Kamau Brathwaite

Christine Pagnoulle

RêvHaïti

Edward Kamau Brathwaite

Sun Poem

Elegguas

Edward Brathwaite

Here for the first time in a single volume is Edward Brathwaite's Caribbean trilogy - Rights of Passage, Masks, and Islands - a brilliant exploration of the predicament of the contemporary New World Negro.Through the tension of jazz/folk rhythm, through historical flashbacks, and excursions to Europe, New York and Africa, the poet interweaves the past and present of his Caribbean homeland - its natural beauty, its violent history, the values that sustain its people - into a vigorous and distinctivepoetic statement.

A New World Trilogy

The Arrivants

Nathaniel Mackey

Literary Criticism. African American and Caribbean Studies. Kamau Brathwiate's CONVERSATIONS WITH NATHANIEL MACKEY is based on the transcript of his discussion with Nathaniel Mackey at Poet's House in New York City. Brathwaite expansively elaborates on Mackey's (and audience member's) knowledgeable inquiries; his answers are layered with subsequent ruminations arising from his lifelong engagement with world literature and expressive cultures. A multiphasic drift, CONVERSATIONS WITH NATHANIEL MACKEY combines elements of biography and autobiography with poetic discourse on Caribbean literary history and negative effects of colonial domination. Brathwaite splices dialog with poetry, criticism, and instrictive imaginary voices in his now distinct and characteristic Sycorax 'video style' format. Both Brathwaite and Mackey have several titles carried by SPD. Mackey's ERODING WITNESS is newly available, along with WHATSAID SERIF (City Lights) and DJOBOT BAGHOSTUS'S RUN (Sun & Moon) Brathwaite's BLAC

Conversations with Nathaniel Mackey

New work by the co-founder of the Caribbean Artists Movement.

Born to Slow Horses

Here for the first time in a single volume is Edward Brathwaite's Caribbean trilogy - Rights of Passage, Masks, and Islands - a brilliant exploration of the predicament of the contemporary New World Negro. Through the tension of jazz/folk rhythm, through historical flashbacks, and excursions to Europe, New York and Africa, the poet interweaves the past and present of his Caribbean homeland - its natural beauty, its violent history, the values that sustain its people - into a vigorous anddistinctive poetic statement.

Odale's Choice

These poems trace Brathwaite's African/Caribbean ancestry. Gives the reader what is effectively an account of the African diaspora, in the language of a great poet.

X/self

Shar

The Folk Culture of the Slaves in Jamaica

"Ancestors startlingly reinvents one of the most important long poems of our hemisphere. Here in a single volume is Kamau Brathwaite's long unavailable, landmark trilogy - Mother Poem, Sun Poem, and X/Self (1977, 1982, and 1987) - now completely revised and expanded by the author." "With its "Video Sycorax" typographic inventions and linguistic play, Ancestors liberates both the language and the new-Caliban vision of the poet. In its fresh and more experimental form the trilogy embodies the recapture (what the poet has called the "intercovery") of Brathwaite's African/Caribbean ancestry as a possession of power and renewal, even as it plumbs the deep tonalities of enslavement, oppression, and colonial dispossession."--BOOK JACKET.

A Reinvention of Mother Poem, Sun Poem, and X/self

Ancestors

The startling new work by internationally celebrated Caribbean poet, historian and cultural theorist Kamau Brathwaite, winner of the 2006 Griffin Poetry Prize. In "DS (2)--Dreamstories 2"--Kamau Brathwaite continues his ongoing collection of prose poems, comprised of the broken images, flow, and half-told stories of dreams. The poetic stories in "DS (2)" use Brathwaite's trademark sycorax video style, offering personal revelations mixed with political and historical fables occurring around the globe. Brathwaite's prose poems relate with ardency and pathos the Caribbean experience and are a potent voice of the African diaspora. Nathaniel Mackey wrote: "Kamau Brathwaite's 'calibanic play' reveals a fiendish delight in the slippage to which words are prone." And "American Book Review" wrote: "In its rhythms as well as its explorations of 'nation language' and of the traces of an African past, this is a populist work." This exciting new offering by Kamau Brathwaite follows on the heels of the publication of Brathwaite's "Born to Slow Horses," which won the coveted 2006 Griffin Poetry Prize.

