Kate O'Shaughnessy

This sparkling middle-grade debut is a classic-in-the-making! Maybelle Lane is looking for her father, but on the road to Nashville she finds so much more: courage, brains, heart--and true friends. Eleven-year-old Maybelle Lane collects sounds. She records the Louisiana crickets chirping, Momma strumming her guitar, their broken trailer door squeaking. But the crown jewel of her collection is a sound she didn't collect herself: an old recording of her daddy's warm-sunshine laugh, saved on an old phone's voicemail. It's the only thing she has of his, and the only thing she knows about him. Until the day she hears that laugh--his laugh--pouring out of the car radio. Going against Momma's wishes, Maybelle starts listening to her radio DJ daddy's new show, drinking in every word like a plant leaning toward the sun. When he announces he'll be the judge of a singing contest in Nashville, she signs up. What better way to meet than to stand before him and sing with all her heart? But the road to Nashville is bumpy. Her starch-stiff neighbor Mrs. Boggs offers to drive her in her RV. And a bully of a boy from the trailer park hitches a ride, too. These are not the people May would have chosen to help her, but it turns out they're searching for things as well. And the journey will mold them into the best kind of family--the kind you choose for yourself.

The Lonely Heart of Maybelle Lane

Das Glück wartet nur bis um vier

Twelve-year-old Fern believes she's living a noble life--but what if everything she's been told is a lie? This is a huge-hearted story about a girl learning to question everything—and to trust in herself. A NEWBERY HONOR BOOK • A CALIBA GOLDEN POPPY AWARD FINALIST • A KIRKUS REVIEWS AND BOOKLIST BEST BOOK OF THE YEAR Fern’s lived at the Ranch, an off-the-grid, sustainable community in upstate New York, since she was six. The work is hard, but Fern admires the Ranch's leader, Dr. Ben. So when Fern’s mother sneaks them away in the middle of the night and says Dr. Ben is dangerous, Fern doesn't believe it. She wants desperately to go back, but her mom just keeps driving. Suddenly thrust into the treacherous, toxic, outside world, Fern can think only of how to get home. She has a plan, but it will take time. As that time goes by, though, Fern realizes there are things she will miss from this place—the library, a friend from school, the ocean—and there are things she learned at the Ranch that are just...not true. Now Fern will have to decide. How much is she willing to give up to return to the Ranch? Should she trust Dr. Ben’s vision for her life? Or listen to the growing feeling that she can live by her own rules?

The Wrong Way Home

Twelve-year-old Fern believes she's living a noble life--but what if everything she's been told is a lie? This is a huge-hearted story about a girl learning to question everything—and to trust in herself. Fern’s lived at the Ranch, an off-the-grid, sustainable community in upstate New York, since she was six. The work is hard, but Fern admires the Ranch's leader, Dr. Ben. So when Fern’s mother sneaks them away in the middle of the night and says Dr. Ben is dangerous, Fern doesn't believe it. She wants desperately to go back, but her mom just keeps driving. Suddenly thrust into the treacherous, toxic, outside world, Fern can think only of how to get home. She has a plan, but it will take time. As that time goes by, though, Fern realizes there are things she will miss from this place—the library, a friend from school, the ocean—and there are things she learned at the Ranch that are just...not true. Now Fern will have to decide. How much is she willing to give up to return to the Ranch? Should she trust Dr. Ben’s vision for her life? Or listen to the growing feeling that she can live by her own rules?

(Newbery Honor Award Winner)

Nan was all the family Mo ever needed. But suddenly she's gone, and Mo finds herself in foster care after her uncle decides she's not worth sticking around for.

Nan left her a notebook and advised her to get a hobby, like ferret racing or palm reading.

But how could a hobby fix anything in her newly topsy-turvy life?

Then Mo discovers a handmade cookbook filled with someone else's family recipes. Even though Nan never cooked, Mo can't tear her eyes away. Not so much from the recipes, but the stories attached to them. Though, when she makes herself a lot of soup, it is every bit as comforting as the recipes notes said.

Soon Mo is asking everyone she meets for their family recipes. Teaching herself to make them. Collecting the stories behind them. Building a website to share them. And, okay, secret hoping that a long-lost relative will find her and give her a family recipe all her own.

But when everything starts to unravel again, Mo realizes that if she wants a family recipe -- or a real family -- she's going to have to make it up herself.

Lasagna Means I Love You

This book examines gender, state and social power in Indonesia, focusing in particular on state regulation of divorce from 1965 to 2005 and its impact on women. Indonesia experienced high divorce rates in the 1950s and 1960s, followed by a remarkable decline. Already falling divorce rates were reinforced by the 1974 Marriage Law, which for the first time regulated marriage for both Muslim and non-Muslim Indonesians and restricted access to divorce. This law defined the roles of men and women in Indonesian society, vesting household leadership with husbands and the management of the household with wives. Drawing on a wide selection of primary sources, including court records, legal codes, newspaper reports, fiction, interviews and case studies, this book provides a detailed historical account of this period of important social change, exploring fully the impact and operation of state regulation of divorce, including the New Order government’s aims in enacting this legal framework, its effects in practice and how it was utilised by citizens (both men and women) to advance their own agendas. It argues that the Marriage Law was a tool of social control enacted by the New Order government in response to the social upheaval and protests experienced in the mid 1970s. However, it also shows that state power was not hegemonic: it was both contested and co-opted by citizens, with men and women enjoying different degrees of autonomy from the state. This book explores all of these issues, providing important insights on the nature of the New Order regime, social power and gender relations, both during the years of its rule and since its collapse.

Kate O'Shaughnessy

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