Katharine Eisaman Maus

Eric Rasmussen

David M. Bevington

Lars Engle

Popular in their own time, the 27 plays included here—by Christopher Marlowe, Ben Jonson, John Webster, Thomas Middleton, among many others—reveal why these playwrights' achievements, like Shakespeare's, deserve reading, teaching, and performing afresh in our time. Edited by a team of exceptional scholars and teachers, this anthology opens an extraordinary tradition in drama to new readers and audiences.

A Norton Anthology

English Renaissance Drama

Stephen Greenblatt

Jean E. Howard

Suzanne Gossett

Both an enhanced Digital Edition--the first ever edited specifically for undergraduates--and a handsome print volume, The Norton Shakespeare: Essential Plays / The Sonnets offers the twenty-one most-assigned plays and all of the sonnets in a portable and value-priced paperback. The new Third Edition provides a freshly edited text and acclaimed apparatus at an unmatched value. The attractive print/digital bundle gives students a rich reading experience in two ways: a print volume for their dorm shelf and lifetime library, and a digital edition ideal for in-class use. Accessed from a computer or table at no additional charge via the registration code in the print volume, the Digital Edition provides ready access to the texts and apparatus--enriched with multiple versions of the plays and media.

The Norton Shakespeare

William Shakespeare

Andrew Gurr

Walter Cohen

Jean Elizabeth Howard

Presents Shakespeare's complete works accompanied by timelines, genealogies, and selected archival documents

The Revenge Tragedy flourished in Britain in the late sixteenth and early seventeenth centuries. Each of the four plays here defines the problems of the revenge genre, and deals with fundamental moral questions about justice and the individual, while registering the strains of life in an increasingly fragile social hierarchy.

Four Revenge Tragedies

Jean Howard

The Norton Shakespeare: Essential Plays / The Sonnets offers the twenty most-assigned plays and all the sonnets in a compact, portable, and value-priced paperback with a host of features. Organized by genre, this volume includes the genre introductions enthusiastically received in The Norton Shakespeare, Second Edition: 'Shakespearean Tragedy' by Stephen Greenblatt, 'Shakespearean Comedy' by Katharine Eisaman Maus, 'Shakespearean History' by Jean E. Howard, and 'Shakespearean Romance' by Walter Cohen. Like its parent volume, this concise edition gives students the vibrant introductions, readable single-column format, helpful glosses and notes, and extensive reference materials-maps, a timeline, annotated bibliographies and film lists, documents-that have made The Norton Shakespeare, Second Edition the best-selling classroom edition worldwide.

Essential Plays, the Sonnets

This text explores the perceived discrepancy between outward appearance and inward disposition which, it argues, influenced the work of many English Renaissance dramatists and poets. The author examines various connections between religious, legal, sexual and theatrical ideas of inward truth.

Inwardness and Theater in the English Renaissance

Katharine Eisaman Maus explores Renaissance writers' uneasy preoccupation with the inwardness and invisibility of truth. The perceived discrepancy between a person's outward appearance and inward disposition, she argues, deeply influenced the ways English Renaissance dramatists and poets conceived of the theater, imagined dramatic characters, and reflected upon their own creativity. Reading works by Kyd, Marlowe, Shakespeare, Jonson, and Milton in conjuction with sectarian polemics, gynecological treatises, and accounts of criminal prosecutions, Maus delineates unexplored connections among religious, legal, sexual, and theatrical ideas of inward truth. She reveals what was at stake—ethically, politically, epistemologically, and theologically—when a writer in early modern England appealed to the difference between external show and interior authenticity. Challenging the recent tendency to see early modern selfhood as defined in wholly public terms, Maus argues that Renaissance dramatists continually payed homage to aspects of inner life they felt could never be manifested onstage.

David M Bevington

Elizabeth D. Harvey

This collection gathers new essays by critics and scholars who are currently reshaping our sense of the function and nature of seventeenth-century poetry. Contributors return to the New Critical canon of Renaissance poetry with fresh perspectives that emphasize considerations of gender, ideology, power, and language. In the first group of essays, David Norbrook, Annabel Patterson, John Guillory, Rosemary Kegl, and Stephen Orgel explore the various ways in which a text can be "political." Next, Arthur Marotti, Jane Tylus, and Jonathan Goldberg consider the circumstances of textual production and reception in the seventeenth century. Finally, Stanley Fish, Gordon Braden, Michael C. Schoenfeldt, and Maureen Quilligan discuss the particular forms of anxiety that result when seventeenth-century poets modify the traditional rhetoric of sexual desire to serve what seem to be erotic or religious purposes. These essays, accompanied by an extensive editors' introduction, intersect less in their shared enthusiasm for particular authors or interpretative methods than in a common interest in particular critical issues. They present the most exciting work by critics redefining Renaissance studies.

Literary Theory and Seventeenth-Century English Poetry

Soliciting Interpretation

George M. Logan

Alfred David

Lawrence Lipking

Barbara Kiefer Lewalski

Read by millions of students over seven editions, The Norton Anthology of English Literature remains the most trusted undergraduate survey of English literature available and one of the most successful college texts ever published.

The Norton Anthology of English Literature

(The Spanish Tragedy, The Revenger's Tragedy, The Revenge of Bussy D'Ambois, and The Atheist's Tragedy)

Stephen J. Greenblatt

Upon publication in 1997, The Norton Shakespeare set a new standard for teaching editions of Shakespeare's complete works.

Romances and Poems

Being and Having in Shakespeare is a revised and expanded version of the 2010 Oxford Wells Shakespeare Lectures exploring the politics of authority and ownership in Shakespeare's plays.

Being and Having in Shakespeare

Katharine Maus explores the biographical reasons for Jonson's preference for particular Latin authors; the effects of Roman moral and psychological paradigms on his methods of characterization and generic choices; the connection between his critical theory and artistic practice; and the impact of Roman social theory on his portrayal of communities and on his peculiar relationship with his audiences. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Katharine Eisaman Maus

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