Katharine Baetjer

Chris Saines

European Masterpieces from the Metropolitan Museum of Art, New York

J. G. Links

Canaletto

The Metropolitan Museum of Art, New York : [30 October 1989-21 January 1990]

Metropolitan Museum of Art (New York, N.Y.)

Covering the period between the late 16th century through to the third quarter of the 19th century, this book features paintings by English, Scottish, Welsh and Irish artists which are part of the collection of the Metropolitan Museum of Art.

British Paintings in the Metropolitan Museum of Art, 1575-1875

This catalogue supplies basic information on all paintings, oil sketches, and finished pastels by European artists born before 1865 belonging to The Metropolitan Museum of Art. The name, dates, and nationality of each artist are given; medium, dimensions, inscriptions, and accession information are supplied for all works; each text is accompanied by an illustration of the work described. The Department of European Paintings has custodial responsibility for most of these pictures, but also included here are works given to, bequeathed to, or acquired for other departments of the Museum - most importantly the Robert Lehman Collection. The Museum's holdings number approximately 2,500 works. The greatest strengths are in the areas of French painting (about 800 works) and Italian painting (about 700 works); the balance is represented by the Dutch, British, Netherlandish, German, Spanish, and Flemish schools. This catalogue presents the collection chronologically and by national and regional school. Entries by artist are ordered in accordance with their known or implied birth dates; the works of individual artists are also arranged chronologically. There is an index by artist as well as an index by accession number. The text is complete as of March 1, 1995.

A Summary Catalogue

European Paintings in the Metropolitan Museum of Art by Artists Born Before 1865

Jackson Pollock

Nan Rosenthal

Lisa Mintz Messinger

The Jackson Pollock Sketchbooks in the Metropolitan Museum of Art

Marjorie Shelley

Metropolitan museum of art (New York, N.Y.).

Images of 18th-century Europe

Pastel Portraits

Joseph Baillio

Paul Lang

Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century french painters and among the most important women artists of all time. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age when women were rarely allowed either. Because of her close association with the queen Vigée Le Brun was forced to flee France during the French Revolution. For twelve years she traveled throughout Europe, painting noble sitters in the courts of Naples, Russia, Austria, and Prussia. She returned to France in 1802, under the reign of Emperor Napoleon I, where her creativity continued unabated. This handsome volume details Vigée Le Brun's story, portraying a talented artist who nimbly negotiated a shifting political and geographic landscape. Essays by international scholars address the ease with which this self-taught artist worked with monarchs, the nobility, court officials and luminaries of arts and letters, many of whom attended her famous salons. The position of women artists in Europe and at the Salons of the period is also explored, as are the challenges faced by Vigée Le Brun during her exile. The ninety paintings and pastels included in this volume attest to Vigée Le Brun's superb sense of color and expression. They include exquisite depictions of counts and countesses, princes and princesses alongside mothers and children, including the artist herself and her beloved daughter, Julie. A chronology of the life of Vigée Le Brun and a map of her travels accompany the text, elucidating the peregrinations of this remarkable, independent painter.

Vigée Le Brun

Katharine Baetjer

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