Kathleen Mary Glenn

Angeles Encinar

escritores españoles contemporáneos (1984-2004)

La pluralidad narrativa

Kathleen MacNerney

The desire to see afresh, to see differently, both old and not-so-old texts underliesVisions and Revisions: Women's Narrative in Twentieth-Century Spain. The authors studied, born between 1867 and l966, evince an interest in one or more of the issues that structure and give unity to this book: the construction of the self, concepts of gender and nation, center and margin, and efforts to recover and/or reconstruct the past, both individual and collective. In addition to focusing on questions that are currently of great critical interest, the volume features both Castilian and Catalan authors: Josefina Aldecoa, Carmen de Burgos, Maria Aurèlia Capmany, Dulce Chacón, Lucía Etxebarria, Ana María Moix, Carme Riera, Montserrat Roig, and Mercedes Salisachs. The contributors are distinguished Hispanists based in the United States, Spain, Canada, England, and New Zealand: Christine Arkinstall, Silvia Bermúdez, Maryellen Bieder, José F. Colmeiro, M. Àngels Francés, David K. Herzberger, P. Louise Johnson, Shirley Mangini, Esther Raventós-Pons, and Lisa Vollendorf. Their essays, which employ a variety of critical and theoretical approaches, will be of special interest to students of twentieth-century Peninsular literature, comparative literature, women's studies, and feminist criticism.

Women's Narrative in Twentieth-century Spain

Visions and Revisions

Mirella D'Ambrosio Servodidio

Mary Seale Vásquez

This collection reveals the richness of the narrative fiction of prizewinning writer Carme Riera. Riera forms part of the veritable explosion of literature by women writers in post-Franco Spain and she is specifically linked to the talented constellation of women writing in Catalan. Moveable Margins opens with an overview of Carme Riera's life and opus followed by a section with a preface by Riera and two interviews bringing the writer herself into bold relief and facilitating the reader's unmediated access to her thinking. The second section contains ten critical essays that apply widely varying critical approaches that range from feminist, psycho-analytical, formalist, poststructuralist, new historical, and intertextual to postmodern and postcolonial. The volume also features Riera's hitherto unpublished play in the Catalan original and in English translation. This book will appeal to those interested in twentieth-century Peninsular literature, comparative literature, feminist criticism, gender studies, and cultural studies.

The Narrative Art of Carme Riera

Moveable Margins

Women's Narrative and Film in 20th Century Spain examines the development of the feminine cultural tradition in spain and how this tradition reshaped and defined a Spanish national identity. Each chapter focuses on representation of autobiography, alienation and exile, marginality, race, eroticism, political activism, and feminism within the ever-changing nationalisms in different regions of Spain. The book describes how concepts of gender and difference shaped the individual, collective, and national identities of Spanish women and significantly modified the meaning and representation of female sexuality.

A World of Difference(s)

Women's Narrative and Film in Twentieth-century Spain

Mercedes Mazquiarán de Rodríguez

Never before has a book examined Spanish women and their mastery of the essay. In the groundbreaking collection Spanish Women Writers and the Essay, Kathleen M. Glenn and Mercedes Mazquiarán de Rodríguez help to rediscover the neglected genre, which has long been considered a "masculine" form. Taking a feminist perspective, the editors examine why Spanish women have been so drawn to the essay through the decades, from Concepción Arenal's nineteenth-century writings to the modern works of Rosa Montero. Spanish women, historically denied a public voice, have discovered an outlet for their expression via the essay. As essayists, they are granted the authority to address subjects they personally deem important, discuss historical and sociopolitical issues, and denounce female subordination. This genre, which attracts a different audience than does the novel or poem, allows Spanish women writers to engage in a direct dialogue with their readers. Featuring twelve critical investigations of influential female essayists, Spanish Women Writers and the Essay illustrates Spanish women writers' command of the genre, their incorporation of both the ideological and the aesthetic into one concise form, and their skillful use of various strategies for influencing their readers. This fascinating study, which provides English translations for all quotations, will appeal to anyone interested in nineteenth- and twentieth-century Spanish literature, comparative literature, feminist criticism, or women's studies.

Gender, Politics, and the Self

Spanish Women Writers and the Essay

Janet Pérez

Cristina Fernandez Cubas is, without question, one of the most important of the Spanish writers who have begun to publish since the end of the Franco dictatorship. Credited with playing a major role in the renaissance of the short story in Spain, she has won national and international acclaim for her fiction. Works by her have been translated into eight languages and have become a staple of university courses on contemporary Peninsular literature. Fernandez Cubas has created a remarkably coherent narrative world, nourished by a core of fundamental concerns. The eleven essays of Mapping the Fiction of Cristina Fernandez Cubas examine the intellectual preoccupations, narrative strategies, and rhetorical devices that distinguish the four volumes of short stories, two novels, the play, and the book of memoirs that she has published to date.

Kathleen Mary Glenn

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