Sabine Rewald

Kasper Monrad

Moonwatchers

Caspar David Friedrich

Vilhelm Hammershøi

Mary Anne Stevens

Statens museum for kunst (Denmark)

Hypo-Kulturstiftung (Munich, Germany). Kunsthalle

This volume examines Hammershoi's work as a whole and in relation to the artists of his generation. It includes reproductions and essays that focus on Hammershoi's isolated private life and travels; his time in London and Germany; and comparisons between him and such notable painters as Seurat, Gauguin, and Whistler.

Hammershøi and Europe

National Gallery of Canada

Catherine Johnston

Helmut Borsch-Supan

Helmut R. Leppien

During the first half of the nineteenth century, Danish and German artists studying in Paris and Rome brought back the concept of "plein air" painting and began to paint out-of-doors on their native soil. They introduced a whole new aesthetic that was sensitive to the light and atmospheric conditions peculiar to the north, especially during the long summer days. This beautiful book focuses on the painters and paintings of this period, particularly Caspar David Friedrich, who produced many fine works before he developed the romantic style for which he is better known. The book presents topographical landscapes, panoramas, and some group and individual portraits that often include a window from which light emanates. Essays by eminent authorities discuss various aspects of the Danish and North German open air movement. They note, for example, that the paintings reflect a direct view of nature devoid of the intellectual and moral overtones of the neoclassical paintings that preceded them. They also discuss the fact that Schleswig Holstein was closely allied with Denmark until 1848, and this favored many Hamburg and north German artists studying at the Academy in Copenhagen where painting out of doors was encouraged. In addition to the essays, the book presents 108 works by twenty-three artists, catalogue entries for each work, and a biography of each artist.

Early Open-air Painting in Denmark and North Germany

Baltic Light

Statens Museum for Kunst

"A comprehensive study of the great Danish painter, this monograph places Hammershøi within the context of his European contemporaries. This generously illustrated volume examines Hammershøi's work as a whole and in relation to the artists of his generation. Hammershøi's enigmatic paintings, with their rich and muted palettes, have always enjoyed enormous popularity in Scandinavia, and recently his work has received renewed attention across the globe. Thematically arranged, this volume includes beautiful reproductions and essays that focus on Hammershøi's isolated private life and travels; his time in London and Germany; and comparisons between him and such notable painters as Seurat, Gauguin, and Whistler. Fans of this remarkable painter, and anyone interested in modern art, will enjoy this celebration of Hammershøi as a part of the pantheon of great European painters."--Publisher's website.

David Jackson

Christen Købke

Christen Købke is regarded as one of the greatest of Denmark's painters, who flourished during what is known as the 'Danish golden age' at the first half of the 19th century. He found his true self and his artisitic themes in his close surroundings, family and friends, and daily routines: specialising in landscapes and portraiture.

Danish Master of Light

John Elderfield

Bob Dylan

Bob Dylan has been a prolific graphic artist since the 1960s, and his graphic art is marked by the same constant drive for renewal that characterises his music. Never content to remain static in a single form of expression that he has already cultivated, he is constantly experimenting and testing new artistic techniques and expressions. This book of the exhibition at the National Gallery of Denmark encompasses some 100 works, including completely new works to be seen in public for the first time. Bob Dylan has recently delved into painting in acrylic, and the exhibition is the first to document this new direction in the artist's work, showing larger format paintings alongside drawings. Dylan's works are often created during his exhaustive touring, and his motifs bear corresponding imprints of the environments and people that he crosses in his life. As a graphic artist he functions as a phenomenal observer who depicts the immediately banal and everyday facets of life in such a way that they appear fresh and new for the viewer.

Bob Dylan, the Brazil Series

4. september 2004-9. januar 2005

Turner og tidens natursyn

Hans Edvard Nørregård-Nielsen

Statens Museum for Kunst (Copenhagen)

Restaurant owner Lillian manages an unexpected challenge while sharing her days with a circle of friends and regulars, including ritual-performing accountant Al, heartbroken chef Chloe, and unobtrusive giant Finnegan.

Hans Edvard Nørregård-Nielsen, Kasper Monrad; Trans: W. Glyn Jones

Christen Købke 1810-1848

Following on the heels of Drawn Blank, which The New York Times hailed as “extraordinary” and “enthralling,” this volume of Dylan's paintings includes works created since 2008. Inspired by his travels in Brazil, the paintings embody an array of motifs, from portraits to landscapes, highly narrative scenes to brilliant experiments with composition and color. The subjects of The Brazil Series include workers, boxers, entertainers, and socialites, together capturing many facets of Brazilian life. This volume includes perceptive essays that introduce readers to Dylan's decades-long interest in drawing and painting; trace elements of that passion within his musical career; and offer a thoughtful analysis of these most recent works. Brilliant reproductions reveal the artist's extraordinary use of color and line, while details of the paintings allow readers to further appreciate Dylan's sophistication as an artist and his lifelong exploration of people and the worlds they inhabit.

The Brazil Series

Peter Michael Hornung

dansk malerkunsts fader

C. W. Eckersberg

Metropolitan Museum of Art (New York, N.Y.)

Caspar David Friedrich (1774-1840), a major figure in the German Romantic movement, painted sublime works representing nature at its most melancholic and desolate. One of his most famous motifs was that of two intimate figures, seen from behind, gazing at the moon. Friedrich painted three versions of this theme, one of which -- Two Men Contemplating the Moon -- has recently been acquired by The Metropolitan Museum of Art. The book discusses the Metropolitan's painting in conjunction with the other two versions and a number of related paintings and drawings by Friedrich and his Dresden friends. It also presents fascinating details about the moon itself -- including what was known about it in Friedrich's lifetime and its presence and symbolism in contemporary Romantic poetry.

Kasper Monrad

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