writer most deserving of the prize. Varied in their themes, forms, and disciplinary groundings, the essays consider how Condé's novels, plays, essays, and memoirs have engaged with many of the urgent social, economic, and political issues of the late-twentieth and twenty-first centuries, often anticipating and catalyzing public debates. Written by scholars from Africa, the Antilles, South America, France, and the United States, the essays consider Condé's unique voice and the ways in which her writing speaks to readers all over the world, making her "a writer for our times."

Kaiama L. Glover

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