Karen Joy Fowler

Rosemary's young, just at college, and she's decided not to tell anyone a thing about her family. So we're not going to tell you too much either: you'll have to find out for yourselves, round about page 77, what it is that makes her unhappy family unlike any other.Rosemary is now an only child, but she used to have a sister the same age as her, and an older brother. Both are now gone - vanished from her life. There's something unique about Rosemary's sister, Fern. And it was this decision, made by her parents, to give Rosemary a sister like no other, that began all of Rosemary's trouble. So now she's telling her story: full of hilarious asides and brilliantly spiky lines, it's a looping narrative that begins towards the end, and then goes back to the beginning. Twice.It's funny, clever, intimate, honest, analytical and swirling with ideas that will come back to bite you. We hope you enjoy it, and if, when you're telling a friend about it, you do decide to spill the beans about Fern - it's pretty hard to resist - don't worry. One of the few studies Rosemary doesn't quote says that spoilers actually enhance reading.

We are All Completely Beside Ourselves

Best Book of the Year Real Simple • AARP • USA Today • NPR • Virginia Living Longlisted for the 2022 Booker Prize From the Man Booker finalist and bestselling author of We Are All Completely Beside Ourselves comes an epic and intimate novel about the family behind one of the most infamous figures in American history: John Wilkes Booth. In 1822, a secret family moves into a secret cabin some thirty miles northeast of Baltimore, to farm, to hide, and to bear ten children over the course of the next sixteen years. Junius Booth—breadwinner, celebrated Shakespearean actor, and master of the house in more ways than one—is at once a mesmerizing talent and a man of terrifying instability. One by one the children arrive, as year by year, the country draws frighteningly closer to the boiling point of secession and civil war. As the tenor of the world shifts, the Booths emerge from their hidden lives to cement their place as one of the country’s leading theatrical families. But behind the curtains of the many stages they have graced, multiple scandals, family triumphs, and criminal disasters begin to take their toll, and the solemn siblings of John Wilkes Booth are left to reckon with the truth behind the destructively specious promise of an early prophecy. Booth is a startling portrait of a country in the throes of change and a vivid exploration of the ties that make, and break, a family.

Booth

نادي قراءة جين أوستن

Stories (Ballantine Reader's Circle)

Black Glass

Ursula K. Le Guin

myśli o tym co ważne

Nie ma czasu

Vijf Californische vrouwen en een man komen een half jaar lang elke maand bijeen om een van de zes romans van Jane Austen te bespreken, waarbij de romans dienen als klankbord voor de levens van de lezers.

De Jane Austen leesclub / druk 1

Wit's End

Pat Murphy

Debbie Notkin

Jeffrey D. Smith

Stories for women, for men, and for the rest of us. Female, male, gay, bisexual, straight, transgender, human, alien, or simply other, the Tiptree Award honors fiction that explores and expands our notions of gender. This anthology includes the most recent Tiptree winners and short-listed stories plus thought-provoking tales from previous years and essays that continue the conversation. As one of the Tiptree judges said, "I'm damned if I know what gender is, but I do know when a story is about it." This year's winners, according to juror Cecilia Tan, "stand completely opposed in so many ways--you could almost say they define the opposite edges of what is conceivable for the Tiptree. Haldeman, the well-known, Hemingway-esque, male, very American, hard SF writer at one end, and Sinisalo, the European, not well known (in the U.S. and within our genre, I mean), female contemporary-fantasy writer at the other." Camouflage by Joe Haldeman considers what would happen if a shape-shifting alien predator became, essentially, human. This ageless, sexless entity can take any form. Initially indifferent to gender, the creature faces a gender choice as it grows more human. Haldeman has previously won five Hugo Awards, four Nebula Awards, and the World Fantasy Award. Johanna Sinisalo's winning novel was published in the United States as Troll: A Love Story (Grove Press, 2004), in the United Kingdom as Not Before Sundown (Peter Owen, 2003), and in Finland as Ennen päiävanlaskua ei voi (Tammi, 2000). "A deft novel of how human society is ruled by complex territorial relationships," Cecilia Tan writes of this novel. Sinisalo has previously won the prestigious Finlandia Prize and is known in her home country for her writing for television and comic strips as well as for her science fiction and fantasy.

The James Tiptree Award Anthology 2

Sarah Canary

When a strange white woman dressed in black wanders into a Chinese labor camp in the unsettled Pacific Northwest in 1873, Chin Ah Kin is appointed to escort her back from whence she came. Reprint.

When a hideous woman appears without warning in Washington territory, Chin Ah Kin--certain that she is an immortal sent to enchant him--decides to return her to her white world, and their journey together becomes a magnet for a cast of eccentric characters

The author of "The Jane Austen Book Club" presents another highly inventive novel--one that ensnares readers in cunning deceptions, challenging them to separate the truth from fiction.

Two unlikely people form an unexpected bond in bestselling author Karen Joy Fowler’s captivating historical novel—a New York Times Notable Book. When black cloaked Sarah Canary wanders into a Chinese labor camp in the Washington territories in 1873, Chin Ah Kin is ordered by his uncle to escort “the ugliest woman he could imagine” away. Far away. But Chin soon becomes the follower. In the first of many such instances, they are separated, both resurfacing some days later at an insane asylum. Chin has run afoul of the law and Sarah has been committed for observation. Their escape from the asylum in the company of another inmate sets into motion a series of adventures and misadventures that are at once hilarious, deeply moving, and downright terrifying. “Powerfully imagined...Drop everything and follow Sarah Canary....Humor and horror, history and myth dance cheek to cheek in this Jack London meets L. Frank Baum world....Here is a work that manages to be at the same time (and often in the same sentence) dark and deep and fun.”—The Washington Post Book World

Karen Joy Fowler

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