Karen Olsson

A New York Times Editors' Pick and Paris Review Staff Pick "A wonderful book." --Patti Smith "I was riveted. Olsson is evocative on curiosity as an appetite of the mind, on the pleasure of glutting oneself on knowledge." --Parul Sehgal, The New York Times An eloquent blend of memoir and biography exploring the Weil siblings, math, and creative inspiration Karen Olsson’s stirring and unusual third book, The Weil Conjectures, tells the story of the brilliant Weil siblings—Simone, a philosopher, mystic, and social activist, and André, an influential mathematician—while also recalling the years Olsson spent studying math. As she delves into the lives of these two singular French thinkers, she grapples with their intellectual obsessions and rekindles one of her own. For Olsson, as a math major in college and a writer now, it’s the odd detours that lead to discovery, to moments of insight. Thus The Weil Conjectures—an elegant blend of biography and memoir and a meditation on the creative life. Personal, revealing, and approachable, The Weil Conjectures eloquently explores math as it relates to intellectual history, and shows how sometimes the most inexplicable pursuits turn out to be the most rewarding.

On Math and the Pursuit of the Unknown

The Weil Conjectures

"A novel about a family disrupted by the Iran-Contra scandal"--

A Novel

All the Houses

'Beguiling ... Olsson is evocative on curiosity as an appetite of the mind, on the pleasure of glutting oneself on knowledge' New York Times Simone Weil: philosopher, political activist, mystic – and sister to André, one of the most influential mathematicians of the twentieth century. These two extraordinary siblings formed an obsession for Karen Olsson, who studied mathematics at Harvard, only to turn to writing as a vocation. When Olsson got hold of the 1940 letters between the siblings, she found they shared a curiosity about the inception of creative thought – that flash of insight – that Olsson experienced as both a maths student, and later, novelist. Following this thread of connections, The Weil Conjectures explores the lives of Simone and André, the lore and allure of mathematics, and its significance in Olsson's own life.

On Maths and the Pursuit of the Unknown

Simone Weil: famous French philosopher, writer, political activist, mystic and sister to André, one of the most influential mathematicians of the twentieth century. For Karen Olsson, who studied mathematics at Harvard only to turn to writing as a vocation, the lives and obsessions of these two extraordinary siblings returned her to the intellectual passions of her youth. When Olsson got hold of the 1940 letters between Simone and André, she discovered that André's pursuit of his studies became increasingly incomprehensible to his sister, leading to Simone directly questioning him about the value of such rarefied knowledge as it applied to the lived experience. Struck by this conflict, Olsson revisits her own time at university, how she came to be consumed by mathematics, and the unexpected similarities that can be found between two seemingly opposed subjects. At the core of the book lies her curiosity about the inception of creative thought - that flash of insight - experienced by writers and mathematicians alike.

"You're in a slump." Nick Lasseter's boss is talking about his job performance as a reporter for the Waterloo Weekly--but he might as well be talking about Nick's whole life. His current assignment, a profile of a legendary, liberal ex-congressman, is in trouble even before his subject abruptly dies. His sexy girlfriend has spurned him in favor of a muffin magnate. His uncle, a booze-fueled political operative, has decided to crash on Nick's couch after being thrown out of his own house. And Nick's best friends and ex-bandmates seem to spend more and more of their time at the local bar, hazily lamenting a lost golden age of high ideals and low cover charges that suspiciously coincides with their own rapidly-disappearing youth. When Nick grudgingly agrees to write a piece about a rising female Republican legislator, he stumbles onto a political fight in which the good guys and bad guys start to seem interchangeable. And not even the deceased can be relied on to stick to their stories when Nick gets involved with the late congressman's confidante, a young woman who has her own hidden ties to the town's history. As they search the dim depths of a civic past that's anything but dead and buried, they find that some things never change--things like the moral ambiguity of practical politics and the sad, hilarious cluelessness of young men in love. Bittersweet and biting, elegiac and sharply observed, Waterloo is a portrait of a generation in search of itself--and a love letter to the slackers, rockers, hustlers, hacks, and hangers-on who populate Austin, Texas--from a formidable new intelligence in American fiction.

Waterloo

A bittersweet, biting, sharply observed family drama from the author of Waterloo After her father has a heart attack and subsequent surgery, Helen Atherton returns to her hometown of Washington, D.C., to help take care of him and, perhaps more honestly, herself. She's been living in Los Angeles, trying to work in Hollywood, slowly spiraling into a depression fueled by hours spent watching C-SPAN-her obsession with politics a holdover from a childhood interrupted by her father's involvement in the Iran-Contra scandal. "I don't know whether to think of him as a coconspirator or a complicit bystander or just someone who was in the wrong place at the wrong time." Though the rest of the world has forgotten that scandal, the Atherton family never quite recovered. While living with her father in her childhood home, Helen tries to piece together the political moves that pulled her family apart. All the Houses is, at its heart, a father-daughter story. With razor-sharp prose, an alluring objectivity, and a dry sense of humor, Karen Olsson writes about the shape-shifting of our family relationships when outside forces work their way in-how Washington turns people into unnatural versions of themselves, how problematic and overbearing sisters can be, and how familial nostalgia that sets in during early adulthood can prove counterproductive to actually becoming an adult.

Karen Olsson

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