Katherine A. Bussard

Photographs by Tina Barney, Philip-Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan (Art Institute of Chicago)

So the Story Goes

Lisa Hostetler

"Copublished with the Milwaukee Art Museum on the occasion of the exhibition, Color rush: 75 years of color photography in America, on view February 22 to May 19, 2013."--Colophon.

American Color Photography from Stieglitz to Sherman

Color Rush

Alison Fisher

Gregory Foster-Rice

An unprecedented exploration of the relationship between art, architecture, social history, and public policy in New York, Chicago, and Los Angeles in the 1960s and '70s

Capturing New York, Chicago, and Los Angeles, 1960-1980

The City Lost and Found

divRevolutionizing the history of street photography, Unfamiliar Streets demonstrates an expanded understanding of the genre through the work of a fashion photographer, a photojournalist, a conceptual artist, and a contemporary artist. /DIV

The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca DiCorcia

Unfamiliar Streets

Kristen Gresh

The first comprehensive consideration of Life magazine's groundbreaking and influential contribution to the history of photography From the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this volume examines how the magazine's use of images fundamentally shaped the modern idea of photography in the United States. The work of photographers both celebrated and overlooked--including Margaret Bourke-White, Larry Burrows, Henri Cartier-Bresson, Frank Dandridge, Alfred Eisenstaedt, Fritz Goro, Gordon Parks, and W. Eugene Smith--is explored in the context of the creative and editorial structures at Life. Contributions from 25 scholars in a range of fields, from art history to American studies, provide insights into how the photographs published in Life--used to promote a predominately white, middle-class perspective--came to play a role in cultural dialogues in the United States around war, race, technology, art, and national identity. Drawing on unprecedented access to Life magazine's picture and paper archives, as well as photographers' archives, this generously illustrated volume presents previously unpublished materials, such as caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays.

Katherine A. Bussard

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