Dreamstories

DS (2)

''Selection of papers presented at the Second Conference on Caribbean Culture held at the University of the West Indies, Mona, Jamaica, January 2002, in honor of Kamau Brathwaite.''

Soundings on Kamau Brathwaite

Caribbean Culture

Kamau Brathwaite is a major Caribbean poet of his generation and one of the major world poets of the second half of the twentieth century. Elegguas—a play on “elegy” and “Eleggua,” the Yoruba deity of the threshold, doorway, and crossroad—is a collection of poems for the departed. Modernist and post-modernist in inspiration, Elegguas draws together traditions of speaking with the dead, from Rilke’s Duino Elegies to the Jamaican kumina practice of bringing down spirits of the dead to briefly inhabit the bodies of the faithful, so that the ancestors may provide spiritual assistance and advice to those here on earth. The book is also profoundly political, including elegies for assassinated revolutionaries like in the masterful “Poem for Walter Rodney.” Throughout his poetry, Brathwaite foregrounds “nation-language,” that difference in syntax, in rhythm, and timbre that is most closely allied to the African experience in the Caribbean, using the computer to explore the graphic rendition of nuances of language. Brathwaite experiments using his own Sycorax fonts, as well as deliberate misspellings (“calibanisms”) and deviations in punctuation. But this is never simple surface aesthetic, rather an expression of the turbulence (in history, in dream) depicted in the poems. This collection is a stunning follow-up to Brathwaite’s Born to Slow Horses (Wesleyan, 2005), winner of the Griffin International Poetry Prize.

Cultural Diversity and Integration in the Caribbean

Contradictory Omens

Various

Jamaica Kincaid

Eric Walrond

Sam Selvon

Jean Rhys

Austin Clarke

Lorna Goodison

Paule Marshall

James Berry

Wayne Brown

Lawrence Scott

Andrew Salkey

Erna Brodber

Earl Lovelace

Makeda Silvera

Neil Bissoondath

Olive Senior

Roger Mais

Wilson Harris

Hazel D. Campbell

Willi Chen

Pauline Melville

Louise Bennett

Wilfred Wood

Kenneth Vidia Parmasad

Seepersad Naipaul

Claude MacKay

Frank Collymore

C... L. R. James

Garth St Omer

Vidiadhar Surajprashad Naipaul

N... D. Williams

Clyde Hosein

Alecia MacKenzie

Spanning the history of Caribbean writing, this meticulously compiled collection of 40 short stories includes pre-Columbian legends and myths from India and Africa, and many stories that are an evocative reminder of the turbulent history of the region. Authors featured include Andrew Salkey, Jean Rhys, V.S. Naipaul, Jamaica Kincaid, and Lawrence Scott, among others. A major anthology reflecting the diversity and richness of Caribbean writing.

The Penguin Book of Caribbean Short Stories

MiddlePassages is an offshoot of the author's second trilogy, 'a splice of time & space', as he puts it, between his/father's world of Sun Poem and 'the magical irrealism' of X/Self. With his other 'shorter' collections Black + Blues and Third World Poems, MiddlePassages creates a kind of chisel which may well lead us into a projected third trilogy. Here is a political angle to Brathwaite's Caribbean & New World quest, with new notes of protest and lament. It marks a Sisyphean stage of Third World history in which things fall apart and everyone's achievements come tumbling back down upon their heads and into their hearts, like the great stone which King Sisyphus was condemned to keep heaving back up the same hill in hell - a postmodernist implosion already signalled by Baldwin, Patterson, Soyinka and Achebe and more negatively by V.S. Naipaul; but given a new dimension here by Brathwaite's rhythmical and 'video' affirmations. And so MiddlePassages includes poems for those modern heroes who are the pegs by which the mountain must be climbed again: Maroon resistance, the poets Nicolas Guillen, the Cuban revolutionary, and Mikey Smith, stoned to death on Stony Hill; the great musicians (Ellington, Bessie Smith); and Third World leaders Kwame Nkrumah, Walter Rodney and Nelson Mandela.

Middle Passages

Kamau Brathwaite

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