Karolin Machtans

The volume examines the autobiographical texts by Saul Friedlander and Ruth Kluger in the context of their academic work. Both their scholarly and their autobiographical work are subjected to the tension between the opposing poles on the one hand of wishing to approach a reality outside the text and on the other of being aware that every interpretation always depends on the contemporary context and personal background of the interpreter. Thus Friedlander and Kluger approach each other from the two poles of disciplines traditionally opposed to each other? the study of history, directed towards objective verifiable facts, and the study of literature, with its focus on engagement with fiction. "

Saul Friedländer und Ruth Klüger

Zwischen Wissenschaft und autobiographischem Projekt

The volume examines the autobiographical texts by Saul Friedländer and Ruth Klüger in the context of their academic work. Both their scholarly and their autobiographical work are subjected to the tension between the opposing poles on the one hand of wishing to approach a reality outside the text and on the other of being aware that every interpretation always depends on the contemporary context and personal background of the interpreter. Thus Friedländer and Klüger approach each other from the two poles of disciplines traditionally opposed to each other? the study of history, directed towards ‘objective’ verifiable facts, and the study of literature, with its focus on engagement with fiction.

Zwischen Wissenschaft und autobiographischem Projekt: Saul Friedländer und Ruth Klüger

Martin A. Ruehl

The first book-length study to critically examine the recent wave of Hitler biopics in German cinema and television. A group of international experts discuss films like Downfall in the context of earlier portrayals of Hitler and draw out their implications for the changing place of the Third Reich in the national historical imagination.

History, Cinema and Politics Since 1945

Hitler - Films from Germany

Helga Druxes

Alexandar Mihailovic

Navid Kermani - author, journalist and academic - is one of the most prominent public intellectuals in Germany today. Kermani has been at the forefront of recent debates about Islam and its role in Germany’s political, social and cultural life. Instead of emphasizing the differences between ethnic affiliations and religious beliefs, Kermani questions the Western notion of a clear dividing line between Islam, Christianity and Judaism, highlighting instead their affinities. In addition to his political essays, Kermani’s travel journalism introduces western audiences to diverse Muslim societies in the world and his fiction provides accessible meditations on first love, contemporary music, death and friendship. This is the first volume of criticism in English dedicated to Kermani’s varied work. The book features an extensive interview with the author, a reproduction in German and English of Kermani’s famous 2014 Bundestag speech and a collection of critical essays on Kermani’s writing. The essays, by major scholars in the field, cover issues such as gender, religion, cosmopolitanism, mystical experiences, and the power of the liberal arts in a time of neoliberal distraction.

Karolin Machtans

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